Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 60 Émile Friant darbai mūsų kataloge
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The Rowers of the Meurthe (1888) yra viena矚 most žiūrėlių pritraukiančių Émile Friant tapierių; originalas saugomas musée de l'École de Nancy, Nancy. Po to akmuo patenka į Woman with a lion (1919) ir Portrait de sa mère épluchant un navet, devant une fenêtre (1887). Iš 60 Émile Friant darbų mūsų kataloge šios 60 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
In this 1888 oil on canvas, we find ourselves invited into a quiet, intimate moment of social connection. The scene depicts a group of people gathered around a dining table, their presence suggesting a shared meal and the easy rhythm of conversation. There is a sense of stillness here, as if we have just stepped into the room to find them mid-sentence. The composition is populated by at least thirteen…
In this 1919 portrait, we find ourselves in the presence of a woman and a lion, a pairing that suggests a profound, unspoken connection. She sits with a composed grace, one hand resting thoughtfully against her chin while the other finds a place upon the lion's head. There is a stillness here, a moment of repose that transcends the typical tension one might expect from such an unlikely companionship. The…
Portrait de sa mère épluchant un navet devant une fenêtre : Une Œuvre Réaliste au Cœur de Nancy Émile Friant, né à Dieuze en 1863, est une figure marquante ayant tissé les liens entre le réalisme du XIXe siècle et les mouvements artistiques émergents du début du XXe siècle. Son parcours vitifié par les bouleversements politiques et sociaux de son temps témoigne d'une sensibilité profondément ancrée dans la réalité française…
Émile Friant's "A Student," painted in 1885, is more than just a portrait; it’s a poignant glimpse into the quiet contemplation of a young man grappling with his studies and perhaps, with something deeper within himself. This oil painting, currently residing at the Musée des Beaux-Arts in Nancy, France, offers a remarkably intimate portrayal of a figure lost in thought, rendered with Friant's signature blend of realism and subtle emotional…
The air in the painting feels heavy, thick with the scent of dust and impending silence. A man in a black robe hangs from the gallows, his body a dark silhouette against the tension of the scene. He is a priest, his clerical garments marking him as a figure of spiritual weight amidst the secular violence. Around him, the crowd gathers like a slow-moving tide. Some faces are pressed close…
In "The Tramp" by Émile Friant, we find ourselves observing a solitary figure seeking refuge within the mouth of a dark cave. The composition is dominated by the heavy, textured mass of the rocky overhang, which creates a palpable sense of enclosure and isolation. This weight of stone presses down from above, framing the subject within a narrow, sheltered space. The color palette is muted and earthy, relying on ochres,…
In the quiet intimacy of 1878, a young Émile Friant turned his gaze inward, capturing not just a likeness, but a moment of profound self-reflection. His Self Portrait serves as a captivating window into the late 19th century, presenting a man poised between the rigid formalities of his era and the burgeoning psychological depth that would define his later career. Dressed in the dignified attire of the period—a meticulously rendered…
In the soft, diffused light of a late nineteenth-century afternoon, Émile Friant invites us into a space of profound intimacy and domestic stillness. Portrait of my mother peeling a turnip, in front of a window is not merely a depiction of a mundane chore; it is a masterful study of presence and the beauty found within the ordinary. The scene unfolds before a large, rectangular window that serves as both…
The oil on canvas titled Polynices Cursed by Oedipus captures a heavy, suspended moment of tragedy. Created about 1883, the work is a product of the hand of Émile Friant. The scene is fixed in a stillness that feels as weighted as the shadows cast across the figures' skin.
The Study by Émile Friant, created about 1885, presents a medium shot of two figures within a well-appointed interior. A man sits in the foreground, his attention directed toward the act of drawing or sketching. Positioned before him is a woman who stands with her back turned toward the viewer, acting as the subject of his work. The arrangement of these figures creates a sense of depth, placing the subjects…
Presentation of the Odalisques to the Sultan1881 · Nancio gražiųjų menų muziejus
12
Portrait of Georges Jeanniot1884 · Musée des Beaux-Arts de Dijon
13
Les artistes Mathias Schiff et Camille Martin1880
14
A Wood-Line1885
15
Memories1891 · Petit Palais
16
The Garden Walk1889 · Philadelphia Museum of Art
17
Spinner from El Kantara1892
18
Spring1888
19
The Bread1894
20
Voyage a l'Infini1899
21
Portrait of Aimé Morot1905
22
Émile Hinzelin1908 · Musée d'Art Moderne et Contemporain de Strasbourg
23
Devant la psyché1912 · Nancio gražiųjų menų muziejus
24
The Familiar Birds1921
25
Portrait of Jean Scherbeck1928
26
Guillaume Dubufe1905 · Musée d'Orsay
27
Self portraitNancio gražiųjų menų muziejus
28
The Frugal Repast
29
Tube of Gouache1877 · Nancio gražiųjų menų muziejus
30
Self portrait1877
31
Self-portrait at twenty years of three quarters1883
32
Portrait of Madame Petitjean1883 · Nancio gražiųjų menų muziejus
33
The Landscape Painter in his Studio1885
34
The Entrance of the Clowns1881
35
Jeanniot peignant la Ligne de feu1886
36
Soir d'automne (also known as Study for Les amoreux)1888
37
Portrait of Camille Majorelle1888 · musée de l'École de Nancy
38
Douleur1898 · Nancio gražiųjų menų muziejus
