11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 13점의 William De Leftwich Dodge 작품 (당사 카탈로그 기준)
요약하자면
William De Leftwich Dodge가 남긴 모든 원작 중 가장 유명한 작품은 뉴욕의 메트로폴리탄 미술관에 소장된 Venus in Atrium (1910)입니다. 그 뒤를 이어 Stepping in the Fountain (1916)와 Self-Portrait (1925)가 뒤를 잇습니다. William De Leftwich Dodge의 작품 13점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 12점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
In "Venus in Atrium" by William De Leftwich Dodge, the composition centers on a classical statue of Venus positioned upon an ornate pedestal. This central figure acts as the primary focal point within the interior space. Architectural elements, including vertical columns and arched openings, frame the view of the atrium. These structures create a sense of enclosure while suggesting an opening to the outdoors. Plants contained in pots are placed…
Stepping in the Fountain, an oil on canvas created about 1916, represents a significant period in the career of William De Leftwich Dodge. While the artist gained recognition through large-scale mural commissions for public buildings like the Library of Congress, his private works often explored different stylistic territories. This piece reflects the influence of Impressionism, moving away from the rigid requirements of neoclassical muralism toward a more fluid, atmospheric approach…
In this 1925 oil painting, titled Self-Portrait, the artist William De Leftwich Dodge turns the gaze inward. The work presents a single male figure, the artist himself, captured in a moment of quietude. He is depicted with grey hair, a mustache, and a goatee that frame a face marked by the passage of years. The subject faces slightly toward the viewer's left, his presence anchored in the center of the…
In this 1928 oil painting, we find ourselves in a quiet, sun-drenched moment of daily life. A woman, dressed in blue, is captured in the middle of a simple task, tending to white linens hanging from a clothesline. There is a certain grace in her movement, a slight smile directed toward us that suggests a peaceful connection to her surroundings. The composition is defined by the large, billowing white sheets…
The sun warms the earth in Sunlit Path, an impressionistic landscape painted by William De Leftwich Dodge. Created in 1891, this work captures a quiet moment within a lush, colorful garden or park. A solitary figure wanders along a winding path, moving toward the upper right of the frame. The scene feels alive with the movement of light and shadow as the day reaches its peak.
The Death of Minnehaha by William De Leftwich Dodge captures a moment of profound stillness. Created about 1892, the oil painting draws its narrative from the poetry of Longfellow. A lifeless woman lies horizontally across the center of the scene, her form draped in a luminous white cloth that catches the light. She is flanked by two figures bowed in deep sorrow, their bodies caught in the heavy weight of…
The painting titled The Burial of Minnehaha was created by William De Leftwich Dodge in 1887. This work captures a moment of profound stillness. The subject is Minnehaha, a character drawn from the 1855 epic poem The Song of Hiawatha. A single figure remains at the center of this narrative, anchored by the weight of loss.
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 3개의 미술관
| 소장 미술관 | 도시 | William De Leftwich Dodge의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 스미소니언 미국 미술관 |
워싱턴 D.C. | 3 | Stepping in the Fountain, Self-Portrait, Meditation, (painting) |
 메트로폴리탄 미술관 |
뉴욕 | 1 | Venus in Atrium |
| The Johnson Collection | Spartanburg County | 1 | The Clothesline |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The painting titled The Burial of Minnehaha was created by William De Leftwich Dodge in 1887. This work captures a moment of profound stillness. The subject is Minnehaha, a character drawn from the 1855 epic poem The Song of Hiawatha. A single figure remains at the center of this narrative, anchored by the weight of loss.
The sun warms the earth in Sunlit Path, an impressionistic landscape painted by William De Leftwich Dodge. Created in 1891, this work captures a quiet moment within a lush, colorful garden or park. A solitary figure wanders along a winding path, moving toward the upper right of the frame. The scene feels alive with the movement of light and shadow as the day reaches its peak.
