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Samuel Gregson

Vardas Klasė Data

James Lonsdale, Samuel Gregson, Lancaster Town Hall. Viešasis domenas Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
James Lonsdale originaluniqueart.com/lt/artists/james-lonsdale/
Autoriaus datys
1777 – 1839
Originalus dydis
76 x 62 cm
Viešintas
Lancaster Town Hall originaluniqueart.com/lt/museums/lancaster-town-hall-lancaster/

Kontekste

Samuel Gregson — James Lonsdale

Koks yra jo dydis?

Originalūs matmenys yra 76 × 62 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada šis kūrinys galėjo būti nupieštas?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830

Viršuje esanti eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje — 0 gimimo metu, 62 mirtės metu.

Šviesoplėvis: James Lonsdale gyvenimas (1777–1839) kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Pirmieji darbai: iki 1810 Pagrindiniai kūrybos metai: 1810–1825 Vėlesni darbai: nuo 1825

Šios trys juostos šio katalogo darbus, turinčius nurodytą datą, skirsto į pirmą ketvirtį, vidurinę dalį ir paskutinį ketvirtį. Jos nėra pilna kūrybos apimtis: retas kūrybos laikotarpis gali būti tiesiog praleista istorinė detalė, o ne tiesiog tylos periodas. Tie patys metai, su šiaame laikotarpyje įrašytu paveikslėlio kūrinio gyvenimu

Šio įrašo metinė data nėra tiksliai nurodyta — remdamiesi atlikėjo gyvenimo metais ir kūrinio stiliumi, kokį dešimtmetį numatytumėte?

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: originaluniqueart.com/lt/art/similar/james-lonsdale-samuel-gregson-AQUCQX-en/

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Walnut #80572a

    Kataloguota paletė

    • #80572A
    • #231F14
    • #B68F4D
    • #352C1E

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Paletė
    Earthy Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinės spalvos pavadinimas
    Walnut
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Serene Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Deep_shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos James Lonsdale darbai per pastaruosius dvylika mėnesių — iš viso 5 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 60,9%
    2. 2 Jungtinės Amerikos Valstijos 17,4%
    3. 3 Jungtinė Karalystė 8,7%
    4. 4 Singapūras 8,7%
    5. 5 Honkongas 4,3%

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi James Lonsdale kūriniai (žiūrėtos dalis: 20)

    1. 1 John Ellman 16,0%
    2. 2 James Elmes (1782–1862), 1810 8,0%
    3. 3 Angelica Catalani (1780–1849), 1808 4,0%
    4. 4 Caroline Amelia Elizabeth of Brunswick, 1820 4,0%
    5. 5 Mary Dalton, Daughter of John Dalton and Mary Dalton, née Gage, 1819 4,0%
    6. 6 Abraham Rees, 1802 4,0%
    7. 7 Caroline of Brunswick (1768–1821), Consort of George IV, 1820 4,0%
    8. 8 Susan, Daughter of Thomas Townley Parker, 1809 4,0%
    9. 9 Thomas Stewart Traill (1781–1862), 1832 4,0%
    10. 10 Sir Thomas Stamford Raffles (1781–1826), 1817 4,0%
    11. 11 Self Portrait, 1810 4,0%
    12. 12 John Lewis Petit (1736–1780), Physician, Pensioner (1752), Censor of the Royal College of Physicians 4,0%
    13. 13 John Reay, Sheriff of London (1814–1815) 4,0%
    14. 14 General Isaac Gascoyne (1770–1841), 1829 4,0%
    15. 15 Charles Howard (1746–1815), 11th Duke of Norfolk, 1816 4,0%
    16. 16 John Pepys (c.1776–1866) 4,0%
    17. 17 Charles Wellbeloved (1769–1858), 1826 4,0%
    18. 18 Louisa Wildman (1800–1879) 4,0%
    19. 19 Augustus Frederick (1773–1843), Duke of Sussex 4,0%
    20. — Samuel Gregson šis paveikslas 0,0%

    Kartu šie darbai sudaro 92,0% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 65 šio kūrybinio veikėjo darbų, iš kurių 21 buvo apžiūrėti bent vieną kartą. Šiam paveikslui kol kas belum buvo žiūrėta — jis uždaro sąrašą neturint įvertinimo. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Draugas ir muziejus

    Autorius

    James Lonsdale

    The Genesis of a Portraitist

    Born in the historic city of Lancaster on May 16, 1777, James Lonsdale emerged from a background of intellectual stability as the son of William Lonsdale, a respected solicitor. While his lineage suggested a path toward law, the seeds of artistic passion were sown early through the nurturing encouragement of his father and the keen eye of Richard Threlfall. As an architect of Lancaster, Threlfall recognized a burgeoning brilliance in the young Lonsdale, providing him with access to the refined atmosphere of Ashton Hall. It was within these aristocratic circles that Lonsdale first encountered the elegance of high society, an experience that would later serve as the very foundation of his professional life and subject matter.

