11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 99점의 마티아 프레티 작품 (당사 카탈로그 기준)
요약하자면
The Marriage at Cana (1655)은(는) 마티아 프레티의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 런던에 위치한 국립 미술관에 소장되어 있습니다. 그다음 시선은 Tribute Money (1640)와 St. John the Baptist Preaching로 향합니다. 우리 카탈로그에 수록된 마티아 프레티의 작품 99점 중, 가장 유명한 98점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
To stand before this depiction of St. John the Baptist is to be enveloped by the very breath of divine revelation. The scene pulses with an almost palpable energy, capturing that electrifying moment when sacred truth breaks through the mundane. At the heart of the composition stands St. John, a figure radiating both ascetic power and profound spiritual authority. He commands attention not merely through his central placement, but through…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
The air in the painting feels heavy, thick with the scent of iron and dust. A single, theatrical light cuts through the murky atmosphere, striking the pale skin of a woman seated on the right. She is the center of a storm, a figure of vulnerability amidst a crowded, muscular arrangement of limbs and steel. Around her, the composition erupts in a series of sweeping diagonals. Weapons and reaching arms…
In this treatment of Ecce Homo, Mattia Preti employs a highly theatrical arrangement to command the viewer's attention. The composition is built upon a balcony placed transversely, a clever spatial device that pushes the figure of Christ into the immediate foreground. This positioning creates an intimate, almost confrontational proximity between the subject and the observer. The artist’s style here is both dramatic and heroic, moving beyond simple naturalism to imbue…
The shadows press in from every corner, leaving only a sliver of light to illuminate the weathered face of Saint Paul the Hermit. He sits in a profound, heavy silence, his body a map of ascetic devotion. Every line etched into his skin tells a story of years spent in the desert, away from the clamor of the world. His eyes are turned upward, searching the darkness for a light…
Mattia Preti’s Wedding at Cana captures the first miracle of Christ during a wedding feast in Galilee. The scene brings together Christ, his mother, and the disciples within a crowded, festive setting. A long banquet table, draped in a white cloth, serves as the central stage for the unfolding event. Amidst the gathering, Mary directs the servants, while the steward observes the transformation of the liquid with astonishment.
In this oil on canvas, we find ourselves pulled into an intimate, almost uncomfortable proximity to a profound biblical encounter. The scene captures the precise second when the apostle Thomas seeks physical verification of the resurrection, reaching out to touch the wound in Christ's side. There is a heavy, palpable tension in the way the figures are arranged along a diagonal axis, guiding our gaze directly toward that central point…
The crucifixion of St Andrew is an oil on canvas work by Mattia Preti. Created about 1651, this piece belongs to the Baroque movement of seventeenth-century Italy. The scene captures a moment of profound religious significance, focusing on the martyrdom of the saint. It is a heavy, physical depiction of faith under the weight of wood and shadow.
St John the Baptist before Herod1665
12
Saint Veronica with the Veil1657 · 로스앤젤레스 카운티 미술관
13
Portrait of a Grand Master of the Knights of Malta, Martin de Redin1660 · 시카고 미술관
14
Belisarius Receiving Alms1660 · Museum Boijmans Van Beuningen
15
The Game of Draughts1630 · 애슈몰린 미술관
16
Ecce homo
17
Dice Players1635 · 크라쿠프 국립박물관
18
