Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 99 Mattia Preti darbai mūsų kataloge
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The Marriage at Cana (1655) yra viena矚 most žiūrėlių pritraukiančių Mattia Preti tapierių; originalas saugomas National Gallery, Londonas. Po to akmuo patenka į Tribute Money (1640) ir St. John the Baptist Preaching. Iš 99 Mattia Preti darbų mūsų kataloge šios 98 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
To stand before this depiction of St. John the Baptist is to be enveloped by the very breath of divine revelation. The scene pulses with an almost palpable energy, capturing that electrifying moment when sacred truth breaks through the mundane. At the heart of the composition stands St. John, a figure radiating both ascetic power and profound spiritual authority. He commands attention not merely through his central placement, but through…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
The air in the painting feels heavy, thick with the scent of iron and dust. A single, theatrical light cuts through the murky atmosphere, striking the pale skin of a woman seated on the right. She is the center of a storm, a figure of vulnerability amidst a crowded, muscular arrangement of limbs and steel. Around her, the composition erupts in a series of sweeping diagonals. Weapons and reaching arms…
In this treatment of Ecce Homo, Mattia Preti employs a highly theatrical arrangement to command the viewer's attention. The composition is built upon a balcony placed transversely, a clever spatial device that pushes the figure of Christ into the immediate foreground. This positioning creates an intimate, almost confrontational proximity between the subject and the observer. The artist’s style here is both dramatic and heroic, moving beyond simple naturalism to imbue…
The shadows press in from every corner, leaving only a sliver of light to illuminate the weathered face of Saint Paul the Hermit. He sits in a profound, heavy silence, his body a map of ascetic devotion. Every line etched into his skin tells a story of years spent in the desert, away from the clamor of the world. His eyes are turned upward, searching the darkness for a light…
Mattia Preti’s Wedding at Cana captures the first miracle of Christ during a wedding feast in Galilee. The scene brings together Christ, his mother, and the disciples within a crowded, festive setting. A long banquet table, draped in a white cloth, serves as the central stage for the unfolding event. Amidst the gathering, Mary directs the servants, while the steward observes the transformation of the liquid with astonishment.
In this oil on canvas, we find ourselves pulled into an intimate, almost uncomfortable proximity to a profound biblical encounter. The scene captures the precise second when the apostle Thomas seeks physical verification of the resurrection, reaching out to touch the wound in Christ's side. There is a heavy, palpable tension in the way the figures are arranged along a diagonal axis, guiding our gaze directly toward that central point…
The crucifixion of St Andrew is an oil on canvas work by Mattia Preti. Created about 1651, this piece belongs to the Baroque movement of seventeenth-century Italy. The scene captures a moment of profound religious significance, focusing on the martyrdom of the saint. It is a heavy, physical depiction of faith under the weight of wood and shadow.
St John the Baptist before Herod1665
12
Saint Veronica with the Veil1657 · Los Angelos apygardos meno muziejus
13
Portrait of a Grand Master of the Knights of Malta, Martin de Redin1660 · Art Institute of Chicago
14
Belisarius Receiving Alms1660 · Museum Boijmans Van Beuningen
15
The Game of Draughts1630 · Ashmolean Museum
16
Ecce homo
17
Dice Players1635 · Krakovos nacionalinis muziejus
18
The Beheading of Saint John the Baptist1640 · National Gallery of Ireland
19
The Pardon of St. John Chrysostom1640 · Cincinnati Art Museum
20
Clorinda rescues Olindo and Sophronia1646 · Musei di Strada Nuova
21
Vocation of the Apostle Matthew1637 · Kunsthistorisches Museum
