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Self-portrait

Vardas Klasė Data

Joaquin Sorolla, Self-portrait (1909). Viešasis domenas Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Joaquin Sorolla originaluniqueart.com/lt/artists/joaquin-sorolla_lt/
Autoriaus datys
1863 – 1923
Spalvotas
1909
Technika
Oil On Canvas
Judėjimas
Late Impressionism
Laikotarpis
19th Century
Artistic style
Impressionist
Influences
Sorolla
Notable elements
Cowboy hat, gun, light
Subject or theme
Self-portraiture

Kontekste

Self-portrait — Joaquin Sorolla

Kada tai buvo nupiesta?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Viršuje esanti eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje — 0 gimimo metu, 60 mirtės metu.

Paveikta menininkui būnant 46 metų. Degimo metai: 60. 329 iš 558 šio kūrinio autoriui datuotų darbų mūsų kataloge buvo sukurti anksčiau.

Šviesoplėvis: Joaquin Sorolla gyvenimas (1863–1923) ▲ šis kūrinys, 1909 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Pirmieji darbai: iki 1901 Pagrindiniai kūrybos metai: 1901–1911 Vėlesni darbai: nuo 1911

Šios trys juostos šio katalogo darbus, turinčius nurodytą datą, skirsto į pirmą ketvirtį, vidurinę dalį ir paskutinį ketvirtį. Jos nėra pilna kūrybos apimtis: retas kūrybos laikotarpis gali būti tiesiog praleista istorinė detalė, o ne tiesiog tylos periodas. Tie patys metai, su šiaame laikotarpyje įrašytu paveikslėlio kūrinio gyvenimu

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: originaluniqueart.com/lt/art/similar/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Black #141013

    Kataloguota paletė

    • #141013
    • #78685B
    • #473F39
    • #C7B3A3

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Paletė
    Earthy Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinės spalvos pavadinimas
    Black
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Balanced Harmony Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Deep_shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos Joaquin Sorolla darbai per pastaruosius dvylika mėnesių — iš viso 48 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 41,5%
    2. 2 Jungtinės Amerikos Valstijos 8,4%
    3. 3 Prancūzija 6,1%
    4. 4 Ispanija 5,2%
    5. 5 Pietų Korėja 4,8%
    6. 6 Singapūras 4,8%
    7. 7 Honkongas 4,4%
    8. 8 Rumunija 4,2%
    9. 9 Italija 3,1%
    10. 10 Jungtinė Karalystė 2,3%
    11. · 38 kitų šalių 15,2%

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi Joaquin Sorolla kūriniai (žiūrėtos dalis: 20)

    1. 1 Miela merginė su gėlėmis, 1886 6,9%
    2. 2 Pasivaikščiojimas pakartotėje, 1909 2,0%
    3. 3 Seville, the Dance, 1915 1,5%
    4. 4 Running along the beach, 1908 1,4%
    5. 5 Valencia beach in the morning light, 1908 1,4%
    6. 6 Sewing the Sail, 1896 1,2%
    7. 7 Coast at Santa Cristina, 1914 1,1%
    8. 8 bacante, 1886 1,1%
    9. 9 Midday at Valencia beach, 1904 1,0%
    10. 10 Siesta, 1911 0,9%
    11. 11 On the Rocks at Javea, 1905 0,8%
    12. 12 Nude with Ball, 1887 0,8%
    13. 13 Swimmers, Jávea, 1905 0,8%
    14. 14 Clotilde on the Beach, 1904 0,8%
    15. 15 Valencijos žuvis, 1916 0,7%
    16. 16 Žvejų tinklai, 1893 0,7%
    17. 17 Sea Idyll, 1908 0,7%
    18. 18 Types of Lagartera or Lagarterana bride, 1912 0,7%
    19. 19 The Horse’s Bath, 1909 0,7%
    20. 418 Self-portrait, 1909 šis paveikslas 0,1%

    Kartu šie darbai sudaro 25,3% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 850 šio kūrybinio veikėjo darbų, iš kurių 457 buvo apžiūrėti bent vieną kartą. Šis paveikslas užima 418 vietą tarp jų, sulaukdamas 0,1% tokio dėmesio. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Apie šį kūrinį

    Self-portrait — Joaquin Sorolla

    A Portrait of Resilience: Joaquín Sorolla’s ‘Self-Portrait’

