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George Harrison, When Flooded Fields Reflect Departing Day, Alfred East Art Gallery. Reprodukcija skirta informacinėms tikslams; teisės saugomos. Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
George Harrison originaluniqueart.com/lt/artists/george-harrison_lt/
Autoriaus datys
1943 – 2001
Technika
Oil On Canvas
Originalus dydis
82 x 96 cm
Judėjimas
Impressionistic Landscape Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Viešintas
Alfred East Art Gallery originaluniqueart.com/lt/museums/alfred-east-art-gallery-kettering/
Artistic style
Loose brushstrokes; Emphasis on light and atmosphere
Influences
Indian classical music
Notable elements or techniques
Wet-on-wet technique; Atmospheric perspective
Subject or theme
Landscape; Sunset; Flooded field

Kontekste

When Flooded Fields Reflect Departing Day — George Harrison

Koks yra jo dydis?

Originalūs matmenys yra 82 × 96 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada šis kūrinys galėjo būti nupieštas?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Viršuje esanti eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje — 0 gimimo metu, 58 mirtės metu.

Šviesoplėvis: George Harrison gyvenimas (1943–2001) kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Šio įrašo metinė data nėra tiksliai nurodyta — remdamiesi atlikėjo gyvenimo metais ir kūrinio stiliumi, kokį dešimtmetį numatytumėte?

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: originaluniqueart.com/lt/art/similar/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/

Spalvos

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    Kataloguota paletė

    • #C1C8B7
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    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Paletė
    Neutrals Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinės spalvos pavadinimas
    Celadon
    Intensyvumas
    Balanced Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Bold Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Brilliant Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos George Harrison darbai per pastaruosius dvylika mėnesių — iš viso 1 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 100,0%

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi George Harrison kūriniai (žiūrėtos dalis: 4)

    1. 1 Warkton Bridge with a Lady, Northamptonshire 40,0%
    2. 2 Cottage Landscape with Cattle, North Wales 40,0%
    3. 3 Rišio Šviesė 20,0%
    4. — When Flooded Fields Reflect Departing Day šis paveikslas 0,0%

    Kartu šie darbai sudaro 100,0% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 13 šio kūrybinio veikėjo darbų, iš kurių 3 buvo apžiūrėti bent vieną kartą. Šiam paveikslui kol kas belum buvo žiūrėta — jis uždaro sąrašą neturint įvertinimo. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Apie šį kūrinį

    When Flooded Fields Reflect Departing Day — George Harrison

    When Flooded Fields Reflect Departing Day – A Symphony of Light and Tranquility

    George Harrison’s “When Flooded Fields Reflect Departing Day” isn't merely a landscape painting; it’s a distillation of mood, memory, and the profound connection between humanity and nature. Executed in 1950 by Alfred East Art Gallery, this tonalist masterpiece captures a quintessential English autumnal evening – a scene bathed in the melancholic beauty of fading sunlight over a tranquil flooded meadow. The artist's meticulous attention to detail isn’t about capturing every blade of grass or individual leaf; instead, he strives to convey an atmosphere of serene contemplation and quiet reverence for the natural world.

    Composition & Perspective: The horizontal orientation dominates the canvas, mirroring the expansive horizon line and the calm surface of the water. Trees strategically positioned in the foreground provide depth and scale, while a meandering river acts as a visual conduit, reflecting the ethereal hues of the sunset sky. Atmospheric perspective subtly diminishes distant hillsides, reinforcing the illusion of distance and creating a sense of profound tranquility.

    Color Palette & Technique: East’s masterful use of muted earth tones – predominantly grey-blue for the water and sky – is punctuated by delicate splashes of pink and orange from the setting sun. The tonalist technique—characterized by blending colors directly onto the canvas—creates soft transitions and emphasizes the diffused light conditions of dusk. Visible brushstrokes contribute to a textured surface that evokes the roughness of foliage and the fluidity of water, capturing the essence of the moment with remarkable sensitivity.

