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The Adoration of the Kings (1649) yra viena矚 most žiūrėlių pritraukiančių Carlo Dolci tapierių; originalas saugomas National Gallery, Londonas. Po to akmuo patenka į The Guardian Angel (1675) ir Madonna in Glory (1670). Iš 87 Carlo Dolci darbų mūsų kataloge šios 86 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
Carlo Dolci's "Madonna in Glory," painted around 1670, is not merely a depiction of the Virgin Mary; it’s an immersion into the heart of Florentine Baroque piety. This intimate portrait, likely intended for private devotion, reveals a masterclass in restrained emotion and meticulous technique – qualities that cemented Dolci's reputation as one of Florence’s most revered artists during his era. The painting immediately draws the viewer in with its dark,…
Carlo Dolci executed the Vase of Flowers in 1662. This oil on canvas work belongs to the genre of still life painting. It is currently held within the collection of the Galleria degli Uffizi in Florence, Italy.
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
The room falls away into an indeterminate darkness, leaving only the figure of an elderly man to meet the eye. He sits in a quiet, heavy stillness, his face emerging from the gloom as if caught in a sudden, soft beam of light from the upper left. This is Saint Philip Neri, and even in this frozen moment, there is a sense of profound, inward movement. His skin, rendered with…
Vittoria della Rovere is presented within an octagonal frame, her likeness transformed through the lens of religious iconography. Portrayed as St. Catherine, she gazes directly at the viewer with a poised, calm expression. The composition centers on her bust-length figure, where the light focuses intensely upon her face and chest. This use of tenebrism creates a deep sense of three-dimensionality, pulling the subject forward from a dark, warm background.
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
In Saint Andrew the Apostle by Carlo Dolci, the viewer meets a figure caught in a moment of profound spiritual weight. The composition follows a vertical arrangement, pulling the gaze upward toward the saint's head and upper torso. He sits slightly off-center, creating a sense of natural, unforced presence. A large, dark wooden saltire cross cuts diagonally across the frame, its heavy shape anchoring the saint within the shadows. A…
The Virgin is a somber and deeply emotive Baroque portrait of a woman, likely the Virgin Mary, rendered in oil on canvas. The composition is a close-up, centered on the subject's downward-looking face, which is partially shrouded by a heavy dark blue mantle. The color palette is restrained, dominated by deep blues, shadows, and warm skin tones, with a single highlight of white fabric at the neck.
Christ and Mary Magdalen in the House of Simon1645 · Nationalmuseum
12
Christ's Agony in the Garden of Gethsemane1658 · Statens Museum For Kunst
13
Archduchess Claudia Felicitas (1653-1676)1672 · Kunsthistorisches Museum
14
The boy Jesus invites the Christian soul to crown it according to the Song of Songs1674 · Kunsthistorisches Museum
15
Allegory of Sincerity1665 · Kunsthistorisches Museum
16
St Andrew Praying before his Martyrdom1643 · Birmingham Museum and Art Gallery
17
The Flight into Egypt1648 · Detroito meno institutas
18
The Trinity in Glory1640 · Rhode Island School of Design Museum of Art
19
Saint John the Baptist1645 · Hatchlands Park
20
Saint John the Evangelist1647 · Pushkinio valstybinis dailės muziejus
21
Saint Agnes1651 · Bavarijos valstybinės paveikslų kolekcijos
22
The Penitent Mary Magdalene1651 · Bavarijos valstybinės paveikslų kolekcijos
23
Penitent Mary Magdalene1651 · Bavarijos valstybinės paveikslų kolekcijos
24
Christ Carrying the Cross1651 · Bavarijos valstybinės paveikslų kolekcijos
25
Saint Agnes1651 · Bavarijos valstybinės paveikslų kolekcijos
26
Christ Child with Flower Wreath1651 · Bavarijos valstybinės paveikslų kolekcijos
27
Diogenes1650 · Galleria Palatina
28
Saint Christina of Bolsena1652 · Kedleston Hall
29
Maria With Child1665 · Kunsthistorisches Museum
30
Saint Sebastian1650 · Schloss Weißenstein
31
Saint Agnes1670 · National Gallery of Ireland
32
Adoration of the Shepherds1670 · Cleveland Museum of Art
33
Sir Thomas Baines, F.R.S., F.R.C.P. 1622-16811667 · Fitzwilliam Museum
34
Sir John Finch F.R.S., F.R.C.P. 1626-16821667 · Fitzwilliam Museum
35
Salome with the Head of John the Baptist1667 · Royal Collection
36
The Penitent Magdalen1670 · Royal Collection
37
David with the Head of Goliath1680 · Museum of Fine Arts
38
Blessing Christ1680
39
Portrait of Vittoria della Rovere in Widow's Weeds1680
40
St Cecilia at the Organ1671 · Gemäldegalerie Alte Meister
41
Head of Christ1658 · Statens Museum For Kunst
42
Moses1640
43
Self-Portrait1674 · Galleria degli Uffizi
