11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 37점의 Wilhelm Bendz 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 Wilhelm Bendz의 가장 유명한 작품은 The German Painter Marcus Johann Heaselich (1831)이며, 원작은 코펜하겐의 Statens Museum For Kunst에 전시되어 있습니다. Countess Sophia Vilhelmine Moltke, née Levetzau (1831)와 A Smoking Party (1828)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. Wilhelm Bendz의 작품 37점 중, 갤러리는 가장 유명한 37점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
The gaze of Countess Sophia Vilhelmine Moltke, née Levetzau, meets the viewer from within this 1831 portrait by Wilhelm Bendz. She sits with a quiet, composed dignity that speaks of her high social standing and noble lineage. Every detail of her presence suggests a moment of stillness in a life of structured elegance. The subject remains poised, her expression carrying an air of calm authority that defines her character.
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
The composition is vertical and dynamic, organized around a pyramidal arrangement of figures that directs the eye from the fallen soldiers in the foreground toward a central protagonist. This central figure, King Christian IV, is positioned amidst a chaotic battle scene, his stature enhanced by a low-angle perspective. The scene depicts the naval and land-based turmoil of the Battle of Koldby Heath in 1644, specifically focusing on the King's presence…
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
This oil on canvas painting, titled Young Pan in a Grotto. Model, was executed by the Danish artist Wilhelm Bendz in 1825. It represents a significant moment in the artist's early development, created during a period when he was refining his command of classical and mythological themes. The work captures a specific, quiet moment of repose, moving away from the genre scenes for which he would later become widely recognized.
Male Model1824 · Statens Museum For Kunst
12
Self-Portrait1825 · Statens Museum For Kunst
13
The Raffenberg Family1830 · Statens Museum For Kunst
14
Cathrine von Halle, née Nathanson1830 · Statens Museum For Kunst
15
Dame med strikketøj. En af kunstnerens søstre (?)1827 · Statens Museum For Kunst
16
Unknown Young Gentleman1831 · Statens Museum For Kunst
17
Marie Raffenberg, the Artist's Betrothed1831 · Statens Museum For Kunst
18
The Actor Christoffer Hvid1826 · Statens Museum For Kunst
19
The German Painter Herman Kaufmann1831 · Statens Museum For Kunst
20
A Sculptor in his Studio Working from the Life1827 · Statens Museum For Kunst
21
Interior with women and children around a table.1827
22
Outside the Odense poorhouse.1831 · Hirschsprung Collection
23
Portrait of a young man with a Phrygian cap1825 · Ny Carlsberg Glyptotek
24
The painter Georg Heinrich Crola in his study.1832 · 알테 나치오날갈레리
25
Artists in Finck's Coffee House1832 · 토르발센 미술관
26
Portrait of the German Painter Wilhelm von Kaulbach1832 · Statens Museum For Kunst
27
Portrait of a girl in a black dress sitting at table1837 · Statens Museum For Kunst
28
Portrait of a Man피츠윌리엄 칼리지
29
A Coach House. Partenkirchen1831 · Statens Museum For Kunst
30
Parti ved Odense kanal1825 · Statens Museum For Kunst
31
Mountain landscape1831 · Hirschsprung Collection
32
The Church of Ramsau1832 · 애슈몰린 미술관
33
Study of Light in a Vaulted Interior
34
Portrait of a Woman피츠윌리엄 칼리지
35
A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror1826 · Statens Museum For Kunst
36
Familien Waagepetersen1830 · Statens Museum For Kunst
37
Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated1829 · Hirschsprung Collection
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Wilhelm Bendz의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Statens Museum For Kunst |
코펜하겐 | 22 | The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644 |
 Hirschsprung Collection |
코펜하겐 | 3 | Outside the Odense poorhouse., Mountain landscape, Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated |
 Ny Carlsberg Glyptotek |
코펜하겐 | 2 | A Smoking Party, Portrait of a young man with a Phrygian cap |
 피츠윌리엄 칼리지 |
Cambridge | 2 | Portrait of a Man, Portrait of a Woman |
 국립 미술관 |
스톡홀름 | 1 | Countess Sophia Vilhelmine Moltke, née Levetzau |
 Fuglsang Art Museum |
Guldborgsund | 1 | portrait of the painter Niels Peter Holbech |
 알테 나치오날갈레리 |
베를린 | 1 | The painter Georg Heinrich Crola in his study. |
 토르발센 미술관 |
코펜하겐 | 1 | Artists in Finck's Coffee House |
1824년부터 1832년까지의 약 10년이라는 시간은 Wilhelm Bendz에게 충분한 시간이었습니다. 갤러리는 그 세월을 따라 유명한 원작들을 하나씩 차례대로 선보입니다.
연도를 선택하여 원작을 확인해 보세요.
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
1824의 더 많은 작품
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
1825의 더 많은 작품
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
1826의 더 많은 작품
A soft light spills from the upper left, catching the delicate curve of a young woman's profile as she sits in a moment of profound stillness. She is lost in the rhythmic, silent labor of her needles, her hands cradling a piece of white cloth that glows against the deep, light-absorbing velvet of her dress. There is a heavy, comforting weight to the fabric of her gown, a darkness that…
1827의 더 많은 작품
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
1828의 더 많은 작품
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
1829의 더 많은 작품
In this 1830 portrait, we find ourselves invited into a private, tranquil interior where the Raffenberg family is gathered. The composition is structured with a gentle, triangular stability, placing a standing woman at the center of the group, her presence anchoring the seated figures below. There is a profound sense of stillness here, the kind found in a room where the air is heavy with the scent of old wood…
1830의 더 많은 작품
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
1831의 더 많은 작품
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
1832의 더 많은 작품
The German Painter Marcus Johann Heaselich (1831), Statens Museum For Kunst, 코펜하겐. 다음은 Countess Sophia Vilhelmine Moltke, née Levetzau (1831)와 A Smoking Party (1828)입니다.
27세: The German Painter Marcus Johann Heaselich은(는) 1831년 작품이며, Wilhelm Bendz은(는) 1804년에 태어났습니다.
The German Painter Marcus Johann Heaselich, Countess Sophia Vilhelmine Moltke, née Levetzau, A Smoking Party, The Visit of the Beggar to the Artist, portrait of the painter Niels Peter Holbech, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644, Portræt af jomfru Nissen, The Life Class at the Royal Academy of Fine Arts 및 Young Pan in a Grotto. Model. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1824년부터 1832년 사이의 Wilhelm Bendz 작가의 작품 37점이 수록되어 있습니다.
대부분 Statens Museum For Kunst (코펜하겐), Hirschsprung Collection (코펜하겐) 및 Ny Carlsberg Glyptotek (코펜하겐)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1831 동안: 이 페이지의 총 37점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 The German Painter Marcus Johann Heaselich점입니다.
이 페이지에서 가장 오래된 작품은 portrait of the painter Niels Peter Holbech (1824)이며, 가장 최근 작품은 The German Painter Heinrich Marr (1832)입니다.
이 페이지의 37점의 작품에 걸쳐 있는 Man (14), Woman (12) 및 Portrait (10)
이 페이지의 총 37점의 작품 중 17점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Danish golden age
The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr 및 Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644: Statens Museum For Kunst, 코펜하겐은(는) 이 페이지에 있는 작품 중 22점을 소장하고 있습니다.
