Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 74 Lorenzo Costa darbai mūsų kataloge
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Venus (detail) (1515) yra viena矚 most žiūrėlių pritraukiančių Lorenzo Costa tapierių; originalas saugomas Szépművészeti Múzeum, Budapeštas. Po to akmuo patenka į Venus (1518) ir The Reign of Comus (detail) (1511). Iš 74 Lorenzo Costa darbų mūsų kataloge šios 72 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…
To gaze upon this depiction of Venus is to step directly into the luminous heart of the Italian Renaissance. Lorenzo Costa (the Elder) has captured not merely a nude figure, but an embodiment of idealized beauty—a vision steeped in classical mythology and humanist philosophy. The subject itself, the goddess of love and beauty, stands poised against a profound black void, allowing every curve, every gesture, and every whisper of flesh…
Lorenzo Costa’s “The Reign of Comus,” completed in 1511, isn't merely a painting; it’s a meticulously crafted window into the opulent world of Isabella d’Este, Marchioness of Mantua. This captivating work, now residing within the hallowed halls of the Louvre Museum, offers a vibrant tableau of celebration, intrigue, and the enduring power of myth – a testament to the Renaissance’s fascination with classical ideals and humanist thought. More than just…
This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.
The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…
The Bentivoglio Family is a portrait by Lorenzo Costa, executed in 1493. The composition features a dense grouping of multiple figures, identified as likely members of the Bentivoglio lineage. This assembly of individuals is presented in a tight, intimate arrangement that emphasizes the shared gravity of the subjects.
In this oil on panel painting from 1510, three figures are arranged in a stable triangular formation against a landscape. The Virgin Mary occupies a central position, draped in a mantle of deep ultramarine blue over a crimson red undergarment. Beside her, Joseph is depicted in a robe of vibrant crimson red. The Christ Child is positioned within this grouping, creating a sense of geometric balance. The figures are illuminated…
The air feels heavy with a quiet, devotional peace as we gaze upon this triangular arrangement of figures. In the immediate foreground, the Christ Child lies horizontally, his pale, soft flesh a stark contrast to the deep, saturated tones surrounding him. To his right, the Virgin Mary rests in a mantle of deep ultramarine blue, her presence radiating a gentle, maternal tenderness. On the left, Saint Joseph anchors the composition,…
A young woman emerges from a darkness so absolute it feels like a void. She does not confront the viewer; instead, her gaze drifts toward the left, caught in a moment of private thought. Her skin possesses the pale, luminous quality of polished porcelain, catching a soft light that descends from the upper left. This light carves the gentle curves of her neck and the soft slope of her shoulders,…
Lorenzo Costa’s Portrait of a young man presents a close-up view of a single male figure, focusing on the head and shoulders. The subject is captured from a direct, eye-level perspective, establishing an intimate connection with the viewer. His expression is contemplative, bordering on melancholic, which contributes to the somber mood of the composition. This psychological weight is framed by a dark, indistinct background that offers no specific setting, ensuring…
Saint Helena1505 · Royal Collection
12
Madonna and Child with Brocade1505 · Russell-Cotes Art Gallery - Museum
13
Presentation of Christ in the Temple1502 · Gemäldegalerie
14
The Triumph of Federico II Gonzaga1522 · Nacionalinė galerija Praha
15
Concert1485 · National Gallery
16
Virgin and Child Enthroned1495 · Thyssen-Bornemisza muziejus
17
Court of Isabella d'Este (detail)1506 · Liuvro muziejus
18
Court of Isabella d'Este1506 · Liuvro muziejus
19
Mary and child enthroned with four saints1480 · Gemäldegalerie
20
St Jerome1485 · San Petronio
21
Vision of the Apocalypse1490 · San Giacomo Maggiore
22
Portrait of a Lady with a Lap-dog1500 · Royal Collection
23
Virgin and Child1501 · Collezione Vittorio Cini
24
Legend of Sts Cecilia and Valerian, Scene 21504
25
Venus1515 · Szépművészeti Múzeum
26
Legend of Sts Cecilia and Valerian, Scene 91504
27
Portrait of a Woman1500 · Ermitažas
28
Portrait of a ManBrooklyn Museum
29
Portrait of a Woman with a Pearl NecklaceMuseum of Fine Arts
30
Saint Margaret praying
31
Madonna and Saints
32
Conversion of St Valerian
33
Saint John the BaptistNational Gallery
34
Ange jouant avec un chien
35
Triumph of Death
36
Saint Sébastien debout, de trois quarts vers la gauche
37
Sepoltura di Gesù Cristo
38
St Cecily's Charity
39
Portrait of Battista Fiera