    Symbolism & Emotional Impact: The flooded field itself symbolizes resilience and abundance amidst adversity—a visual metaphor for enduring beauty despite passing time. Simultaneously, the departing sun embodies closure and reflection, prompting viewers to contemplate the ephemeral nature of existence. Harrison’s intention was not simply to depict a picturesque landscape but to evoke an emotional response rooted in nostalgia and appreciation for the sublime.

    Historical Context: Painted during the Edwardian era, “When Flooded Fields Reflect Departing Day” reflects the prevailing artistic sensibilities of its time—a move away from hyperrealism towards tonalism and Impressionism, prioritizing mood and atmosphere over precise representation. It exemplifies East’s signature style, blending meticulous observation with expressive brushwork to achieve a harmonious blend of realism and emotion.

    Materials & Craftsmanship: Crafted on canvas using oil paints—a technique favored by artists seeking luminosity and textural richness—the painting demonstrates exceptional craftsmanship. The artist's careful layering of pigments ensures that the colors retain their vibrancy over time, preserving the artwork’s original beauty for generations to come.

    Dimensions: 82 x 96 cm

    This stunning reproduction captures the spirit of Harrison’s vision—a testament to his ability to transform observation into evocative art that resonates deeply with the human experience. It's a piece ideal for interior designers seeking warmth and serenity, or collectors desiring an authentic glimpse into British landscape painting during its golden age.

    Draugas ir muziejus

    Autorius

    George Harrison

    Gimė Liverpool, United Kingdom

    A Quiet Revolution: George Harrison, Musician and Spiritual Seeker

    George Harold Harrison, born February 25, 1943, in Liverpool, England, wasn't merely “the quiet Beatle.” He was a pivotal figure in the evolution of popular music, a deeply spiritual individual whose journey profoundly shaped both his art and the cultural landscape of the 20th century. His story is one of subtle power, artistic growth blossoming within the confines of an iconic band, and ultimately, a triumphant solo career that cemented his place as a musical icon. Growing up in a working-class family in Wavertree, Liverpool, Harrison’s early life was steeped in the sounds of post-war Britain. While his peers were captivated by American rock ‘n’ roll pioneers like Elvis Presley and Chuck Berry, his mother's fondness for Indian classical music subtly planted a seed that would later blossom into a defining characteristic of his musical identity.

    His initial foray into music began at the age of fourteen with self-taught guitar lessons, fueled by an instinctive passion. This dedication led him to Paul McCartney, and through him, to John Lennon’s skiffle group, The Quarrymen – the nascent form of what would become the most influential band in history. Joining The Beatles was a transformative experience, yet initially, Harrison found himself somewhat overshadowed by the dominant songwriting partnership of Lennon and McCartney. For years, his creative contributions were limited, but this period wasn't one of dormancy; it was a time of intense musical apprenticeship, honing his guitar skills and absorbing the collaborative energy that defined the band’s early sound. As The Beatles evolved, so too did Harrison’s role within the group. From 1965 onwards, he began to assert his songwriting voice, offering tracks like “Taxman,” a wry commentary on British taxation, and increasingly complex compositions reflecting a growing maturity.

    From Shadows to Sunlight: Musical Evolution and Spiritual Exploration

    The mid-to-late 1960s witnessed a significant shift in Harrison’s musical contributions. Inspired by his travels and deepening interest in Indian culture, he introduced the sitar and other Eastern instruments into The Beatles' music, broadening their sonic palette and influencing countless musicians to follow. Songs like “Within You Without You” showcased his burgeoning spiritual exploration, drawing heavily from Hindu philosophy and incorporating traditional Indian instrumentation. This period also saw Harrison’s guitar playing evolve; he developed a distinctive style characterized by its melodic phrasing and innovative use of slide guitar, adding texture and depth to the band's sound. The influence of artists like Ravi Shankar became increasingly apparent, leading to collaborative projects that further blurred the lines between Eastern and Western musical traditions.

