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The Lorelei

Vardas Klasė Data

Edward Jakob Von Steinle, The Lorelei (1864), Sammlung Schack. Viešasis domenas Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Edward Jakob Von Steinle originaluniqueart.com/lt/artists/edward-jakob-von-steinle/
Autoriaus datys
1810 – 1886
Spalvotas
1864
Originalus dydis
211 x 135 cm
Viešintas
Sammlung Schack originaluniqueart.com/lt/museums/sammlung-schack-munich/

Kontekste

The Lorelei — Edward Jakob Von Steinle

Koks yra jo dydis?

Originalūs matmenys yra 211 × 135 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo. Šis vaizdas per didelis, kad jį būtų galima parodyti tikslia masteliu šiame puslapyje.

Kada tai buvo nupiesta?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Viršuje esanti eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje — 0 gimimo metu, 76 mirtės metu.

Paveikta menininkui būnant 54 metų. Degimo metai: 76. 1 iš 3 šio kūrinio autoriui datuotų darbų mūsų kataloge buvo sukurti anksčiau.

Šviesoplėvis: Edward Jakob Von Steinle gyvenimas (1810–1886) ▲ šis kūrinys, 1864 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: originaluniqueart.com/lt/art/similar/edward-jakob-von-steinle-the-lorelei-8Y3J75-en/

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Rosy Brown #bdb4a2

    Kataloguota paletė

    • #BDB4A2
    • #3F372E
    • #10100F
    • #736C65

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Paletė
    Earthy Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinės spalvos pavadinimas
    Rosy Brown
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Deep_shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos Edward Jakob Von Steinle darbai per pastaruosius dvylika mėnesių — iš viso 2 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 83,3%
    2. 2 Kanada 16,7%

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi Edward Jakob Von Steinle kūriniai (žiūrėtos dalis: 6)

    1. 1 The Lorelei, 1864 šis paveikslas 28,6%
    2. 2 The Cologne Domfest on October 3, (1855) 14,3%
    3. 3 Those lucky enough, leads the bride home 14,3%
    4. 4 From the chronicles of a traveling student 14,3%
    5. 5 Marienzyklus 14,3%
    6. 6 The violin player 14,3%

    Kartu šie darbai sudaro 100,0% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 11 šio kūrybinio veikėjo darbų, iš kurių 6 buvo apžiūrėti bent vieną kartą. Šis paveikslas užima 1 vietą tarp jų, sulaukdamas 28,6% tokio dėmesio. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Draugas ir muziejus

    Autorius

    Edward Jakob Von Steinle

    Gimė Vienna, Austria

    A Visionary of the Nazarene Spirit

    Born in Vienna, Austria, Edward Jakob von Steinle emerged as a profound voice within the nineteenth-century art world, weaving together the spiritual depth of the Nazarene movement with a masterful command of both painting and printmaking. His artistic journey was deeply shaped by his formative years spent in Rome between 1828 and 1833, where he immersed himself among the leading figures of the Nazarene school. This period of intense study allowed him to absorb a philosophy that sought to revive sincerity and spiritual purity in Christian art, an influence that would remain the heartbeat of his creative output for decades to come.

    As his career progressed, Steinle’s presence expanded far beyond the borders of his birthplace. While his roots remained firmly planted in the traditions of Vienna, he eventually settled in Frankfurt, Germany, where he became a central pillar of the German Romantic and Nazarene traditions. His ability to translate complex theological and literary themes into visual narratives made him a sought-after master for monumental commissions. From the delicate precision of his drawings to the grand scale of his frescoes, Steinle’s work often bridged the gap between the earthly and the divine.

    Mastery of Sacred and Secular Narratives

    The breadth of Steinle's talent is perhaps most evident in his ability to navigate both the sacred and the secular with equal grace. He was a master of monumental fresco and religious panel painting, leaving an indelible mark on the architectural landscape of Europe. His hands touched some of the most significant religious sites of his era, including:

    The Cologne Cathedral, where his contributions helped sustain the grandeur of Gothic tradition.

    The Strasbourg Minster, serving as a testament to his skill in large-scale ecclesiastical art.