The Beheading of Saint John the Baptist1640 · 아일랜드 국립 미술관
19
The Pardon of St. John Chrysostom1640 · 신시내티 미술관
20
Clorinda rescues Olindo and Sophronia1646 · Musei di Strada Nuova
21
Vocation of the Apostle Matthew1637 · 빈 미술사 박물관
22
The Adoration of the Shepherds1645 · 바르샤바 국립 박물관
23
the head of St. John presented to the king1638
24
Bearded Old Man's Head1656 · 바이에른 주립 회화 컬렉션
25
Return of the Prodigal Son1656 · 바이에른 주립 회화 컬렉션
26
Mary Magdalene1656 · 바이에른 주립 회화 컬렉션
27
Tobias and the Angel1656 · 바이에른 주립 회화 컬렉션
28
Saint Andrew1656 · 바이에른 주립 회화 컬렉션
29
The Feast of Absalom1658 · 캐나다 국립 미술관
30
Salomé with the Head of St. John before Herod1658 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
31
An Angel shows Hagar the Way1656 · 바이에른 주립 회화 컬렉션
32
Paul of Thebes1675 · 국립 고대 미술관
33
Self-portrait1695
34
The Vision of Saint Paul1700
35
The Martyrdom of Saint Catherine1700 · MUŻA
36
The Denial of Saint Peter1700 · Musée des Beaux-Arts
37
The Raising of Lazarus1650 · 갤러리아 나자날 드 아트 안티카
38
The Concert1630 · 테시엔-본헤르메스 미술관
39
A Man Cutting Tobacco1660
40
헤로드 왕의 만찬1661 · 톨레도 미술관
41
Apelle painting Campaspe1600 · Pinacoteca Stuard
42
The Baptism of Christ1661 · 성 요한 대성당
43
The Roman Empress Faustina Visiting Saint Catherine of Alexandria in Prison1643 · The Dayton Art Institute
44
Queen Tomyris Receiving the Head of Cyrus, King of Persia1670
45
St. George Victorious over the Dragon1678 · Collegiate Basilica of St. George
46
St John Reproaching Herod1662 · Museo de Bellas Artes de Sevilla
47
Christ and the Money Changers1600 · 카포디몬테 국립 박물관
48
Concert (detail)1630 · 에르미타주 박물관
49
Flying Angel1630 · Kunstpalast
50
The Adoration of the Shepherds1699 · 워커 아트 갤러리
51
Christ and the Woman Taken in Adultery세인트루이스 미술관
52
The Martyrdom of Saint Paul휴스턴 미술관
53
Tobias Healing His Father's Blindness휴스턴 미술관
54
Martyrdom of Saint Erasmus바이에른 주립 회화 컬렉션
55
Martyrdom of Saint Andrew
56
St. Paul the Hermit클리블랜드 미술관
57
Concert in the family
58
Zachary on his knees, and studies of his head
59
Old man sitting, holding a book, speaking to a young man
60
Musical angels, studies for a ceiling compartment
61
A Group of Saints and Angels
62
God the Father surrounded by angels
63
The Release of St Peter from PrisonAcademy of Fine Arts Vienna
64
The Visitation1649 · 버지니아 미술관
65
Pilate Washing his Hands1663 · 메트로폴리탄 미술관
66
The Martyrdom of Saint Gennaro1685 · 국립 미술관
67
The Martyrdom of St. BartholomewPokrajinski muzej Ptuj- Ormož
68
Saint John the Baptist Preaching1650 · 메트로폴리탄 미술관
69
St John Cast into Prison1661 · 성 요한 대성당
70
Seated Bishop with Arms Extended and Three Attendant Figures
71
Salome with the Head of St John the Baptist링글링 미술관
72
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti
73
A Mother Entrusting Her Sons to Christ브레라 미술관
74
Beheading of St. CatherineNational Museum of Fine Arts
75
Holy martyr (Saint Stephan?)레조 에밀리아 시립 박물관
76
Flying Angel1699 · Kunstpalast
77
St Sebastian1660 · 카포디몬테 국립 박물관
78
Sophonisba Receiving the Goblet1670 · 리옹 미술관
79
St. Nicholas of Bari1653 · 카포디몬테 국립 박물관
80
Aeneas, Anchises and Ascanius Fleeing Troy1630 · 갤러리아 나자날 드 아트 안티카
81
Saint John the Baptist카포디몬테 국립 박물관
82
Judith and Holofernes카포디몬테 국립 박물관
83
The Return of the Prodigal Son
84
The Martyrdom of Saint Peter1630 · Musée de Grenoble
85
Saint Anthony Abbot1628
86
Vanitas1650
87
The Return of the Prodigal Son1658 · Royal Palace of Naples
88
The Four Evangelists1650 · Galleria Regionale di Palazzo Abatellis
89
Concert1630 · 에르미타주 박물관
90
The Banquet Of Baldassare
91
Absalom's Feast1653 · 카포디몬테 국립 박물관
92
The Madonna of Costantinople1656 · 카포디몬테 국립 박물관
93
Christ and the Woman Taken in AdulteryGalleria Regionale di Palazzo Abatellis
94
St. George on Horseback1658 · 성 요한 대성당
