11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 87점의 카를로 돌치 작품 (당사 카탈로그 기준)
요약하자면
The Adoration of the Kings (1649)은(는) 카를로 돌치의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 런던에 위치한 국립 미술관에 소장되어 있습니다. 그다음 시선은 The Guardian Angel (1675)와 Madonna in Glory (1670)로 향합니다. 우리 카탈로그에 수록된 카를로 돌치의 작품 87점 중, 가장 유명한 86점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
Carlo Dolci's "Madonna in Glory," painted around 1670, is not merely a depiction of the Virgin Mary; it’s an immersion into the heart of Florentine Baroque piety. This intimate portrait, likely intended for private devotion, reveals a masterclass in restrained emotion and meticulous technique – qualities that cemented Dolci's reputation as one of Florence’s most revered artists during his era. The painting immediately draws the viewer in with its dark,…
Carlo Dolci executed the Vase of Flowers in 1662. This oil on canvas work belongs to the genre of still life painting. It is currently held within the collection of the Galleria degli Uffizi in Florence, Italy.
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
The room falls away into an indeterminate darkness, leaving only the figure of an elderly man to meet the eye. He sits in a quiet, heavy stillness, his face emerging from the gloom as if caught in a sudden, soft beam of light from the upper left. This is Saint Philip Neri, and even in this frozen moment, there is a sense of profound, inward movement. His skin, rendered with…
Vittoria della Rovere is presented within an octagonal frame, her likeness transformed through the lens of religious iconography. