Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 27 Gaspare Diziani darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Gaspare Diziani garsiausias yra Dawn (1738), esantis Metropolitano meno muziejus kolekcijoje, Niujorkas. Tiesiog už jų seka Laying Venus (1714) ir The Family of Darius before Alexander the Great (1728). Mūsų kataloge yra 27 darbų autoriaus Gaspare Diziani; galerija išsaugojo 27 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
Gaspare Diziani’s Dawn is an oil on canvas ceiling decoration created in 1738. The work functions as an allegorical representation of the morning, designed to crown the interior of a room. In this composition, the central figure of Dawn is surrounded by several cherubic putti. To the left, three putti engage in playful activities, including the carrying of a basket overflowing with flowers and foliage. On the right, a single…
Christ before Pilate1757 · Gemäldegalerie
12
The Assumption of the Virgin1737 · Los Angelos apygardos meno muziejus
13
Adoration of the Magi1718 · Szépművészeti Múzeum
14
The arming of Erminia1738 · National Museum of Art, Architecture and Design
15
Adoration of the Shepherds1755
16
Adoration of the Magi1755 · Szépművészeti Múzeum
17
The Adoration of the Lamb. StudyNationalmuseum
18
Allegory with Apollo, Chronos and four ContinentsNacionalinė galerija Praha
19
Girl holding flowersCa' Rezzonico – Museum of the 18th Century Venice
20
DanaéMusée de Grenoble
21
The martyrdom of sts felix and fortunatus
22
Interior with MonkeysJohn and Mable Ringling Museum of Art
23
Finding of Moses
24
The Family of Darius before Alexander the Great
25
Abraham and Three AngelsKrakovos nacionalinis muziejus
26
The Adoration of the MagiRijksmuseum
27
Olympus (plafond)1750 · Ermitažas
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Gaspare Diziani darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 3 | The Family of Darius before Alexander the Great, Joseph Is Sold by His Brothers, Joseph Interprets the Dreams of Pharaoh |
 Statens Museum For Kunst |
Kopenhaga | 2 | Monk, Praying Monk |
 Nationalmuseum |
Stokholmas | 2 | The Family of Darius Pleading to Alexander, The Adoration of the Lamb. Study |
 Szépművészeti Múzeum |
Budapeštas | 2 | Adoration of the Magi, Adoration of the Magi |
 Metropolitano meno muziejus |
Niujorkas | 1 | Dawn |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 1 | Moses trampling on the Pharaoh’s crown |
 Gemäldegalerie |
Berlynas | 1 | Christ before Pilate |
 Los Angelos apygardos meno muziejus |
Los Anželesas | 1 | The Assumption of the Virgin |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Gaspare Diziani’s Dawn is an oil on canvas ceiling decoration created in 1738. The work functions as an allegorical representation of the morning, designed to crown the interior of a room. In this composition, the central figure of Dawn is surrounded by several cherubic putti. To the left, three putti engage in playful activities, including the carrying of a basket overflowing with flowers and foliage. On the right, a single…
Dawn (1738), Metropolitano meno muziejus, Niujorkas. Toliau seka Laying Venus (1714) ir The Family of Darius before Alexander the Great (1728).
49 metų amžiaus: Dawn sukurta 1738 m. Nr. Gaspare Diziani gimė 1689.
Dawn, Laying Venus, The Family of Darius before Alexander the Great, Monk, Praying Monk, Moses trampling on the Pharaoh’s crown, Joseph Is Sold by His Brothers, Joseph Interprets the Dreams of Pharaoh, The Family of Darius Pleading to Alexander ir sketch for a plafond - painting. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 27 Gaspare Diziani darbų, skirtų laikotarpiui nuo 1714 iki 1757.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Statens Museum For Kunst (Kopenhaga) ir Nationalmuseum (Stokholmas). Viršuje esančiame muziejų sąraše yra visi jie.
1750s laikotarpiu: 7 iš 27 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Joseph Is Sold by His Brothers.
Šioje pusėje seniausias darbas yra Laying Venus (1714), o naujausias – Christ before Pilate (1757).
Religious (4), Woman (2) ir Clouds (2) iš 27 šioje pusėje esamų darbų.
Oil, iš 27 šios puslapio darbų – 2.
The Family of Darius before Alexander the Great, Joseph Is Sold by His Brothers ir Joseph Interprets the Dreams of Pharaoh: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 3 šioje pusėje esančių darbų.
In the luminous era of the late Baroque and the burgeoning Rococo, Gaspare Diziani emerged as a painter of profound technical assurance and dramatic flair. Born in the serene town of Belluno, Italy, his artistic journey began under the guidance of Antonio Lazzarini, a foundation that would eventually lead him to the heart of the Venetian art world. As he moved toward Venice, Diziani immersed himself in the prestigious studios of Gregorio Lazzarini and the influential Sebastiano Ricci. These early mentors provided him with the tools to master the sweeping movements and emotional depth characteristic of his era, allowing him to develop a style that resonated with both religious fervor and aristocratic elegance.
Diziani’s career was marked by a remarkable ability to navigate the shifting tides of 18th-century aesthetics. While his work shared the stage with contemporaries like Giambattista Tiepolo, Diziani carved out a unique space through his versatility and command over both canvas and fresco. His early period, spanning roughly between 1710 and 1720, saw him contributing significant works to sacred spaces, such as the Mary Magdalene for the church of Santo Stefano in Belluno and the Entry into Jerusalem for San Teodoro in Venice. These religious commissions allowed him to explore the interplay of light and shadow, a hallmark of the late Baroque that would later soften into the more delicate, ornamental textures of the Rococo.
The breadth of Diziani’s influence extended far beyond the borders of the Republic of Venice. His reputation for excellence carried him to the courts of Dresden and Munich, demonstrating a reach that transcended local boundaries and touched the great cultural centers of Europe. This international presence is perhaps best exemplified by the sheer scale of his ambition; one of his most monumental achievements remains the largest painting housed within the Hermitage Museum in St. Petersburg, a testament to his ability to command vast, immersive spaces.
Beyond his grand canvases, Diziani’s artistry was deeply rooted in the decorative traditions of his time. His skill in fresco painting is evident in his work on the Life of Saint Helena at the Scuola del Vin, where he transformed architectural surfaces into narrative windows of spiritual intensity. Whether working on a small-scale preparatory sketch or a massive ceiling piece, his hand was characterized by a certain celerity and technical confidence that captured the very essence of the Rococo spirit—a blend of grace, movement, and light.
The enduring significance of Gaspare Diziani lies in his role as a bridge between eras. He successfully synthesized the dramatic tension of the Baroque with the airy, ornamental beauty of the Rococo, leaving behind a body of work that continues to fascinate scholars and art lovers alike. Through his mastery of color and composition, he helped define the visual language of an age of splendor.
