Work, Work, Work (Thérèse Lessore)
Thérèse Lessore (1884–1945) sukūrė Work, Work, Work. Dimensijos – 66 × 40 cm.
- 66 × 40 cm
Work, Work, Work: pagrindinė informacija
- Pavadinimas
- Work, Work, Work
- Autorius
- Thérèse Lessore (1884–1945)
- Dizainere/is gimęs
- Southwick, United Kingdom
- Matmenys
- 66 × 40 cm
Work, Work, Work dididžioja:resoliucija
Viešoji domenė: suregalis mirė 1945 m.
Thérèse Lessore, Work, Work, Work. Viešoji domenė.
Skaitmeninis ekspertas lygina spalvas su originaliu paveikslu ir retušuoja failą, tiksliai atkartojantys autoriaus brushwork stilių.
Pirkti didelės raiškos vaizdąDalykas Work, Work, Work: klausimai
Kokie yra originalaus „Work, Work, Work“ matmenys?
Įrašyti kūrinio „Work, Work, Work“ – Thérèse Lessore matmenys yra 66 x 40 cm. Kopijas galima užsisakyti kitais dydžiais, išlaikant tą pačius proporcijas.
Ar „Work, Work, Work“ – Thérèse Lessore priklauso viešosios teisės domenui?
Kalbant apie autorišką teisę, „Work, Work, Work“ yra yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi.
Kuriam menininkui priskiriamas kūrinys „Work, Work, Work“?
„Work, Work, Work“ priskiriamas Thérèse Lessore.
Kodėl „Work, Work, Work“ autoriškos teisės statusas yra toks, koks yra?
Autorinės teisės statusas kūriniui „Work, Work, Work“ – yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi – nustatomas remiantis to, kad menininkas mirė 1945 m.
Apie šį menininką, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.