22
The Adoration of the Shepherds1645 · Nacionalinis muziejus Varšuvoje
23
the head of St. John presented to the king1638
24
Bearded Old Man's Head1656 · Bavarijos valstybinės paveikslų kolekcijos
25
Return of the Prodigal Son1656 · Bavarijos valstybinės paveikslų kolekcijos
26
Mary Magdalene1656 · Bavarijos valstybinės paveikslų kolekcijos
27
Tobias and the Angel1656 · Bavarijos valstybinės paveikslų kolekcijos
28
Saint Andrew1656 · Bavarijos valstybinės paveikslų kolekcijos
29
The Feast of Absalom1658 · Kanados Nacionalinė galerija
30
Salomé with the Head of St. John before Herod1658 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
31
An Angel shows Hagar the Way1656 · Bavarijos valstybinės paveikslų kolekcijos
32
Paul of Thebes1675 · Liaudies senovės meno nacionalinis muziejus
33
Self-portrait1695
34
The Vision of Saint Paul1700
35
The Martyrdom of Saint Catherine1700 · MUŻA
36
The Denial of Saint Peter1700 · Musée des Beaux-Arts
37
The Raising of Lazarus1650 · Galleria Nazionale d’Arte Antica
38
The Concert1630 · Thyssen-Bornemisza muziejus
39
A Man Cutting Tobacco1660
40
Herodo Šventė1661 · Toledo meno muziejus
41
Apelle painting Campaspe1600 · Pinacoteca Stuard
42
The Baptism of Christ1661 · Šv. Jono konventualinė bažnyčia
43
The Roman Empress Faustina Visiting Saint Catherine of Alexandria in Prison1643 · The Dayton Art Institute
44
Queen Tomyris Receiving the Head of Cyrus, King of Persia1670
45
St. George Victorious over the Dragon1678 · Collegiate Basilica of St. George
46
St John Reproaching Herod1662 · Museo de Bellas Artes de Sevilla
47
Christ and the Money Changers1600 · Museo di Capodimonte
48
Concert (detail)1630 · Ermitažas
49
Flying Angel1630 · Kunstpalast
50
The Adoration of the Shepherds1699 · Walker Art Gallery
51
Christ and the Woman Taken in AdulterySaint Louis Art Museum
52
The Martyrdom of Saint PaulHouston meno muziejus
53
Tobias Healing His Father's BlindnessHouston meno muziejus
54
Martyrdom of Saint ErasmusBavarijos valstybinės paveikslų kolekcijos
55
Martyrdom of Saint Andrew
56
St. Paul the HermitCleveland Museum of Art
57
Concert in the family
58
Zachary on his knees, and studies of his head
59
Old man sitting, holding a book, speaking to a young man
60
Musical angels, studies for a ceiling compartment
61
A Group of Saints and Angels
62
God the Father surrounded by angels
63
The Release of St Peter from PrisonVienos dailės akademija
64
The Visitation1649 · Virginia Museum of Fine Arts
65
Pilate Washing his Hands1663 · Metropolitano meno muziejus
66
The Martyrdom of Saint Gennaro1685 · National Gallery of Art
67
The Martyrdom of St. BartholomewPokrajinski muzej Ptuj- Ormož
68
Saint John the Baptist Preaching1650 · Metropolitano meno muziejus
69
St John Cast into Prison1661 · Šv. Jono konventualinė bažnyčia
70
Seated Bishop with Arms Extended and Three Attendant Figures
71
Salome with the Head of St John the BaptistRingling Museum of Art
72
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti
73
A Mother Entrusting Her Sons to ChristPinacoteca di Brera
74
Beheading of St. CatherineNational Museum of Fine Arts
75
Holy martyr (Saint Stephan?)Civic Museums of Reggio Emilia
76
Flying Angel1699 · Kunstpalast
77
St Sebastian1660 · Museo di Capodimonte
78
Sophonisba Receiving the Goblet1670 · Musée des Beaux-Arts de Lyon
79
St. Nicholas of Bari1653 · Museo di Capodimonte
80
Aeneas, Anchises and Ascanius Fleeing Troy1630 · Galleria Nazionale d’Arte Antica
81
Saint John the BaptistMuseo di Capodimonte
82
Judith and HolofernesMuseo di Capodimonte
83
The Return of the Prodigal Son
84
The Martyrdom of Saint Peter1630 · Musée de Grenoble
85
Saint Anthony Abbot1628
86
Vanitas1650
87
The Return of the Prodigal Son1658 · Royal Palace of Naples
88
The Four Evangelists1650 · Galleria Regionale di Palazzo Abatellis
89
Concert1630 · Ermitažas
90
The Banquet Of Baldassare
91
Absalom's Feast1653 · Museo di Capodimonte
92
The Madonna of Costantinople1656 · Museo di Capodimonte
93
Christ and the Woman Taken in AdulteryGalleria Regionale di Palazzo Abatellis
