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Daedalus and Icarus

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Vardas ir pavardė Klasė Data
domenico piola, Daedalus and Icarus (1670), Private collection. Viešasis domenas

Pagrindinė informacija

Autorius
domenico piola originaluniqueart.com/lt/artists/domenico-piola/
Autoriaus datys
1627 – 1703
Spalvotas
1670
Originalus dydis
136 x 111 cm
Viešintas
Private collection originaluniqueart.com/lt/museums/private-collection-genova/

In context

Daedalus and Icarus — domenico piola

How big is it?

The original measures 136 × 111 cm (height × width), drawn here beside an adult of average height.

Kada tai buvo nupiesta?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690
  9. 1700

Šviesoplėvis: domenico piola gyvenimas (1627–1703) ▲ šis kūrinys, 1670

Palyginti su kitais kūriniais

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: originaluniqueart.com/lt/art/similar/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

Spalvų paletė

Matuota iš vaizdo

    Pagrindinė spalva

    Clay #ac7562

    Išsaugota paletė

    • #AC7562
    • #261F20
    • #5E3A38
    • #D9BDAA
    Paletė
    Earthy Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Clay
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Deep_shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Subtle Color Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Virus ir muziejus

    Daedalus and Icarus — domenico piola

    Autorius

    domenico piola

    Born in Genoa, Italy

    The Master of the Genoese Baroque

    In the golden age of the seventeenth century, few names resonated through the grand halls and sacred sanctuaries of Genoa as powerfully as Domenico Piola. A titan of the Baroque period, Piola was not merely a painter but the beating heart of a vast, creative ecosystem known as Casa Piola. Born in Genoa in 1627, his life was inextricably linked to the flourishing maritime republic, where his brushwork helped define the very visual language of the era. His journey began under the tutelage of his brother-in-law, Stefano Camogli, and continued through the guidance of Pellegrino Piola, eventually leading him to study under Giovanni Domenico Cappellino. This rigorous foundation allowed him to emerge as a versatile virtuoso, capable of navigating the complexities of draughtsmanship, printmaking, and design with unparalleled grace.

    The essence of Piola’s artistry lies in his ability to transform architectural spaces into celestial realms. As the leading figure of the Genoese school in the latter half of the 17th century, he specialized in the breathtaking medium of ceiling frescoes. These works were not merely decorations but immersive experiences designed to draw the viewer's gaze upward toward the divine. Working alongside contemporaries like Gregorio De’ Ferrari, Piola executed monumental cycles for prestigious locations such as the Palazzo Rosso.

    Muziejus

    Private collection

    On show in Genova, Italy

    A Sanctuary of Modernism: Exploring the Villa Croce Museum

    Nestled in the heart of Padua, Italy, the Villa Croce Museum of Contemporary Art stands as a quietly compelling testament to the evolution of modern art and design. More than just a repository of paintings and sculptures, it’s an experience—a journey through the shifting aesthetic landscape of the 20th century, housed within a building that itself embodies a fascinating story of adaptation and preservation. The museum's unassuming exterior belies the richness contained within its walls, offering visitors a rare opportunity to delve into the world of Italian avant-garde movements with an intimate and remarkably personal touch.

    The villa’s origins trace back to the late 19th century, commissioned by the wealthy Croce family. Initially designed as a grand residence reflecting the opulent tastes of the era, it underwent a dramatic transformation in the early 20th century when the family, particularly Count Giovanni Croce, embraced the burgeoning ideals of modernism. This pivotal decision led to a systematic dismantling of the original structure and a subsequent rebuilding process spearheaded by architect Ernesto Cerri.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Daedalus and Icarus atsisiuntimo puslapį

    originaluniqueart.com/lt/art/download/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    Citavimo šio kūrinio duomenys

    MLA
    piola, domenico. Daedalus and Icarus. 1670, Private collection. https://originaluniqueart.com/lt/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    APA
    piola, domenico (1670). Daedalus and Icarus [Painting]. Private collection. https://originaluniqueart.com/lt/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    Chicago
    domenico piola. Daedalus and Icarus. 1670. Private collection. https://originaluniqueart.com/lt/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    Harvard
    piola, domenico (1670) Daedalus and Icarus. Private collection. Available at: https://originaluniqueart.com/lt/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    Look closely

    Daedalus and Icarus — domenico piola

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Job and His Children, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. domenico piola was about 43 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.