11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 78점의 윌리엄 시드니 마운트 작품 (당사 카탈로그 기준)
요약하자면
윌리엄 시드니 마운트가 남긴 모든 원작 중 가장 유명한 작품은 Stony Brook의 Museums at Stony Brook에 소장된 Loss and Gain (1848)입니다. 그 뒤를 이어 School Boys Quarreling (1830)와 Bar-room Scene (1835)가 뒤를 잇습니다. 윌리엄 시드니 마운트의 작품 78점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 76점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
Bar-room Scene is an oil on canvas work by William Sidney Mount, executed about 1835. The artist, born in 1807 in Long Island, United States, established himself as a pioneer of American genre painting. His focus remained largely on the rural landscapes and social interactions of his native region.
In Portrait of Laertes Chapin, William Sidney Mount employs a vertical bust-length composition to establish a sense of formal dignity. The sitter is positioned slightly off-center, facing forward with a subtle three-quarter turn that provides a sculptural quality to the subject's features. This arrangement directs the viewer's attention toward the interplay of light and shadow across the face and neck.
In the Portrait of Laura Colton Chapin by William Sidney Mount, the subject sits in a quiet three-quarter view, her gaze turned slightly toward the viewer. She is framed by hair styled into intricate, tight ringlets that trace the line of her forehead, all topped by a dark, decorative headpiece. The color palette remains dominated by deep, somber tones. Her dress appears as a heavy, smooth black, which contrasts against…
In this 1832 oil on canvas, the artist William Sidney Mount gazes out from the past, presenting a formal portrait of a young man. The subject looks directly at us, capturing a moment of quiet dignity. This work, titled Self Portrait, offers a rare glimpse into the early years of William Sidney Mount as he establishes his presence through the medium of paint. He presents himself with a sense of…
In the Portrait of Julia Ann Seabury by William Sidney Mount, the subject is presented in a bust-length composition. She is positioned slightly off-center, with her gaze directed toward the viewer's right. The color palette is dominated by warm, natural tones, including the creamy white of her chemise, the red of her shawl, and the soft pinks and ochres used for her skin and the surrounding environment. The background consists…
In the Portrait of Maria Seabury by William Sidney Mount, a young woman is captured in a bust-length view. She sits slightly off-center, her steady gaze meeting the viewer with a quiet dignity. A bright white chemise and a red shawl provide a sharp contrast against the muted tones of the environment. These colors anchor her presence within the frame, separating her from the hazy atmosphere behind her.
At the Well is a work by William Sidney Mount, executed about 1848. The artist, born in Long Island, United States, was a pioneer of American genre painting, focusing his attention on the rhythms of rural life rather than grand historical narratives.
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Portrait of Hannah Muncy Smith1852 · Rhode Island School of Design Museum of Art
12
Julia Parish Raymond1851 · 보스턴 미술관
13
After Dinner1834 · 예일 대학교 미술관
14
Martin Euclid Thompson1830 · 메트로폴리탄 미술관
15
The Painter's Triuimph (also known as Artist Showing His Own Work)1838 · Pennsylvania Academy of Fine Arts
16
Dancing on the Barn Floor1831 · Museums at Stony Brook
17
The Long Story (also known as The Tough Story)1837 · 국립 미술관
18
Dance of the Haymakers1845 · Museums at Stony Brook
19
The Truant Gamblers (also known as Undutiful Boys)1835 · New York Historical Society
20
Ringing the Pig (also known as Scene in a Long Island Farm-Yard)1842
21
Saul and the Witch of Endor1828 · 스미소니언 미국 미술관
22
Farmer Whetting His Sythe1848 · Museums at Stony Brook
23
Catching Rabbits1839 · Museums at Stony Brook
24
Caught Napping1848 · 브루클린 미술관
25
Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene1852 · 메트로폴리탄 미술관
26
Crane Neck Across the Marsh1841 · Museums at Stony Brook
27
Gideon Tucker1830 · 메트로폴리탄 미술관
28
Self Portrait With Flute1828
29
Farmers Nooning1836 · Museums at Stony Brook
30
Portrait of Reuben Merrill1832
31
Catherine Adele Smith1846
32
