10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 68점의 워싱턴 올스턴 작품 (당사 카탈로그 기준)
요약하자면
Self-Portrait (1799)은(는) 워싱턴 올스턴의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 캠브리지에 위치한 하버드 미술관에 소장되어 있습니다. 그다음 시선은 Portrait of Captain A.H. Pray of the Boston Fusiliers (1796)와 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811)로 향합니다. 우리 카탈로그에 수록된 워싱턴 올스턴의 작품 68점 중, 가장 유명한 68점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
Washington Allston’s Portrait of Captain A.H. Pray of the Boston Fusiliers is a delicate and intimate miniature portrait of a young man. The composition employs a close-up, three-quarter view of the subject's head and shoulders, with the figure positioned slightly off-center. This arrangement creates a sense of immediacy, drawing the viewer into a private encounter with the sitter. The focus remains fixed entirely on the subject's expressive blue eyes and…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
The oil painting The Poor Author and the Rich Bookseller by Washington Allston depicts a dramatic interaction between three men within a sparse, dimly lit interior. The composition utilizes a triangular arrangement of the figures to guide the eye through the scene. This arrangement is supported by the receding lines of the floorboards and a doorway that leads toward a brightly lit window in the background. The subject matter suggests…
In this intimate oil portrait, Washington Allston captures William Ellery Channing, a man who occupied a significant place in the social and intellectual circles of the early nineteenth century. Painted about 1811, the work offers a quiet study of the subject's character. The connection between the painter and the sitter was deeply personal, as Channing was the brother of the artist's wife, Ann Channing. This familial bond likely contributed to…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") is an oil painting by the American painter and poet Washington Allston. Created in 1809, the work captures a dramatic moment of narrative tension. The scene focuses on the complex interactions between the central figures within a classical architectural setting.
The oil painting titled Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew captures a moment of sudden, violent movement. Washington Allston rendered this dramatic narrative work about 1809. The canvas holds a scene of friction and sudden gesture, frozen in the stillness of oil and pigment.
The artwork is titled First study for "Christ Healing the Sick" and was created by the artist Washington Allston. This specific piece functions as a preparatory study, a preliminary version intended to work out the composition and tonal values for a larger religious work. The work is a monochromatic, sepia-toned drawing or wash study, likely executed using ink, bistre, or sepia wash on paper.
In this intimate oil portrait, we find ourselves in the presence of a young man caught in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a private thought or a distant memory. There is a quietude here that feels almost heavy, a stillness that invites the viewer to lean in and observe the subtle…
Diana on a Chase1805 · 하버드 미술관
12
Study for "Jason Returning to Demand His Father's Kingdom"1807 · 하버드 미술관
13
Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · 예일 대학교 미술관
14
Beatrice1819 · 보스턴 미술관
15
Donna Mencia in the Robber's Cavern1815 · 보스턴 미술관
16
Head of a Jew1817 · 보스턴 미술관
17
Study for Belshazzar's Feast1817 · 보스턴 미술관
18
Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · 하버드 미술관
19
Rebecca at the Well1816 · 하버드 미술관
20![A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) 의 워싱턴 올스턴](/media/artworks/images-thumb/ff/46/ff46c6226208aa3441d2d9ba42ab2d29.jpg)
A Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · 메트로폴리탄 미술관
21
A Tuscan Girl1831 · New Britain Museum of American Art
22
Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · 하버드 미술관
23
Ideal Head1835 · Rhode Island School of Design Museum of Art
24
The Sisters1816 · 하버드 미술관
25
Elijah Fed by the Ravens1818 · 보스턴 미술관
26
A Landscape after Sunset1819 · 국립 미술관
27
Moonlit Landscape1819 · 보스턴 미술관
28
The Rising of a Thunderstorm at Sea1804 · 보스턴 미술관
29
Italian Shepard Boy디트로이트 미술관
30
Rising of a Thunderstorm at Sea1804 · 보스턴 미술관
31
Landscape with a Lake1804 · 보스턴 미술관
32
Jacob's Dream1817 · Petworth House
33
Hermina and Helena1815
34
Miriam the Prophetess1821