    The chapel of Castle Rheineck, where his frescoes brought biblical stories to life through light and color.

    The Hall of the Emperors (Kaisersaal) in Frankfurt, showcasing his prowess in historical painting.

    Beyond these grand religious cycles, Steinle also excelled in creating works that drew from the rich tapestry of literature and folklore. His depictions, such as those found in his interpretations of The Lorelei, demonstrate a captivating ability to capture the ethereal and the mysterious. Whether working with graphite, brush, and gray wash or executing intricate stained glass cartoons, his technique always served a higher purpose: to evoke emotion and invite contemplation.

    Legacy and Artistic Significance

    Steinle’s historical significance lies in his role as a bridge between eras. By championing the Nazarene ideals of spiritual revival, he helped maintain a sense of moral and aesthetic integrity during a period of rapid industrial and social change. His influence even extended to the next generation of great painters; notably, the renowned Frederic Leighton studied under him, carrying forward the lessons of classical form and expressive depth that Steinle had perfected.

    Though his life concluded in Frankfurt, his artistic legacy remains etched in the very fabric of European cathedrals and museum collections. Through his dedication to the beauty of the sacred and the nuance of the human experience, Edward Jakob von Steinle ensured that the spirit of the Nazarene movement would endure as a vital chapter in the history of Western art.

    Muziejus

    Sammlung Schack

    Parodoma Munich, Germany

    A Hidden Sanctuary of Romantic Dreams: Exploring the Sammlung Schack

    Nestled within the elegant confines of Munich’s Prinzregentenstraße lies a treasure trove for those captivated by the evocative power of 19th-century German art – the Sammlung Schack. More than just a museum, it's an immersive journey into a world of mythic landscapes, poignant portraits, and the fervent spirit of Romanticism. Currently enriched by a temporary loan exhibition from the Neue Pinakothek, this intimate gallery offers a rare opportunity to witness masterpieces in a setting that feels both profoundly personal and historically significant. The Sammlung Schack isn’t merely displaying art; it's revealing the passions and discerning eye of its founder, Count Adolf von Schack, a man who dedicated his life to championing the often-overlooked talents of German artists during a period of dramatic artistic change.

    A Legacy of Patronage:

    The museum’s origins are inextricably linked to Schack himself – a nobleman with an unwavering belief in the potential of young, emerging artists. He deliberately steered clear of the prevailing Realist trends, instead seeking out works imbued with poetry and imagination, reflecting his own idealistic worldview. This commitment shaped not only the collection's content but also its very atmosphere: a space designed to foster contemplation and emotional resonance.

    The Heart of Romanticism:

    The Sammlung Schack’s core strength resides in its exceptional holdings of German Romanticism and Late Romanticism, periods defined by an intense fascination with emotion, nature, and the supernatural. You'll find yourself drawn into the dreamlike realms crafted by Arnold Böcklin, whose iconic “Isle of the Dead” series evokes a haunting sense of melancholy and timelessness.

    Masters of Myth and Emotion: Key Works Within the Collection

    The gallery’s collection is a carefully curated tapestry woven from the works of several key artists, each contributing uniquely to the museum's distinctive character. Franz von Lenbach, renowned for his captivating portraits and genre scenes, offers glimpses into the social fabric of 19th-century German society – capturing both its grandeur and its quiet moments of everyday life. Moritz von Schwind’s charming illustrations, inspired by fairy tales and folklore, transport visitors to a world of enchantment, while Theodor Horschelt's dramatic historical paintings vividly recreate pivotal events with an almost theatrical flair. And, of course, there are the works of Arnold Böcklin, whose symbolic landscapes—often imbued with a sense of foreboding or ethereal beauty—are arguably the collection’s most enduring treasures. Don’t miss the opportunity to contemplate “Villa am Meer,” a masterpiece that perfectly encapsulates the Romantic fascination with the sublime and the mysterious.

    Arnold Böcklin:

    Explore iconic works by this master of symbolic landscapes, including evocative depictions of mythical realms.

    Franz von Lenbach:

    Admire portraits and genre scenes that capture the spirit of 19th-century German society.

