Adèle Romany portretas

Adèle Romany tapiai: 37 garsiausi πίναšiai, galerijos akimis

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 39 Adèle Romany darbai mūsų kataloge

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Galerijos akimais, garsiausias Adèle Romany tapas yra Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), kurio originalas eksponuojamas National Museum of Women in the Arts, Vašingtonas, D.C.. Madame Coury, Duhamel Widow (1811) ir Portrait of a Young Woman (1804) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 39 Adèle Romany darbų mūsų kataloge, galerija žemiau pristato 37 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.

1769 – 1846, Paris Neoclassicism Daugiausia darbų: Library-museum of the Comédie-Française
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) aut. Adèle Romany1. Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 Madame Coury, Duhamel Widow (1811) aut. Adèle Romany2. Madame Coury, Duhamel Widow 1811 Portrait of a Young Woman (1804) aut. Adèle Romany3. Portrait of a Young Woman 1804

10 geriausių galerijos Adèle Romany paveikslų

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) aut. Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Vašingtonas, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

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2
Madame Coury, Duhamel Widow (1811) aut. Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stokholmas

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Apie šį originalą
4
Portrait of Julie Candeille (1791) aut. Adèle Romany

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

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5
Portrait of a Young Harpist (1795) aut. Adèle Romany

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lilas

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

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6
Portrait of a woman (1795) aut. Adèle Romany

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Paris

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

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7
Portrait of Amélie-Justine Pontois (1795) aut. Adèle Romany

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

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8
Charles-Antoine d'Artenay (1792) aut. Adèle Romany

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Versalio

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

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9
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) aut. Adèle Romany

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

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10
A young person hesitating to play the piano in front of her family (1804) aut. Adèle Romany

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

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Adèle Romany tapiai, rangos nuo 11 iki 37

11Presumed self-portrait (1799) aut. Adèle RomanyPresumed self-portrait1799 · Musée des Beaux-Arts de Rouen 12Young lovers playing the lyre (1802) aut. Adèle RomanyYoung lovers playing the lyre1802 13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) aut. Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin 14Portrait of Justine-Louise Mercier, aunt of the artist (1798) aut. Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 15Louis Jean-Baptiste Étienne Vigée (1800) aut. Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 16Portrait de Mme Thénard (1800) aut. Adèle RomanyPortrait de Mme Thénard1800 · Carnavalet muziejus 17Full-length Portrait of a Young Lady Seated in a Landscape (1805) aut. Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié 18Portrait of a Lady at a Pianoforte (1808) aut. Adèle RomanyPortrait of a Lady at a Pianoforte1808 · Museum of Fine Arts 19portrait of Pierre-Marie-Nicolas Michelot (1807) aut. Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) aut. Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · Museum of Fine Arts 21Portrait of Emilie Leverd (1808) aut. Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française 22Mlle Raucourt as Agrippine (1812) aut. Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française 23Portrait of Joseph Souberbielle (1814) aut. Adèle RomanyPortrait of Joseph Souberbielle1814 24Portrait of mademoiselle A.P. (1806) aut. Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai 25Portrait of Antoine Valedau (1809) aut. Adèle RomanyPortrait of Antoine Valedau1809 · Musée Fabre 26Portrait of Alphonse de Chavanges (1812) aut. Adèle RomanyPortrait of Alphonse de Chavanges1812 27Portrait of Michael Kelly (1810) aut. Adèle RomanyPortrait of Michael Kelly1810 28Portrait of Fleury (1818) aut. Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française 29The Marquis de Romance Mesmon's snack (1815) aut. Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · Château de Versailles 30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) aut. Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 31Portrait of Amélie-Justine Laidin de la Bouterie (1818) aut. Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) aut. Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin 33Mlle Prévost de l’Opéra Comique (1830) aut. Adèle RomanyMlle Prévost de l’Opéra Comique1830 34The Flight from the Village Fire (1833) aut. Adèle RomanyThe Flight from the Village Fire1833 35Portrait of Voltaire (1836) aut. Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française 36Baptiste cadet (1832) aut. Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française 37Portrait of Auguste Vestris (1793) aut. Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art

žymios Adèle Romany tapiojamos, pagal laikotarpį

Early Period

1791 – 1798 · 7 darbai šiame sąraše
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

Mature Period

1799 – 1833 · 28 darbai šiame sąraše
Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

Temos, kurios domino Adèle Romany

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Woman 24 darbai

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

Man 14 darbai

Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

White dress 6 darbai

Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

White cravat 6 darbai

Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Museum of Fine Arts Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Château de Versailles Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

Muziejai, kuriuose saugomi Adèle Romany originalūs darbai

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Adèle Romany darbai Šiojo sąrašo paveikslai
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersalioChâteau de Versailles Versalio 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Museum of Fine Arts, BostonasMuseum of Fine Arts Bostonas 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Vašingtonas, D.C.National Museum of Women in the Arts Vašingtonas, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StokholmasNationalmuseum Stokholmas 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ParyžiusMusée Marmottan Monet Paryžius 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LilasPalais des Beaux-Arts de Lille Lilas 1 Portrait of a Young Harpist
Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

Adèle Romany, po vieno ikoninio paveikslio kiekvienam dešimtmenės laikotarpiui

Darbai pagal dešimtmečius

Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.

Adèle Romany tapyiniai: galerijos atsakymai

Kuris Adèle Romany paveikslas yra pats garsiausias iš visų?Atsakymas

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Vašingtonas, D.C.. Toliau seka Madame Coury, Duhamel Widow (1811) ir Portrait of a Young Woman (1804).

Kiek metų buvo Adèle Romany, kai sukūrė Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Atsakymas

26 metų amžiaus: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou sukurta 1795 m. Nr. Adèle Romany gimė 1769.

Kuriose yra 10 geriausių Adèle Romany paveikslų?Atsakymas

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ir A young person hesitating to play the piano in front of her family. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek kūrinių sukūrė Adèle Romany?Atsakymas

Mūsų kataloge yra 39 Adèle Romany darbų, skirtų laikotarpiui nuo 1791 iki 1836.

Kur kabinami garsiausi Adèle Romany originalūs darbai?Atsakymas

Daugiausia – Library-museum of the Comédie-Française (Paris), Château de Versailles (Versalio) ir Museum of Fine Arts (Bostonas). Viršuje esančiame muziejų sąraše yra visi jie.

Kada Adèle Romany sukūrė savo garsiausias paveikslus?Atsakymas

1800s laikotarpiu: 13 iš 37 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of a Young Woman.

Kokie yra ankstyviausi ir vėliausi garsieji Adèle Romany kūriniai?Atsakymas

Šioje pusėje seniausias darbas yra Portrait of Julie Candeille (1791), o naujausias – Portrait of Voltaire (1836).

Kurią temą Adèle Romany kūrė dažniausiai?Atsakymas

Woman (24), Man (14) ir White dress (6) iš 37 šioje pusėje esamų darbų.

Kurią techniką Adèle Romany naudojo dažniausiai?Atsakymas

Oil On Canvas, iš 37 šios puslapio darbų – 29.

Su kokiu kierliu siejama Adèle Romany?Atsakymas

Neoclassicism, vadovaujantis šios puslapio originalais kūriniais.

Kurių Adèle Romany originalų turi Library-museum of the Comédie-Française?Atsakymas

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ir Portrait of Fleury: Library-museum of the Comédie-Française, Paris kolekcijoje yra 5 šioje pusėje esančių darbų.

Adèle Romany: menininkas

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

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