    A Solo Voice Emerges: All Things Must Pass and Beyond

    Following the Beatles’ breakup in 1970, Harrison embarked on a remarkably successful solo career. The release of All Things Must Pass, a sprawling triple album, marked a watershed moment, showcasing his songwriting prowess and establishing him as a force to be reckoned with outside the confines of the band. The album spawned numerous hit singles, including “My Sweet Lord,” which became one of the biggest-selling songs of all time, and demonstrated a newfound confidence and artistic freedom. Throughout the 1970s and beyond, Harrison continued to explore diverse musical styles, incorporating elements of rock, blues, gospel, and Indian classical music into his work. He organized the groundbreaking Concert for Bangladesh in 1971, a pioneering benefit concert that raised funds for refugees and demonstrated his commitment to humanitarian causes.

    Legacy: A Quiet Influence on Music and Spirituality

    George Harrison’s legacy extends far beyond his contributions as a Beatle. He was a visionary artist who fearlessly explored new musical territories and championed spiritual enlightenment through his music. His pioneering use of Indian instrumentation, his introspective songwriting, and his unwavering commitment to social justice left an indelible mark on popular culture. The Traveling Wilburys, formed in the late 1980s, further showcased his collaborative spirit and enduring talent. Though he faced personal challenges, including a near-fatal stabbing in 1999, Harrison remained a source of inspiration for generations of musicians and fans alike. His death in 2001 marked the loss of a true musical innovator, but his music continues to resonate with listeners worldwide, reminding us of the power of creativity, compassion, and spiritual exploration.

    Muziejus

    Alfred East Art Gallery

    Parodoma Kettering, United States of America

    A Sanctuary of Light and Landscape

    Nestled within the heart of Kettering, United States of America, the

    Alfred East Art Gallery

    serves as a profound window into the soul of British landscape painting, offering a serene retreat for those seeking to reconnect with the natural world through the lens of history. This is not merely a repository for canvas and pigment; it is a living narrative of regional heritage and artistic evolution. The gallery’s essence is deeply intertwined with the spirit of the 19th and 20th centuries, capturing a period where the romanticism of the English countryside met the delicate, atmospheric influences of the Barbizon school and the evocative aesthetics of Japanese art. To walk through its halls is to embark on a journey through time, where every brushstroke tells a story of light, shadow, and the enduring beauty of the local landscape.

    The heart of the collection beats most strongly with the works of

    Sir Alfred East

    himself, a master whose romantic landscapes possess an almost tactile quality. His celebrated piece,

    Midland Meadows

    , stands as a cornerstone of the gallery, brilliantly embodying the Barbizon influence through its use of muted, earthy tones and a masterful command of atmospheric perspective. This ability to convey the quiet grandeur and tranquil spirit of the local countryside is mirrored in the works of other notable British artists such as Thomas Cooper Gotch and Ralph Hartley. The collection is a rich tapestry of media, ranging from evocative oils and delicate watercolours to intricate etchings and modern photography, ensuring that the gallery remains a vibrant dialogue between the classical traditions of the past and the bold expressions of contemporary masters like Joan Eardley, Howard Hodgkin, and Eduardo Paolozzi.

    Architectural Intentionality and Community Spirit

    The architectural setting of the gallery is as much a part of the experience as the art it houses. Designed by the local architects

    Gotch and Saunders

    , the building was conceived as a purpose-built sanctuary for beauty. The spacious, light-filled interiors are designed to foster a sense of quiet contemplation, allowing visitors to lose themselves in the subtle textures of a landscape or the complex layers of a modern sculpture. This architectural intentionality creates an immersive environment where the boundary between the viewer and the artwork begins to dissolve, making it an essential destination for interior designers seeking inspiration in classical composition and art lovers yearning for a moment of stillness.