44
Saint Paul the hermit1640 · Nacionalinis muziejus Varšuvoje
45
The Holy Family with God the Father and the Holy Spirit1630
46
Madonna And Child1600 · Patrick and Beatrice Haggerty Museum of Art
47
Italian, )1616
48
Italian, dolci)1616
49
Portrait of Ainolfo de' Bardi1632
50
St Mary Magdalene1644 · Ermitažas
51
Saint John the Evangelist
52
John the Evangelist1650 · John and Mable Ringling Museum of Art
53
Magdalene1660 · Galleria Palatina
54
St. Mary Magdalene
55
St Catherine Of SienaDulwich Picture Gallery
56
Salome with the Head of St John the Baptist1665 · Royal Collection
57
Head of ChristStatens Museum For Kunst
58
Allegory of PatienceBiennale Internazionale dell'Antiquariato di Firenze
59
Self-Portrait1674 · Galleria degli Uffizi
60
Saint John the EvangelistGemäldegalerie
61
Mater DolorosaFitzwilliam Museum
62
Virgin and Child with the Infant Saint John the BaptistHouston meno muziejus
63
The Penitent Mary MagdaleneNationalmuseum
64
Madonna med barnetNationalmuseum
65
The artist's wife, Teresa Bucherelli, as Saint Agnes
66
Saint Mark
67
He Mourning Virgin
68
ThistleKunsthistorisches Museum
69
Self portrait
70
Rescuing a mother and her child
71
Madonna and ChildDetroito meno institutas
72
Portrait of Agata Dolci
73
The Flight into Egypt
74
Saint Jerome In Prayer
75
Virgin with Child
76
Portrait of Stefano Della BellaGalleria Palatina
77
St. Cathrine reading a bookWallace Collection
78
The Virgin and Child with Flowers
79
The Child Jesus with a crown of flowersThyssen-Bornemisza muziejus
80
Death nature with flowers
81
The Penitent Magdalen
82
Mater Dolorosa1655 · Nacionalinis Vakarų meno muziejus
83
The Angel of the Annunciation1653
84
The Virgin of the Annunciation1653
85
St. CecilErmitažas
86
St. Andrew kneeling before his crossGalleria Palatina
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Carlo Dolci darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 7 | Ecce Homo, Saint Agnes, The Penitent Mary Magdalene |
 Kunsthistorisches Museum |
Viena | 7 | Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Archduchess Claudia Felicitas (1653-1676) |
 Statens Museum For Kunst |
Kopenhaga | 5 | Saint Andrew the Apostle, The Virgin, Christ's Agony in the Garden of Gethsemane |
 Galleria Palatina |
Firena | 4 | Diogenes, Magdalene, Portrait of Stefano Della Bella |
 Galleria degli Uffizi |
Florencija | 3 | Vase of Flowers, Self-Portrait, Self-Portrait |
 Nationalmuseum |
Stokholmas | 3 | Christ and Mary Magdalen in the House of Simon, The Penitent Mary Magdalene, Madonna med barnet |
 Fitzwilliam Museum |
3 | Sir Thomas Baines, F.R.S., F.R.C.P. 1622-1681, Sir John Finch F.R.S., F.R.C.P. 1626-1682, Mater Dolorosa | |
 Royal Collection |
Londonas | 3 | Salome with the Head of John the Baptist, The Penitent Magdalen, Salome with the Head of St John the Baptist |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
Carlo Dolci executed the Vase of Flowers in 1662. This oil on canvas work belongs to the genre of still life painting. It is currently held within the collection of the Galleria degli Uffizi in Florence, Italy.
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
The canvas captures a moment of heavy stillness following a violent upheaval. A young man, David, stands in the center of a vertical frame, his body a study in quiet triumph. He holds a large sword over his shoulder, the metallic edge catching a sharp light that cuts through the surrounding gloom. His hand rests upon the severed head of Goliath, a gruesome weight that anchors the composition. The skin…
The Adoration of the Kings (1649), National Gallery, Londonas. Toliau seka The Guardian Angel (1675) ir Madonna in Glory (1670).
33 metų amžiaus: The Adoration of the Kings sukurta 1649 m. Nr. Carlo Dolci gimė 1616.
The Adoration of the Kings, The Guardian Angel, Madonna in Glory, Vase of Flowers, Ecce Homo, Saint Philip Neri (1515–1595), Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Saint Andrew the Apostle ir The Virgin. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 87 Carlo Dolci darbų, skirtų laikotarpiui nuo 1630 iki 1680.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Kunsthistorisches Museum (Viena) ir Statens Museum For Kunst (Kopenhaga). Viršuje esančiame muziejų sąraše yra visi jie.
1650s laikotarpiu: 18 iš 86 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Ecce Homo.
Šioje pusėje seniausias darbas yra The Holy Family with God the Father and the Holy Spirit (1630), o naujausias – David with the Head of Goliath (1680).
Man (22), Woman (20) ir Dark background (10) iš 86 šioje pusėje esamų darbų.
Oil On Canvas, iš 86 šios puslapio darbų – 34.
Baroque, judging by the originals on this page.
Ecce Homo, Saint Agnes ir The Penitent Mary Magdalene: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 7 šioje pusėje esančių darbų.