    Before ascending to the prestigious halls of formal art education, Lonsdale’s hands were practiced in the meticulous world of pattern design at Margerison and Glover’s print-works. This early immersion in draughtsmanship instilled in him a disciplined precision, a quality that would become indispensable when he transitioned from decorative arts to the profound complexities of portraiture. His journey reached a definitive turning point in October 1801, when he entered the Royal Academy Schools. Under the tutelage of the legendary George Romney, Lonsdale underwent a transformative period of refinement. Romney’s influence was more than academic; it was an infusion of soul into technique, teaching Lonsdale how to balance meticulous anatomical accuracy with a certain poetic vitality that breathed life into his sitters.

    A Legacy of Character and Command

    Lonsdale’s career was defined by a prolific output and an unwavering commitment to the depiction of the British elite. Between 1802 and 1838, he exhibited approximately 130 works at the Royal Academy, establishing himself as a mainstay of the era's artistic landscape. His talent was not merely in capturing a likeness, but in navigating the psychological terrain of his subjects. Whether painting prominent statesmen, literary giants, or members of the landed gentry, Lonsdale possessed a rare ability to convey both the social stature and the inner temperament of those who sat before him.

    His contributions to the institutional fabric of British art were equally significant. Alongside the great Sir Thomas Lawrence, Lonsdale stood as a founding member of the Society of British Artists, an endeavor that sought to provide a platform for artists outside the traditional hegemony of the Royal Academy. This spirit of innovation and professional organization marked him as a pivotal figure in the evolution of the British art market.

    The breadth of his technical ambition is perhaps best exemplified by his most monumental commissions. One of his most celebrated achievements remains the grand depiction of King John signing the Magna Carta for the Duke of Norfolk at Arundel Castle. This work, far more than a mere historical record, stands as a testament to his ability to manage complex compositions, dramatic lighting, and the weight of historical gravity. Through such works, Lonsdale bridged the gap between intimate portraiture and epic historical narrative, ensuring his place in the annals of nineteenth-century art history.

    Reflecting on his life and contributions, several key pillars of his legacy emerge:

    Technical Mastery: A seamless blend of Romney’s expressive style with a disciplined, draughtsman-like precision.

    Historical Significance: His role as a founder of the Society of British Artists helped reshape the professional landscape for UK artists.

    Psychological Depth: An ability to move beyond superficial resemblance to capture the true essence and character of his subjects.

    Versatility: The capacity to transition from delicate portraits of nobility to large-scale, dramatic historical scenes.

    Muziejus

    Lancaster Town Hall

    Parodoma Lancaster, United States of America

    A Legacy Etched in Stone: Discovering Lancaster Town Hall

    Lancaster Town Hall stands as a proud sentinel of Lancashire’s rich past, a building that doesn't merely house history but is history. More than just a municipal structure, it is a captivating museum offering an immersive journey through the region’s evolution, from its prehistoric roots to the vibrant present day. The very fabric of the Town Hall speaks volumes – a stunning embodiment of Georgian architecture characterized by elegant symmetry and classic proportions that whisper tales of a bygone era. Commissioned in 1909 to replace an aging predecessor, it was designed by Edward Mountford and Thomas Lucas, with meticulous stonework, furniture, and carvings executed by Waring & Gillow. The building’s creation wasn't simply about replacing old infrastructure; it was a statement of civic pride, funded entirely by Lord Ashton, who envisioned a space that would serve as the heart of Lancaster for generations to come. This dedication is visible in every detail, from the sculpted pediment crafted by F.W. Pomeroy to the radiant stained glass windows created by Shrigley and Hunt – each element meticulously chosen to convey a sense of grandeur and permanence.

    Architectural Marvel:

    The building’s Georgian design—a testament to refined taste and structural integrity—immediately transports visitors back to the early 20th century, showcasing masterful craftsmanship and attention to detail.

    Stained Glass Windows:

    Shrigley and Hunt's stained glass windows depict scenes of Lancaster’s history and heraldry, bathing the interior spaces in ethereal light and adding a layer of artistic beauty to the architectural grandeur.

    Echoes of Valor: The King’s Own Regimental Museum

    Within the Town Hall’s walls resides a particularly poignant collection – the King’s Own Regimental Museum. This dedicated space offers a powerful tribute to the military heritage of Lancaster, showcasing an extensive array of regimental memorabilia and uniforms that bring centuries of service to life. Visitors can trace the lineage and traditions of the King’s Own Regiment, gaining insight into their pivotal role in regional and national conflicts. The exhibits aren't simply displays of artifacts; they are windows into the lives of soldiers, offering a tangible connection to their courage, sacrifice, and unwavering dedication. It is a space that resonates with stories of bravery and resilience, reminding us of the human cost of conflict and the enduring spirit of those who served. The museum’s collection provides a unique opportunity to understand not only military strategy but also the social and cultural impact of war on the local community.

    Regimental History:

    Explore the history of Lancaster's most prominent regiment, delving into their battles, achievements, and contributions to British military tradition.

    Personal Stories:

    Examine portraits and biographical accounts that illuminate the lives of individual soldiers—their experiences, motivations, and impact on the wider community.

    Artistic Reflections: A Cultural Tapestry

    Beyond its historical and military significance, Lancaster Town Hall boasts an impressive art collection that reflects the evolving cultural landscape of the region. Historical paintings and decorative arts offer a glimpse into the artistic sensibilities of past generations, showcasing the talent and creativity that flourished within Lancashire. These artworks aren’t isolated pieces; they are interwoven with the broader narrative of Lancaster's history, providing visual commentary on social trends, political events, and everyday life. The collection is constantly evolving, offering fresh perspectives and inviting visitors to engage with art in a meaningful way. Furthermore, contemporary exhibitions regularly enliven the Town Hall’s spaces, fostering dialogue between artistic traditions and stimulating intellectual curiosity.

    Lancashire Artists:

    Admire works by local artists who captured the spirit of Lancaster throughout different eras—from Romantic landscapes to Victorian portraits.

    Contemporary Exhibitions:

    Discover innovative artistic expressions that challenge conventions and explore pressing social issues, enriching visitors’ understanding of contemporary culture.

    A Living Monument: Preserving Lancaster’s Identity

    Lancaster Town Hall isn't merely a repository of artifacts; it is a living monument to the city’s enduring spirit. Throughout its history, the building has witnessed countless significant events, serving as a backdrop for civic ceremonies, political debates, and moments of both celebration and sorrow. From hosting trials – including early stages of the infamous Dr Buck Ruxton case – to welcoming Queen Elizabeth II in 1955, the Town Hall’s walls have absorbed the echoes of Lancaster's past. Even during times of crisis, such as the COVID-19 pandemic, the building adapted and served a vital function, temporarily housing emergency court proceedings. This adaptability underscores its enduring relevance and its commitment to serving the community. What truly sets Lancaster Town Hall apart is this unique combination of architectural grandeur, diverse collections, and unwavering dedication to preserving Lancaster’s multifaceted heritage – making it an essential destination for anyone seeking to understand the heart and soul of this historic city.

    Historic Trials:

    Reflect on pivotal legal proceedings that unfolded within the Town Hall's walls—events that shaped Lancaster’s legal history and captured the anxieties of a turbulent period.

    Royal Visits:

    Recall moments of national pride as Queen Elizabeth II graced Lancaster Town Hall, symbolizing the city’s connection to British monarchy and its role in shaping the nation’s narrative.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Samuel Gregson atsisiuntimo puslapį

    originaluniqueart.com/lt/art/download/james-lonsdale-samuel-gregson-AQUCQX-en/

    Citavimo šio kūrinio duomenys

    MLA
    Lonsdale, James. Samuel Gregson. n.d., Lancaster Town Hall. https://originaluniqueart.com/lt/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    APA
    Lonsdale, James (n.d.). Samuel Gregson [Painting]. Lancaster Town Hall. https://originaluniqueart.com/lt/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Chicago
    James Lonsdale. Samuel Gregson. n.d. Lancaster Town Hall. https://originaluniqueart.com/lt/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Harvard
    Lonsdale, James (n.d.) Samuel Gregson. Lancaster Town Hall. Available at: https://originaluniqueart.com/lt/art/james-lonsdale-samuel-gregson-AQUCQX-en/

    Atidžiai pastebėkite

    Samuel Gregson — James Lonsdale

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Prisiminkite Dr Samuel Parr (1823), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    4. Kokius jausmus autorius galėjo norėti jus suėdinti?
    5. Jei galėtumėte autorui užduoti vieną klausimą apie šį kūrinį, kas tai būtų?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Klausimai ir atsakymai

    Ar James Lonsdale kūrinys „Samuel Gregson“ yra viešosios nuoslegos ir kodėl?

    „Samuel Gregson“ – James Lonsdale yra yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi. Autorinės teisės galioja nuo mirties metų, kai šis kūrėjas mirė 1839 m.

    Kokia bendra "Samuel Gregson" spalvų tonacija – šviesi ar tamsi?

    Perceptinis „Samuel Gregson“ – James Lonsdale ryškumas yra deep_shadow. Jį galima suderinti su intended erdvės apšvietimu.

    Koks yra „Samuel Gregson“ formatas?

    „Samuel Gregson“ – James Lonsdale kūrinio formatas yra Portrait. Formatas aprašo kompozicijos proporcijas.