40
Sposalizio della Vergine e i Santi Francesco e Anna
41
St Sebastian
42
Mary and JosephPinacoteca Nazionale di Bologna
43
Crowning of the Madonna with Saints
44
Portrait of a Woman
45
Adorazione del Bambino con i Magi in lontananza(Presepio)
46
San Petronio fra i Santi Domenico e Francesco
47
The Virgin and Child Enthroned between a Soldier Saint and Saint John the Baptis
48
A Thebaid. Monks and Hermits in a Landscape
49
Allegory of the Court of Isabella d'Este, canvas
50
Saint peterNational Gallery
51
and Gianfrancesco Maineri - The Virgin and Child with SaintsNational Gallery
52
Story of Moses (The Dance of Miriam)National Gallery
53
The Holy FamilyRijksmuseum
54
Madonna col Bambino in trono tra i santi Petronio e Tecla
55
Portrait of a Cardinal in his StudyMinneapolis Institute of Art
56
Saint philipNational Gallery
57
Two Young Man at a Column (detail)Pushkinio valstybinis dailės muziejus
58
Story of Moses (The Israelites gathering Manna)National Gallery
59
Saint John the EvangelistNational Gallery
60
Reading Maria
61
Adoration of the Shepherds with AngelsNational Gallery
62
High Altarpiece, Oratory of S. Pietro in Vincoli
63
Giovanni II Bentivoglio and His Family1488
64
NativityMusée des Beaux-Arts de Lyon
65
The Reign of Comus1511 · Liuvro muziejus
66
Sainte Veronique
67
Presentation of Christ1485 · Gemäldegalerie
68
Madonna on throne with saints1530
69
Garden of the peaceful arts
70
Šventųjų Mikalojaus Adoracija1499 · Pinacoteca di Brera
71
St Sebastian1490 · Galleria degli Uffizi
72
Portrait of Giovanni Bentivoglio1492 · Galleria degli Uffizi
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Lorenzo Costa darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 National Gallery |
Londonas | 11 | Portrait of Battista Fiera, The Virgin and Child, Concert |
 Liuvro muziejus |
Paryžius | 4 | The Reign of Comus (detail), Court of Isabella d'Este (detail), Court of Isabella d'Este |
 Gemäldegalerie |
Berlynas | 4 | Portrait of a young man, Presentation of Christ in the Temple, Mary and child enthroned with four saints |
 Szépművészeti Múzeum |
Budapeštas | 3 | Venus (detail), Venus, Venus |
 Thyssen-Bornemisza muziejus |
Madridas | 2 | The Bentivoglio Family, Virgin and Child Enthroned |
 Royal Collection |
Londonas | 2 | Saint Helena, Portrait of a Lady with a Lap-dog |
 Galleria degli Uffizi |
Florencija | 2 | St Sebastian, Portrait of Giovanni Bentivoglio |
 Toledo meno muziejus |
Toledo | 1 | The Holy Family |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
To gaze upon Lorenzo Costa’s "Concert" is to step directly into the vibrant, cultured heart of the Italian Renaissance. This painting is not merely a depiction of musicians; it is an auditory experience rendered visible, a moment suspended in time where artistry and human connection converge. The composition immediately draws the viewer into the warm glow of what must have been a magnificent gathering. Three figures stand poised, each intimately…
This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.
The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…
To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…
The Triumph of Federico II Gonzaga, executed by Lorenzo Costa around 1522, captures a moment of significant political and military assertion. The work centers on the themes of military glory and aristocratic power, utilizing a grand scale to communicate the authority of the Gonzaga lineage. Through this depiction, the artist translates the complex dynamics of Renaissance courtly life into a visual celebration of leadership and conquest.
Venus (detail) (1515), Szépművészeti Múzeum, Budapeštas. Toliau seka Venus (1518) ir The Reign of Comus (detail) (1511).
55 metų amžiaus: Venus (detail) sukurta 1515 m. Nr. Lorenzo Costa gimė 1460.
Venus (detail), Venus, The Reign of Comus (detail), Portrait of Battista Fiera, The Virgin and Child, The Bentivoglio Family, The Holy Family, The Holy Family, Portrait of a Lady ir Portrait of a young man. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 74 Lorenzo Costa darbų, skirtų laikotarpiui nuo 1480 iki 1530.
Daugiausia – National Gallery (Londonas), Liuvro muziejus (Paryžius) ir Gemäldegalerie (Berlynas). Viršuje esančiame muziejų sąraše yra visi jie.
1500s laikotarpiu: 12 iš 72 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Virgin and Child.
Šioje pusėje seniausias darbas yra Mary and child enthroned with four saints (1480), o naujausias – Madonna on throne with saints (1530).
Saints (10), Woman (9) ir People (8) iš 72 šioje pusėje esamų darbų.
Oil On Canvas, iš 72 šios puslapio darbų – 9.
High renaissance ir Renaissance, vadovaujantis šios puslapio originalais kūriniais.
Portrait of Battista Fiera, The Virgin and Child ir Concert: National Gallery, Londonas kolekcijoje yra 11 šioje pusėje esančių darbų.