35
Italian Landscape1814 · 톨레도 미술관
36
Ship in a Squall1827 · 하버드 미술관
37
Landscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · 보스턴 미술관
38
Landscape Composition1834 · 하버드 미술관
39
The Angel Releasing St. Peter from Prison보스턴 미술관
40
Romantic Landscape
41
HEAD OF A JEWNational Portrait Gallery of Sweden
42
Moses and the Serpent
43
Benjamin Lynde, Sr
44
Saul and the Witch of Endor
45
Italian Shepherd Boy1819 · 디트로이트 미술관
46
Dr. John King1814 · Fine Arts Museums of San Francisco
47
Italian Landscape1828 · 디트로이트 미술관
48
An American Landscape아일랜드 국립 미술관
49
Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts
50
Storm Rising at Sea
51
Christ Healing the SickWorcester Art Museum
52
The Spanish Girl in Reverie
53
Classical Landscape
54
Samuel Williams클리블랜드 미술관
55
Jason Returning to Demand his Father's KingdomLowe Gallery
56
Landscape With A Lake
57
The Tippler
58
David Playing before Saul
59
Belshazzar's Feat디트로이트 미술관
60
Samuel Taylor ColeridgeNational Portrait Gallery
61
The Opening of the Casket
62
Angel Releasing St. Peter from Prison
63
Meeting of Lear and Cordelia
64
Coast Scene on the Mediterranean
65
Hermia and Helena스미소니언 미국 미술관
66
유리엘 태양 아래 서 있다1817 · Mugar Memorial Library
67
The Flight of Florimell1819 · 디트로이트 미술관
68
The Spanish Girl in Reverie1831 · 메트로폴리탄 미술관
#3 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha
#7 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
#8 Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew
#13 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe
#15 Donna Mencia in the Robber's Cavern
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 워싱턴 올스턴의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 보스턴 미술관 |
보스턴 | 14 | The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait |
 하버드 미술관 |
캠브리지 | 11 | Self-Portrait, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834) |
 디트로이트 미술관 |
디트로이트 | 5 | Italian Shepard Boy, Italian Shepherd Boy, Italian Landscape |
 Rhode Island School of Design Museum of Art |
프로비던스 | 2 | Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head |
 Pennsylvania Academy of Fine Arts |
필라델피아 | 2 | Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' |
 메트로폴리탄 미술관 |
뉴욕 | 2 | A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, The Spanish Girl in Reverie |
 필라델피아 미술관 |
필라델피아 | 1 | Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") |
 예일 대학교 미술관 |
뉴헤이븐 | 1 | Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
In this work, titled Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, Washington Allston presents a somber biblical scene set within a dimly lit, architectural interior. The composition centers on two figures positioned amidst stone arches and a dark, recessed space. On the left, the prophet Jeremiah is depicted in a commanding yet distressed pose, his gaze directed upward as if receiving divine revelation. He…
In A Tuscan Girl, Washington Allston positions a single female figure centrally within a three-quarter length pose. Seated amidst dense foliage, the subject is illuminated by a soft, directional light striking from the upper left. This lighting highlights her face, shoulder, and chest, while a chiaroscuro effect casts the surrounding landscape into deep, shadowy tones. The woman's attire provides a sharp chromatic contrast to the dark background, featuring a red…
Self-Portrait (1799), 하버드 미술관, 캠브리지. 다음은 Portrait of Captain A.H. Pray of the Boston Fusiliers (1796)와 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811)입니다.
20세: Self-Portrait은(는) 1799년 작품이며, 워싱턴 올스턴은(는) 1779년에 태어났습니다.
Self-Portrait, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" 및 Samuel Taylor Coleridge (1772-1834). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1796년부터 1835년 사이의 워싱턴 올스턴 작가의 작품 68점이 수록되어 있습니다.
대부분 보스턴 미술관 (보스턴), 하버드 미술관 (캠브리지) 및 디트로이트 미술관 (디트로이트)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1810s 동안: 이 페이지의 총 68점의 작품 중 22점이 해당 시기에 제작되었으며, 그중 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha점입니다.
이 페이지에서 가장 오래된 작품은 Portrait of Captain A.H. Pray of the Boston Fusiliers (1796)이며, 가장 최근 작품은 Ideal Head (1835)입니다.
이 페이지의 68점의 작품에 걸쳐 있는 Man (16), Woman (9) 및 Portrait (8)
이 페이지의 총 68점의 작품 중 18점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Romantic landscape painting
The Poor Author and the Rich Bookseller, William Ellery Channing 및 Self Portrait: 보스턴 미술관, 보스턴은(는) 이 페이지에 있는 작품 중 14점을 소장하고 있습니다.