95
Saint John the Baptist Wearing the Red Tabard of the Order of Saint John1671 · MUŻA
96
The Banquet of the Rich Glutton1685 · Galleria Nazionale d'Arte Antica
97
Tomyris Plunges the Head of the Dead Cyrus Into a Vessel of Blood1685
98
Plato and Diogenes1690 · 카피톨리니 박물관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 마티아 프레티의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 바이에른 주립 회화 컬렉션 |
뮌헨 | 7 | Bearded Old Man's Head, Return of the Prodigal Son, Mary Magdalene |
 카포디몬테 국립 박물관 |
나폴리 | 7 | Christ and the Money Changers, St Sebastian, St. Nicholas of Bari |
 성 요한 대성당 |
발레타 | 3 | The Baptism of Christ, St John Cast into Prison, St. George on Horseback |
 국립 미술관 |
런던 | 2 | The Marriage at Cana, Wedding at Cana |
 브레라 미술관 |
밀라노 | 2 | Tribute Money, A Mother Entrusting Her Sons to Christ |
 빈 미술사 박물관 |
빈 | 2 | Doubting Thomas, Vocation of the Apostle Matthew |
 MUŻA |
Valletta | 2 | The Martyrdom of Saint Catherine, Saint John the Baptist Wearing the Red Tabard of the Order of Saint John |
 갤러리아 나자날 드 아트 안티카 |
로마 | 2 | The Raising of Lazarus, Aeneas, Anchises and Ascanius Fleeing Troy |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The air in the room feels heavy, thick with the scent of old wood and the quiet tension of a contest in progress. Three figures lean into a shared circle of focus, their bodies forming a tight, intimate triangle around a simple game board. Light spills from an unseen source to the left, cutting through the gloom to catch the curve of a cheek, the edge of a white sleeve,…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
This oil painting, titled Paul of Thebes, was executed by the Italian Baroque artist Mattia Preti. The work dates to about 1675. The subject of the composition is a bearded man, identified as Saint Paul of Thebes, who is depicted in a moment of spiritual focus. He is shown holding a rosary within his hands.
Four men and one woman gather around a dead man who is dressed in a bright honey-gold cape and pointed hat, his stone-gray face resting on a stump or column in this dark vertical painting. All the people have peachy skin or light skin tinged with green. Shown from the knees up, Saint Gennaro, the dead man, twists and slumps to our right. On the stump, his eyes are closed…
The oil on canvas titled Self-portrait by Mattia Preti captures a quiet moment of introspection. Created about 1695, the work presents an older man, presumably the artist himself, caught in a state of solemn preparation. He sits amidst a heavy, dark atmosphere, his presence defined by the weight of his own gaze and the tools of his trade.
The Marriage at Cana (1655), 국립 미술관, 런던. 다음은 Tribute Money (1640)와 St. John the Baptist Preaching입니다.
42세: The Marriage at Cana은(는) 1655년 작품이며, 마티아 프레티은(는) 1613년에 태어났습니다.
The Marriage at Cana, Tribute Money, St. John the Baptist Preaching, Christ in Glory, Clorinda Rescuing Sofronia and Olindo, Ecce Homo, Saint Paul the Hermit, Wedding at Cana, Doubting Thomas 및 The crucifixion of St Andrew. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1628년부터 1699년 사이의 마티아 프레티 작가의 작품 99점이 수록되어 있습니다.
대부분 바이에른 주립 회화 컬렉션 (뮌헨), 카포디몬테 국립 박물관 (나폴리) 및 성 요한 대성당 (발레타)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1650s 동안: 이 페이지의 총 98점의 작품 중 22점이 해당 시기에 제작되었으며, 그중 The Marriage at Cana점입니다.
이 페이지에서 가장 오래된 작품은 Saint Anthony Abbot (1628)이며, 가장 최근 작품은 The Adoration of the Shepherds (1699)입니다.
이 페이지의 98점의 작품에 걸쳐 있는 Man (31), Woman (15) 및 Drapery (14)
이 페이지의 총 98점의 작품 중 54점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Baroque drama
Bearded Old Man's Head, Return of the Prodigal Son 및 Mary Magdalene: 바이에른 주립 회화 컬렉션, 뮌헨은(는) 이 페이지에 있는 작품 중 7점을 소장하고 있습니다.
