Anna Dorothea Therbusch portretas

36 garsiausių Anna Dorothea Therbusch paveikių – kiekvienas yra unikalus

Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 37 Anna Dorothea Therbusch darbai mūsų kataloge

Trumpai tariant

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) yra viena矚 most žiūrėlių pritraukiančių Anna Dorothea Therbusch tapierių; originalas saugomas Bavarijos valstybinės paveikslų kolekcijos, Miunchas. Po to akmuo patenka į Portrait of Prince Augustus Ferdinand of Prussia (1773) ir A Scientist Seated at a Desk by Candlelight (1767). Iš 37 Anna Dorothea Therbusch darbų mūsų kataloge šios 36 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.

1721 – 1782, Berlin Rococo Daugiausia darbų: Gemäldegalerie

10 geriausių Anna Dorothea Therbusch paveikslų: galerijos akimais

1
Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) aut. Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

1763 · Oil On Canvas · Bavarijos valstybinės paveikslų kolekcijos, Miunchas

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

2
Portrait of Prince Augustus Ferdinand of Prussia (1773) aut. Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · Ermitažas, Šv. Peterburgas

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

3
A Scientist Seated at a Desk by Candlelight (1767) aut. Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · Cleveland Museum of Art, Klevlandas

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

4
Portrait of Alexander Friedrich von Woldeck (1781) aut. Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, Berlinas

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

6
Self Portrait (1740) aut. Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum For Kunst, Kopenhaga

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

7
A Man, Glass in Hand, Lit by a Candle (1750) aut. Anna Dorothea Therbusch

A Man, Glass in Hand, Lit by a Candle

1750 · Oil

In A Man, Glass in Hand, Lit by a Candle by Anna Dorothea Therbusch, the world narrows to a single, solitary figure. The composition is tightly focused on a man caught in a moment of quiet contemplation or melancholy. He holds a glass, a small vessel of light amidst the surrounding gloom. A singular, directional light source emanates from a candle, partially obscured or hidden from view, carving the subject…

9
Portrait of Anna von Wartensleben (1760) aut. Anna Dorothea Therbusch

Portrait of Anna von Wartensleben

1760 · Oil On Canvas · Nacionalinis muziejus Varšuvoje, Varšuva

In the Portrait of Anna von Wartensleben by Anna Dorothea Therbusch, the sitter is captured in a three-quarter length view. She sits slightly off-center, a placement that lends a sense of poised dignity to her presence. Her expression remains calm and composed, meeting the viewer with a steady, quiet stillness. The composition holds her within an elegant interior, where the weight of the surroundings anchors her figure.

10
Portrait of Amalie Princess of Prussia (1723-1787) (1771) aut. Anna Dorothea Therbusch

Portrait of Amalie Princess of Prussia (1723-1787)

1771 · Oil On Canvas · Gemäldegalerie, Berlynas

The air in the room feels heavy with the scent of fresh blooms and the quiet rustle of silk. Amalie, Princess of Prussia, sits poised in a plush green armchair, her presence commanding the space without a single word. She is draped in a voluminous gown of shimmering white and silver, a sea of satin and lace that catches the light with every subtle movement. Her pale skin glows against…

žinomi Anna Dorothea Therbusch paveikslai, nuo 11 iki 36 numerio

11Self-portrait (1773) aut. Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Museum 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) aut. Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) aut. Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) aut. Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) aut. Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) aut. Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) aut. Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) aut. Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) aut. Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) aut. Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · Nacionalinis muziejus Varšuvoje 21Self-Portrait (1782) aut. Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) aut. Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) aut. Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Vienos dailės akademija 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) aut. Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · Ermitažas 25Self-Portrait (1776) aut. Anna Dorothea TherbuschSelf-Portrait1776 · Staatliche Museen zu Berlin 26Ernst friedrich therbusch aut. Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute aut. Anna Dorothea TherbuschWoman playing a lute 28Friedrich II aut. Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor aut. Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope aut. Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee aut. Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. aut. Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist aut. Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria aut. Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz aut. Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) aut. Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Naujasis rūmų kompleksas