    Moritz von Schwind:

    Delight in charming illustrations inspired by fairy tales and folklore.

    A Villa Steeped in History and Architectural Beauty

    The Sammlung Schack isn’t housed within a grand, imposing palace; instead, it resides in a beautifully preserved villa – a testament to the Count's desire for an intimate and welcoming space. The building itself is a significant element of the museum experience, reflecting the architectural sensibilities of the late 19th century. Its elegant façade, adorned with sandstone detailing, creates a sense of understated grandeur, perfectly complementing the art within. Originally designed by Lorenz Gedon, the villa’s layout encourages a leisurely exploration, allowing visitors to fully immerse themselves in the collection's atmosphere. The building’s history is intertwined with that of the Schack family and the Bavarian State Picture Collection, reflecting a long-standing commitment to preserving and showcasing German art.

    Beyond the Masterpieces: A Unique Museum Experience

    What truly distinguishes the Sammlung Schack from larger, more sprawling museums is its focused approach. It’s not an attempt to showcase everything – but rather a deep dive into a specific period and artistic movement. This concentrated focus allows for a richer, more intimate experience, fostering a deeper connection with the art on display. The current exhibition of works from the Neue Pinakothek further enhances this appeal, offering a curated selection of exceptional paintings within an accessible and inviting setting. The museum’s dedication to promoting lesser-known artists—those often overlooked by the mainstream art world—is a testament to Schack's pioneering spirit and continues to be a defining characteristic of the Sammlung Schack today.

    Planning Your Visit

    Located in Munich, the Sammlung Schack is easily accessible via public transport. The museum offers reduced admission fees for Munich Card holders. For those interested in expanding their cultural exploration, consider visiting nearby attractions such as the Haus der Kunst and the Bavarian National Museum. Don’t miss the opportunity to delve into the world of 19th-century German Romanticism – a journey you won't soon forget.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į The Lorelei atsisiuntimo puslapį

    originaluniqueart.com/lt/art/download/edward-jakob-von-steinle-the-lorelei-8Y3J75-en/

    Citavimo šio kūrinio duomenys

    MLA
    Steinle, Edward Jakob Von. The Lorelei. 1864, Sammlung Schack. https://originaluniqueart.com/lt/art/edward-jakob-von-steinle-the-lorelei-8Y3J75-en/
    APA
    Steinle, Edward Jakob Von (1864). The Lorelei [Painting]. Sammlung Schack. https://originaluniqueart.com/lt/art/edward-jakob-von-steinle-the-lorelei-8Y3J75-en/
    Chicago
    Edward Jakob Von Steinle. The Lorelei. 1864. Sammlung Schack. https://originaluniqueart.com/lt/art/edward-jakob-von-steinle-the-lorelei-8Y3J75-en/
    Harvard
    Steinle, Edward Jakob Von (1864) The Lorelei. Sammlung Schack. Available at: https://originaluniqueart.com/lt/art/edward-jakob-von-steinle-the-lorelei-8Y3J75-en/

    Atidžiai pastebėkite

    The Lorelei — Edward Jakob Von Steinle

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Prisiminkite The Tower Watchman (1859), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    4. Edward Jakob Von Steinle buvo apie 54 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?
    5. Kokius jausmus autorius galėjo norėti jus suėdinti?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Klausimai ir atsakymai

    Ar galėčiau pamatyti „The Lorelei“ – Edward Jakob Von Steinle ant savo sienos prieš pirkdama/pirkdamas?

    „The Lorelei“ – Edward Jakob Von Steinle galite išbandyti ant savo sienos naudodami papildytoji realybės funkciją suderinamame įrenginyje per šio kūrinio Peržiūra papildintajai realybei puslapį.

    Koks kontrastas yra darbe „The Lorelei“ – Edward Jakob Von Steinle?

    Kūrinio „The Lorelei“ – Edward Jakob Von Steinle kontrasto lygis yra Statement.

    Kokia „The Lorelei“ – Edward Jakob Von Steinle orientacija?

    „The Lorelei“ – Edward Jakob Von Steinle kūrinio formatas yra Tall. Formatas aprašo kompozicijos proporcijas.