    Joaquín Sorolla y Bastida's 1909 self-portrait is more than just a likeness; it’s a potent distillation of the artist’s life, his spirit, and the very essence of Spain itself. Painted during a period of immense personal upheaval – following the death of his wife and child – this work reveals a profound sense of melancholy tempered by an unwavering gaze and a quiet dignity. The image depicts Sorolla himself, a man defined by his iconic cowboy hat, seated before a simple table laden with a bottle, instantly conjuring images of the Spanish countryside and a life lived outdoors. His hand rests upon a firearm, not as an instrument of aggression, but perhaps as a symbol of protection or simply a familiar tool of his outdoor pursuits – a reflection of his time spent painting landscapes and capturing the light.

    The Radiant Style of Valencian Impressionism

    Technique: Sorolla’s mastery is immediately apparent in his use of alla prima, or “at first sight,” a technique where he builds up the painting directly, layer upon layer, without extensive underpainting. This creates an incredible sense of immediacy and vibrancy, particularly evident in the way light dances across the canvas.

    Color Palette: The dominant hues – warm ochres, yellows, and blues – are characteristic of Valencian Impressionism, a movement Sorolla helped pioneer. He expertly employed broken color to capture the shimmering effects of sunlight, creating an almost palpable sense of warmth and atmosphere.

    Brushwork: Loose, expressive brushstrokes contribute significantly to the painting’s dynamism. They aren't meticulously controlled; instead, they convey a feeling of movement and energy, mirroring Sorolla’s own passionate approach to his art.

    Symbolism and Context – A Man Defined by Light

    The year 1909 was a pivotal one for Sorolla. He had recently returned from Rome, where he'd spent several years studying classical sculpture, but it was back in his beloved Valencia that he truly flourished. The presence of the bottle and the gun speaks to a life lived intensely, a life connected to both leisure and responsibility. The background figure, subtly included, adds another layer of complexity – perhaps representing family or simply the enduring influence of the Spanish landscape. Sorolla’s work during this period is often interpreted as a reflection of his personal struggles, yet it remains remarkably optimistic, imbued with a belief in the restorative power of light and nature.

    Emotional Resonance and Artistic Legacy

    “Self-Portrait” transcends a simple depiction of an individual; it’s a window into the soul of one of Spain's most beloved artists. Sorolla’s ability to capture both vulnerability and strength, sorrow and resilience, is what makes this painting so enduringly captivating. It exemplifies his signature style – a luminous celebration of Spanish light and life. WahooArt offers meticulously crafted hand-painted reproductions that faithfully recreate the brilliance and emotional depth of this iconic work, allowing you to experience Sorolla’s vision firsthand.

    Draugas ir muziejus

    Autorius

    Joaquin Sorolla

    Gimė Βαλένσια, Ισπανία

    Joaquín Sorolla y Bastida – A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years instilled within him a deep sensitivity to loss—a preoccupation with mortality that would inform much of his oeuvre. Born on February 27, 1863, in Valencia, Spain, he was the eldest child born to Joaquín Sorolla Bastida, a tradesman, and Concepción Bastida. His sister, Concha, arrived a year later. The sudden death of his parents from cholera at just two years old profoundly impacted his worldview, shaping his artistic vision with an awareness of fragility and beauty. Recognizing his exceptional talent early on, he commenced formal art education in Valencia under the tutelage of Cayetano Capuz and José Benlliure—artists who championed realism and employed meticulous observation as core tenets of their craft. This grounding in academic tradition provided a crucial foundation for Sorolla’s subsequent explorations into Impressionism and Luminism.

    A pivotal moment arrived when he embarked on his studies in Rome at the age of eighteen, securing a prestigious grant from the Valencian Diputación Provincial. Amidst the artistic fervor of the Italian capital—where he encountered luminaries like Francisco Pradilla Ortiz—Sorolla absorbed influences from masters such as Jules Bastien-Lepage and Adolf von Menzel, artists who championed expressive brushwork and captured atmospheric effects with remarkable precision. These encounters solidified his commitment to portraying light and color in ways that transcended mere representation, propelling him toward a distinctive artistic style.