Temos, kurios domino Anna Dorothea Therbusch

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Muziejai, kuriuose saugomi Anna Dorothea Therbusch originalūs darbai

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Anna Dorothea Therbusch darbai Šiojo sąrašo paveikslai
Gemäldegalerie, BerlynasGemäldegalerie Berlynas 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
Ermitažas, Šv. PeterburgasErmitažas Šv. Peterburgas 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, BerlinasAlte Nationalgalerie Berlinas 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
Bavarijos valstybinės paveikslų kolekcijos, MiunchasBavarijos valstybinės paveikslų kolekcijos Miunchas 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
Nacionalinis muziejus Varšuvoje, VaršuvaNacionalinis muziejus Varšuvoje Varšuva 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
Cleveland Museum of Art, KlevlandasCleveland Museum of Art Klevlandas 1 A Scientist Seated at a Desk by Candlelight
Statens Museum For Kunst, KopenhagaStatens Museum For Kunst Kopenhaga 1 Self Portrait
Herzog Anton Ulrich Museum, BraunšvigasHerzog Anton Ulrich Museum Braunšvigas 1 Self-portrait

Anna Dorothea Therbusch per dešimtmečius: vieniškas originalas kiekvienam

Darbai pagal dešimtmečius

Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.

Anna Dorothea Therbusch tapų klausimai galerijai

Koks yra garsiausias Anna Dorothea Therbusch kūrinys?Atsakymas

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), Bavarijos valstybinės paveikslų kolekcijos, Miunchas. Toliau seka Portrait of Prince Augustus Ferdinand of Prussia (1773) ir A Scientist Seated at a Desk by Candlelight (1767).

Kuriuo amžiaus atσταση Anna Dorothea Therbusch sukūrė Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit?Atsakymas

42 metų amžiaus: Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit sukurta 1763 m. Nr. Anna Dorothea Therbusch gimė 1721.

Kurios Anna Dorothea Therbusch dešimt paveikslų yra garsiausi?Atsakymas

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben ir Portrait of Amalie Princess of Prussia (1723-1787). Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek žinoma Anna Dorothea Therbusch darbų?Atsakymas

Mūsų kataloge yra 37 Anna Dorothea Therbusch darbų, skirtų laikotarpiui nuo 1740 iki 1782.

Kur galima pamatyti garsiausių Anna Dorothea Therbusch originalų?Atsakymas

Daugiausia – Gemäldegalerie (Berlynas), Ermitažas (Šv. Peterburgas) ir Alte Nationalgalerie (Berlinas). Viršuje esančiame muziejų sąraše yra visi jie.

Kuriuo laikotarpiu Anna Dorothea Therbusch sukūrė savo žymiausias paveikslus?Atsakymas

1770s laikotarpiu: 15 iš 36 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of Prince Augustus Ferdinand of Prussia.

Kuris iš garsių Anna Dorothea Therbusch paveikslų yra pirmasis, o kuris – paskutinis?Atsakymas

Šioje pusėje seniausias darbas yra Self Portrait (1740), o naujausias – Self-Portrait (1782).

Kokia temos Anna Dorothea Therbusch mėgavosi?Atsakymas

Man (10), Woman (10) ir Lace (5) iš 36 šioje pusėje esamų darbų.

Kuriomis medžiagomis Anna Dorothea Therbusch tapė dažniausiai?Atsakymas

Oil On Canvas, iš 36 šios puslapio darbų – 17.

Kelią meno kryžkelę priklauso Anna Dorothea Therbusch kūryba?Atsakymas

Rococo, vadovaujantis šios puslapio originalais kūriniais.

Kurius Anna Dorothea Therbusch originalius galėčiau pamatyti Gemäldegalerie?Atsakymas

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man ir Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: Gemäldegalerie, Berlynas kolekcijoje yra 5 šioje pusėje esančių darbų.

Anna Dorothea Therbusch: meno kūrinys – autoportretas

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.