39
Self-portrait1893
40
Portrait de M. Paul1896 · Nancio gražiųjų menų muziejus
41
A Child's Dissapointment1897 · The Frick Pittsburgh
42
Self-portraitmusée de l'École de Nancy
43
Portrait of Young Girl
44
Coquelin Senior in the Role of Jean Dacier
45
Young girl
46
Studio Visit
47
Portrait of M. Sidrot1881 · Nancio gražiųjų menų muziejus
48
Les Buveurs1884 · Nancio gražiųjų menų muziejus
49
Portrait of Sculptor Ernest Bussière (also known as Interior of the Studio)1884 · Nancio gražiųjų menų muziejus
50
Maternal Tenderness1906
51
Madame Coquelin Mere
52
Political Dicussion1889
53
Dress with Knitted CoatKunstgewerbemuseum
54
Draft of Dress with Knitted CoatKunstgewerbemuseum
55
Lovers1888 · Nancio gražiųjų menų muziejus
56
Young Woman of Nancy in a Winter Landscape1887 · Nancio gražiųjų menų muziejus
57
The Small BoatNancio gražiųjų menų muziejus
58
All Saints' Day1888 · Musée d'Orsay
59
Ombres portées1891 · Musée d'Orsay
60
Wrestling1889 · Musée Fabre
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Émile Friant darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Nancio gražiųjų menų muziejus |
Nansis | 15 | Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait), Presentation of the Odalisques to the Sultan |
 musée de l'École de Nancy |
Nancy | 3 | The Rowers of the Meurthe, Portrait of Camille Majorelle, Self-portrait |
 Musée d'Orsay |
Paris | 3 | Guillaume Dubufe, All Saints' Day, Ombres portées |
 Kunstgewerbemuseum |
Berlinas | 2 | Dress with Knitted Coat, Draft of Dress with Knitted Coat |
 Art Gallery of Hamilton |
Hamilton | 1 | The Expiation |
 Nationalmuseum |
Stokholmas | 1 | The Tramp |
 la Cour D'or |
Metz | 1 | Self portrait |
 Musée des Beaux-Arts de Nancy |
Nansis | 1 | Portrait of my mother peeling a turnip, in front of a window |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the quiet intimacy of 1878, a young Émile Friant turned his gaze inward, capturing not just a likeness, but a moment of profound self-reflection. His Self Portrait serves as a captivating window into the late 19th century, presenting a man poised between the rigid formalities of his era and the burgeoning psychological depth that would define his later career. Dressed in the dignified attire of the period—a meticulously rendered…
In this 1888 oil on canvas, we find ourselves invited into a quiet, intimate moment of social connection. The scene depicts a group of people gathered around a dining table, their presence suggesting a shared meal and the easy rhythm of conversation. There is a sense of stillness here, as if we have just stepped into the room to find them mid-sentence. The composition is populated by at least thirteen…
In "The Tramp" by Émile Friant, we find ourselves observing a solitary figure seeking refuge within the mouth of a dark cave. The composition is dominated by the heavy, textured mass of the rocky overhang, which creates a palpable sense of enclosure and isolation. This weight of stone presses down from above, framing the subject within a narrow, sheltered space. The color palette is muted and earthy, relying on ochres,…
The air in the painting feels heavy, thick with the scent of dust and impending silence. A man in a black robe hangs from the gallows, his body a dark silhouette against the tension of the scene. He is a priest, his clerical garments marking him as a figure of spiritual weight amidst the secular violence. Around him, the crowd gathers like a slow-moving tide. Some faces are pressed close…
In this 1919 portrait, we find ourselves in the presence of a woman and a lion, a pairing that suggests a profound, unspoken connection. She sits with a composed grace, one hand resting thoughtfully against her chin while the other finds a place upon the lion's head. There is a stillness here, a moment of repose that transcends the typical tension one might expect from such an unlikely companionship. The…
In "The Familiar Birds" by Émile Friant, a quiet intimacy unfolds as a seated woman rests amidst a gathering of exotic birds. The composition centers entirely on her figure, drawing the eye to her relaxed, asymmetrical pose. She sits with one leg tucked inward while the other extends outward, creating a sense of ease within the frame. Around her, the birds interact closely, their presence blurring the line between a…
The Rowers of the Meurthe (1888), musée de l'École de Nancy, Nancy. Toliau seka Woman with a lion (1919) ir Portrait de sa mère épluchant un navet, devant une fenêtre (1887).
25 metų amžiaus: The Rowers of the Meurthe sukurta 1888 m. Nr. Émile Friant gimė 1863.
The Rowers of the Meurthe, Woman with a lion, Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait), The Expiation, The Tramp, Self portrait, Portrait of my mother peeling a turnip, in front of a window, Polynices Cursed by Oedipus ir The Study. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 60 Émile Friant darbų, skirtų laikotarpiui nuo 1877 iki 1928.
Daugiausia – Nancio gražiųjų menų muziejus (Nansis), musée de l'École de Nancy (Nancy) ir Musée d'Orsay (Paris). Viršuje esančiame muziejų sąraše yra visi jie.
1880s laikotarpiu: 27 iš 60 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Rowers of the Meurthe.
Šioje pusėje seniausias darbas yra Tube of Gouache (1877), o naujausias – Portrait of Jean Scherbeck (1928).
Man (12), Woman (10) ir Portrait (8) iš 60 šioje pusėje esamų darbų.
Oil On Canvas, iš 60 šios puslapio darbų – 21.
Realism ir Contemporary realism, vadovaujantis šios puslapio originalais kūriniais.
Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait) ir Presentation of the Odalisques to the Sultan: Nancio gražiųjų menų muziejus, Nansis kolekcijoje yra 15 šioje pusėje esančių darbų.
