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NEMOKAMA MENO KONSULTACIJA

periodas

judėjimas

  1. Captain's Watch — Helen Frankenthaler, 1986
  2. Abstract Painting — Gerhardas Richter, 1978
  3. Abstrakti kūrinis Nr. 780-1 — Gerhardas Richter, 1992
  4. Abstraction with Reference to a Flowering Tree — Polis Klė, 1925
  5. Pirmasis abstrakcinis vandens spalva — Vasilijus Kandinskis, 1910
  6. Abstract Composition — Hryhorijus Havrylenka, 1975
  7. Abstraction — Milton Resnick, 1963
  8. Ancient Sound, Abstract on Black — Polis Klė
  9. Abstract Painting No.4 — jack canty, 1945
  10. Number — Džasperas Džonsas
  11. No. 18 — Markas Rotko
  12. Aquatic Garden — Hans Hofmann, 1960
  13. Untitled — Ričardas Diebenkornas
  14. Snow Pines — Helen Frankenthaler, 2004
  15. Sausalito — Ričardas Diebenkornas
  16. Improvizacija 28 (antroji versija) — Vasilijus Kandinskis
  17. Purple and Gold Abstract — michele elizabeth field, 2005
  18. Abstract Composition [triptych] — vaclav vytlacil, 1937

nuotaika

temos

raktažodžiai

tonas

pagrindinė spalva

  1. Abstract Composition — Hryhorijus Havrylenka, 1975
  2. Aquatic Garden — Hans Hofmann, 1960
  3. Abstraction — Milton Resnick, 1963
  4. Flux — Hans Hofmann, 1964
  5. Abstrakti kūrinis Nr. 780-1 — Gerhardas Richter, 1992
  6. Take Off — Helen Frankenthaler, 1956
  7. Untitled — ed mcgowin, 1961
  8. No. 18 — Markas Rotko
  9. Pirmasis abstrakcinis vandens spalva — Vasilijus Kandinskis, 1910
  10. Untitled — Ričardas Diebenkornas
  11. Abstract Painting No.4 — jack canty, 1945
  12. Purple and Gold Abstract — michele elizabeth field, 2005
  13. Snow Pines — Helen Frankenthaler, 2004
  14. Quartet for the End of Time — mark rowan hull, 2008
  15. Abstract Painting — Gerhardas Richter, 1978
  16. Abstraction with Reference to a Flowering Tree — Polis Klė, 1925
  17. Ancient Sound, Abstract on Black — Polis Klė
  18. Captain's Watch — Helen Frankenthaler, 1986
  19. Amadeus — Polas Jenkinsas
  20. Sausalito — Ričardas Diebenkornas
  21. Improvizacija 28 (antroji versija) — Vasilijus Kandinskis

kitas

  1. Deficit — sandra earl, 1996