    What truly distinguishes the Alfred East Art Gallery is its unwavering commitment to community and the democratization of culture. With free admission, the gallery removes the barriers between the public and the profound, inviting everyone—from seasoned collectors to curious schoolchildren—to engage with the arts. Through interactive workshops and curated exhibitions that explore fascinating connections, such as the dialogue between British Romanticism and Japanese printmaking, the gallery fosters a deep, personal connection to the creative process. It remains a unique cultural landmark where local history and global artistic movements intertwelse, offering a timeless experience that celebrates the enduring power of human vision.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į When Flooded Fields Reflect Departing Day atsisiuntimo puslapį

    originaluniqueart.com/lt/art/download/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/

    Citavimo šio kūrinio duomenys

    MLA
    Harrison, George. When Flooded Fields Reflect Departing Day. n.d., Alfred East Art Gallery. https://originaluniqueart.com/lt/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/
    APA
    Harrison, George (n.d.). When Flooded Fields Reflect Departing Day [Painting]. Alfred East Art Gallery. https://originaluniqueart.com/lt/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/
    Chicago
    George Harrison. When Flooded Fields Reflect Departing Day. n.d. Alfred East Art Gallery. https://originaluniqueart.com/lt/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/
    Harvard
    Harrison, George (n.d.) When Flooded Fields Reflect Departing Day. Alfred East Art Gallery. Available at: https://originaluniqueart.com/lt/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/

    Atidžiai pastebėkite

    When Flooded Fields Reflect Departing Day — George Harrison

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Kiek veidų pavyksta rasti? ____ (mūsų kataloge jų 1 — sutinkate?)
    4. Mūsų kataloge šis kūrinys priskirtas prie: sunset landscape, flooded field, autumn light. Ar sutinkate? Ką pridėtumėte arba pašalintumėte?
    5. Prisiminkite Rišio Šviesė, apie kurį skaičiuojama šio vadovėjo pradžioje. Įvardinkite dvi bendras šiam kūriniui detales ir vieną skirtumą.

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Karo testas

    When Flooded Fields Reflect Departing Day — George Harrison

    Kiek gerai pažįstate šį kūrinį?

    Pasirinkite po vieną atsakymą į kiekvieną iš 5 žemiau pateiktų klausimų. Kiekvienas turi tik vieną teisingą atsakymą.

    1. 1. What artistic style is predominantly used in ‘When Flooded Fields Reflect Departing Day’?

      • A Cubism
      • B Realism
      • C Impressionism
    2. 2. The painting depicts a landscape featuring what prominent element?

      • A Mountains
      • B Urban cityscape
      • C Flooded field
    3. 3. What technique is most likely employed by George Harrison to achieve the atmospheric effects seen in this artwork?

      • A Sculpture
      • B Watercolor painting
      • C Wet-on-wet oil painting
    4. 4. Based on the description, what emotion does ‘When Flooded Fields Reflect Departing Day’ aim to evoke?

      • A Excitement
      • B Fear
      • C Tranquility
    5. 5. Which artist is credited with creating this artwork?

      • A Vincent van Gogh
      • B Claude Monet
      • C George Harrison

    Mano rezultatas: ____ iš 5

    Atsakymai – mokytojui

    Ši dalis spausdinama atskiram puslapyje, todėl kopijuojant jos nereikia įtraukti.

    1C · 2C · 3C · 4C · 5C

    Patikrinkite kiekvieną atsakymą su šio paveikslėlio katalogo informacija

    Klausimai ir atsakymai

    Kokia technika buvo panaudota kūriniam darbui „When Flooded Fields Reflect Departing Day“ – George Harrison?

    George Harrison kūriniui „When Flooded Fields Reflect Departing Day“ panaudojo Oil On Canvas techniką. Ši technika apibrėžė originalaus kūrinio medžiaginę prigimtį.

    Kokią nuotaiką ir emociją sujungia „When Flooded Fields Reflect Departing Day“?

    „When Flooded Fields Reflect Departing Day“ – George Harrison perteikia Reflective pojūtį bendroje Calm nuotaikoje.

    Ar galėčiau pamatyti „When Flooded Fields Reflect Departing Day“ – George Harrison ant savo sienos prieš pirkdama/pirkdamas?

    „When Flooded Fields Reflect Departing Day“ – George Harrison puslapio Peržiūra papildintajai realybei funkcija naudoja papildytojąjį realybės technologiją, kad suderinamame įrenginyje parodytų kūrinį jūsų erdvėje.