The Trap is Sprung1844
33
The Card Players1847
34
The Novice1847
35
Mount’s trompe l’oeil painted music stand1855
36
Cradle of Harmony Violin1851
37
Quarter of Twelve1855
38
Portrait of William Vickham Mills Smith1849 · 디트로이트 미술관
39
Setauket Military Band1855
40
Just in Tune1849 · Museums at Stony Brook
41
Cracking Nuts1856
42
Fruit Piece: Apples on Tin Cups1863
43
The Residence of the Honorable William H. Ludlow1859
44
The Picnic1856
45
Spring Bouquet1857
46
The Banjo Player1856
47
Thomas Strongs House, Setauket, Long Island1864
48
The Bone Player1856 · 보스턴 미술관
49
Right and Left1850 · Museums at Stony Brook
50
Rustic Dance After a Sleigh Ride1830 · 보스턴 미술관
51
The Stone Bridge1843 · 테시엔-본헤르메스 미술관
52
Christ Raising the Daughter of Jairus1828 · Museums at Stony Brook
53
Long Island Farmhouses1862 · 메트로폴리탄 미술관
54
The Painter's Triumph1838
55
Courtship (also known as Winding Up)1836 · 넬슨 아트 박물관
56
Coming to the Point1854
57
Coming to the Point1854
58
Cider Making1841 · 메트로폴리탄 미술관
59
Dregs in the Cup (also known as Fortune Telling)1838
60
Fair Exchange, No Robbery1865 · Museums at Stony Brook
61
Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')''1845
62
Raffling for the Goose (also known as The Raffle)1837 · 메트로폴리탄 미술관
63
The Sportsman's Last Visit1835 · Museums at Stony Brook
64
Long Island Farmer Husking Corn1833 · Museums at Stony Brook
65
The Fence on the Hill보스턴 미술관
66
The Barn by the Pool보스턴 미술관
67
Mrs gideon tucker메트로폴리탄 미술관
68
The raffle메트로폴리탄 미술관
69
Long island farmhouses
70
Great grand fathers tale of the revolution
71
Catching Crabs
72
Self Portrait (also known as The Artist Sketching)하버드 미술관
73
Kitchen in the Mount House, Stony Brook
74
Catching the Tune1866 · Museums at Stony Brook
75
Cider Making1840 · 메트로폴리탄 미술관
76
The Power of Music1847 · 클리블랜드 미술관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 윌리엄 시드니 마운트의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Museums at Stony Brook |
Stony Brook | 15 | Loss and Gain, School Boys Quarreling, Dancing on the Barn Floor |
 메트로폴리탄 미술관 |
뉴욕 | 9 | Martin Euclid Thompson, Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, Gideon Tucker |
 보스턴 미술관 |
보스턴 | 5 | Julia Parish Raymond, The Bone Player, Rustic Dance After a Sleigh Ride |
 하이 미술관 |
애틀랜타 | 2 | Portrait of Laertes Chapin, Portrait of Laura Colton Chapin |
 휴스턴 미술관 |
휴스턴 | 2 | Portrait of Julia Ann Seabury, Portrait of Maria Seabury |
 디트로이트 미술관 |
디트로이트 | 2 | The Banjo Player, Portrait of William Vickham Mills Smith |
 시카고 미술관 |
시카고 | 1 | Bar-room Scene |
 New Britain Museum of American Art |
뉴 브리튼 | 1 | At the Well |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In the dim, flickering light of a subterranean cavern, William Sidney Mount captures one of the most harrowing moments in biblical lore. Saul and the Witch of Endor is not merely a depiction of a historical or religious event; it is an immersive descent into the supernatural. Created in 1828, this oil on canvas masterpiece transports the viewer to a moment of profound spiritual desperation. As King Saul, disguised in…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Loss and Gain (1848), Museums at Stony Brook, Stony Brook. 다음은 School Boys Quarreling (1830)와 Bar-room Scene (1835)입니다.
41세: Loss and Gain은(는) 1848년 작품이며, 윌리엄 시드니 마운트은(는) 1807년에 태어났습니다.
Loss and Gain, School Boys Quarreling, Bar-room Scene, Portrait of Laertes Chapin, Portrait of Laura Colton Chapin, Self Portrait, Portrait of Julia Ann Seabury, Portrait of Maria Seabury, At the Well 및 The Banjo Player. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1828년부터 1866년 사이의 윌리엄 시드니 마운트 작가의 작품 78점이 수록되어 있습니다.
대부분 Museums at Stony Brook (Stony Brook), 메트로폴리탄 미술관 (뉴욕) 및 보스턴 미술관 (보스턴)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1830s 동안: 이 페이지의 총 76점의 작품 중 22점이 해당 시기에 제작되었으며, 그중 School Boys Quarreling점입니다.
이 페이지에서 가장 오래된 작품은 Saul and the Witch of Endor (1828)이며, 가장 최근 작품은 Catching the Tune (1866)입니다.
이 페이지의 76점의 작품에 걸쳐 있는 American art (9), Rural life (9) 및 19th century (6)
이 페이지의 총 76점의 작품 중 28점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Genre painting
Loss and Gain, School Boys Quarreling 및 Dancing on the Barn Floor: Museums at Stony Brook, Stony Brook은(는) 이 페이지에 있는 작품 중 15점을 소장하고 있습니다.