    From Historical Narratives to Sun-Drenched Realism

    Sorolla’s initial artistic endeavors leaned towards historical painting—large-scale canvases depicting mythological scenes and grand narratives—reflecting the prevailing academic trends of his time. However, he swiftly transitioned away from these conventions as he returned to Spain and began to immerse himself in the everyday life of Valencian society. The intense Mediterranean sunlight, the shimmering sea, and the vibrant energy of the people became Sorolla’s primary subjects—a deliberate departure from formal historical depictions that prioritized grandeur over human experience. This shift wasn't abrupt; Sorolla continued to explore social realism with works like Sad Inheritance (1899)—a poignant portrayal of children afflicted by polio bathing in the sea—demonstrating a compassionate engagement with marginalized communities and signaling a broadening of his artistic horizons. The painting garnered considerable acclaim, yet it simultaneously revealed Sorolla’s capacity for confronting darker themes alongside radiant beauty.

    The Luminist Style: Capturing Fleeting Light

    Sorolla's artistic breakthrough occurred when he perfected his technique—a revolutionary approach known as Luminism—characterized by bold and impastoed brushstrokes that conveyed movement and atmosphere with unparalleled dynamism. Unlike Impressionists who sought to capture momentary impressions of light, Sorolla aimed to distill the essence of illumination itself—the way it danced on surfaces, refracted through water, and transformed ordinary scenes into spectacles of breathtaking splendor. He achieved this feat by working en plein air whenever possible—directly confronting the challenges posed by fluctuating weather conditions—resulting in canvases brimming with palpable energy and immediacy. His beach scenes—particularly Children on the Seashore (1904) and Sewing the Sail (1915)—became emblematic of his Luminist style—capturing not just visual details but also the intangible feeling of sunlight filtering through air, illuminating skin, and animating landscapes. Sorolla’s masterful handling of light elevated his paintings beyond mere depiction; he transformed them into embodiments of joy, vitality, and the sublime beauty of nature.

    Legacy and Recognition

    Joaquín Sorolla's artistic achievements cemented his place as one of Spain’s most celebrated painters—a figure whose influence extended far beyond his lifetime. He garnered international acclaim through prolific exhibitions in major cities across Europe and America—receiving numerous awards and commissions that underscored his stature as a leading artist of his era. His monumental mural cycle, Vision of Spain (1912-1928)—commissioned by the Hispanic Society of America—stands as an enduring testament to his artistic vision and technical prowess—a project undertaken during his final years and completed posthumously. Sorolla’s legacy continues to inspire artists today—his unwavering dedication to capturing light and color, coupled with his profound empathy for human experience—reminding us that art possesses the capacity to illuminate our world and transcend temporal boundaries. His paintings reside in prominent museums globally—including the Museo Sorolla in Madrid—where they continue to captivate audiences with their luminous beauty and evocative power.

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    QR kodas, vedantis į Self-portrait atsisiuntimo puslapį

    originaluniqueart.com/lt/art/download/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Citavimo šio kūrinio duomenys

    MLA
    Sorolla, Joaquin. Self-portrait. 1909, https://originaluniqueart.com/lt/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    APA
    Sorolla, Joaquin (1909). Self-portrait [Painting]. https://originaluniqueart.com/lt/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Chicago
    Joaquin Sorolla. Self-portrait. 1909. https://originaluniqueart.com/lt/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Harvard
    Sorolla, Joaquin (1909) Self-portrait. Available at: https://originaluniqueart.com/lt/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Atidžiai pastebėkite

    Self-portrait — Joaquin Sorolla

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Mūsų kataloge šis kūrinys priskirtas prie: self-portrait, cowboy hat, spanish artist. Ar sutinkate? Ką pridėtumėte arba pašalintumėte?
    4. Prisiminkite Valencia beach in the morning light (1908), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    5. Joaquin Sorolla buvo apie 46 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Klausimai ir atsakymai

    Ar galima atsisiųsti „Self-portrait“ vaizdą?

    „Self-portrait“ – Joaquin Sorolla galite atsisiųsti iš kūrinio Atsisiųsti skaitmeninį vaizdą puslapio kaip aukštos raiškos skaitmeninio vaizdo atsisiuntimas.

    Koks yra rekomenduojamas „Self-portrait“ spausdinimo formatas – koks dydis ir orientacija?

    Dėl „Self-portrait“ rekomenduojamas spausdinimo nustatymas yra Large dydžio ir Portrait orientacijos.

    Ar „Self-portrait“ pasižymi stipriais šviesos ir tamsos kontrastais?

    „Self-portrait“ – Joaquin Sorolla pasižymi Statement šviesių ir tamsių sričių kontrastu.