94
St. George on Horseback1658 · Šv. Jono konventualinė bažnyčia
95
Saint John the Baptist Wearing the Red Tabard of the Order of Saint John1671 · MUŻA
96
The Banquet of the Rich Glutton1685 · Galleria Nazionale d'Arte Antica
97
Tomyris Plunges the Head of the Dead Cyrus Into a Vessel of Blood1685
98
Plato and Diogenes1690 · Kapitolijos muziejai
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Mattia Preti darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 7 | Bearded Old Man's Head, Return of the Prodigal Son, Mary Magdalene |
 Museo di Capodimonte |
Neapolis | 7 | Christ and the Money Changers, St Sebastian, St. Nicholas of Bari |
 Šv. Jono konventualinė bažnyčia |
Valeta | 3 | The Baptism of Christ, St John Cast into Prison, St. George on Horseback |
 National Gallery |
Londonas | 2 | The Marriage at Cana, Wedding at Cana |
 Pinacoteca di Brera |
Milanas | 2 | Tribute Money, A Mother Entrusting Her Sons to Christ |
 Kunsthistorisches Museum |
Viena | 2 | Doubting Thomas, Vocation of the Apostle Matthew |
 MUŻA |
Valletta | 2 | The Martyrdom of Saint Catherine, Saint John the Baptist Wearing the Red Tabard of the Order of Saint John |
 Galleria Nazionale d’Arte Antica |
Roma | 2 | The Raising of Lazarus, Aeneas, Anchises and Ascanius Fleeing Troy |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The air in the room feels heavy, thick with the scent of old wood and the quiet tension of a contest in progress. Three figures lean into a shared circle of focus, their bodies forming a tight, intimate triangle around a simple game board. Light spills from an unseen source to the left, cutting through the gloom to catch the curve of a cheek, the edge of a white sleeve,…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
This oil painting, titled Paul of Thebes, was executed by the Italian Baroque artist Mattia Preti. The work dates to about 1675. The subject of the composition is a bearded man, identified as Saint Paul of Thebes, who is depicted in a moment of spiritual focus. He is shown holding a rosary within his hands.
Four men and one woman gather around a dead man who is dressed in a bright honey-gold cape and pointed hat, his stone-gray face resting on a stump or column in this dark vertical painting. All the people have peachy skin or light skin tinged with green. Shown from the knees up, Saint Gennaro, the dead man, twists and slumps to our right. On the stump, his eyes are closed…
The oil on canvas titled Self-portrait by Mattia Preti captures a quiet moment of introspection. Created about 1695, the work presents an older man, presumably the artist himself, caught in a state of solemn preparation. He sits amidst a heavy, dark atmosphere, his presence defined by the weight of his own gaze and the tools of his trade.
The Marriage at Cana (1655), National Gallery, Londonas. Toliau seka Tribute Money (1640) ir St. John the Baptist Preaching.
42 metų amžiaus: The Marriage at Cana sukurta 1655 m. Nr. Mattia Preti gimė 1613.
The Marriage at Cana, Tribute Money, St. John the Baptist Preaching, Christ in Glory, Clorinda Rescuing Sofronia and Olindo, Ecce Homo, Saint Paul the Hermit, Wedding at Cana, Doubting Thomas ir The crucifixion of St Andrew. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 99 Mattia Preti darbų, skirtų laikotarpiui nuo 1628 iki 1699.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Museo di Capodimonte (Neapolis) ir Šv. Jono konventualinė bažnyčia (Valeta). Viršuje esančiame muziejų sąraše yra visi jie.
1650s laikotarpiu: 22 iš 98 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Marriage at Cana.
Šioje pusėje seniausias darbas yra Saint Anthony Abbot (1628), o naujausias – The Adoration of the Shepherds (1699).
Man (29), Drapery (14) ir Woman (13) iš 98 šioje pusėje esamų darbų.
Oil On Canvas, iš 98 šios puslapio darbų – 52.
Baroque dramatic style, vadovaujantis šios puslapio originalais kūriniais.
Bearded Old Man's Head, Return of the Prodigal Son ir Mary Magdalene: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 7 šioje pusėje esančių darbų.