In "Venus in Atrium" by William De Leftwich Dodge, the composition centers on a classical statue of Venus positioned upon an ornate pedestal. This central figure acts as the primary focal point within the interior space. Architectural elements, including vertical columns and arched openings, frame the view of the atrium. These structures create a sense of enclosure while suggesting an opening to the outdoors. Plants contained in pots are placed…
In this 1925 oil painting, titled Self-Portrait, the artist William De Leftwich Dodge turns the gaze inward. The work presents a single male figure, the artist himself, captured in a moment of quietude. He is depicted with grey hair, a mustache, and a goatee that frame a face marked by the passage of years. The subject faces slightly toward the viewer's left, his presence anchored in the center of the…
Venus in Atrium (1910), 메트로폴리탄 미술관, 뉴욕. 다음은 Stepping in the Fountain (1916)와 Self-Portrait (1925)입니다.
43세: Venus in Atrium은(는) 1910년 작품이며, William De Leftwich Dodge은(는) 1867년에 태어났습니다.
Venus in Atrium, Stepping in the Fountain, Self-Portrait, The Clothesline, Sunlit Path, The Death of Minnehaha, The Burial of Minnehaha, Meditation, (painting), Jeune Femme en Robe Rose, (painting) 및 Ambition. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1887년부터 1928년 사이의 William De Leftwich Dodge 작가의 작품 13점이 수록되어 있습니다.
대부분 스미소니언 미국 미술관 (워싱턴 D.C.), 메트로폴리탄 미술관 (뉴욕) 및 The Johnson Collection (Spartanburg County)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1890s 동안: 이 페이지의 총 12점의 작품 중 4점이 해당 시기에 제작되었으며, 그중 Sunlit Path점입니다.
이 페이지에서 가장 오래된 작품은 The Burial of Minnehaha (1887)이며, 가장 최근 작품은 The Clothesline (1928)입니다.
이 페이지의 12점의 작품에 걸쳐 있는 Woman (3), Garden (2) 및 Man (2)
이 페이지의 총 12점의 작품 중 4점의 Oil On Canvas
Stepping in the Fountain, Self-Portrait 및 Meditation, (painting): 스미소니언 미국 미술관, 워싱턴 D.C.은(는) 이 페이지에 있는 작품 중 3점을 소장하고 있습니다.
William De Leftwich Dodge began his life in Liberty, Virginia. His father worked as an insurance agent in New York, but the family's path led away from the United States early on. His mother, Mary, moved her three children through Munich and Berlin before they eventually settled in Paris. It was in this French atmosphere that the young artist found his footing. He spent years at the Colarossi Academy, working through the rigorous entrance exams for the École des Beaux-Arts. It took him three years and six attempts to gain admission to the school in 1885.
The early years of his career were marked by significant milestones in Europe and America. In 1887, a gold medal at the Prize Fund Exhibition in New York was awarded for his painting, The Death of Minnehaha, a work inspired by the poetry of Longfellow. By 1888, he was showing works like David and Goliath at the Paris Salon. When he returned to America in 1889, he set up a studio at 6 West 14th Street in New York alongside George Bridgman. His presence in the American art scene grew through illustrations for magazines such as Collier’s, Scribner’s, and the Century.
Dodge found a specific calling in large-scale mural work. In 1891, he traveled to Chicago during the construction of the World’s Columbian Exposition. He worked as an assistant on a mural depicting the Great Chicago Fire and later secured a commission for a dome mural in the administration building designed by Richard Morris Hunt. This project, though funded with only three thousand dollars, helped establish his reputation. His hands moved across much larger surfaces in the years that followed.
His commissions took him to various public and private spaces:
As the decades passed, Dodge's focus shifted alongside his physical strength. The heavy labor required for mural painting took a toll, and after World War I, he began to slow his pace due to illness from overwork. He sought rest in Italy, Mexico, and the American Southwest. During the period between 1900 and 1910, he spent time in the coastal Georgia area near Savannah. In the saltwater marshes of Harris Neck, he painted plein air landscapes of the woods and marshes.
He lived a life that moved between the social circles of New York's Park Avenue and the quiet of Giverny and Setauket, Long Island. He also shared his knowledge with others, teaching at both the Art Students League and Cooper Union. His final exhibition at the Paris Salon in 1934 featured Madonna of the Oleanders. Today, his paintings are held in the collections of the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the National Portrait Gallery.
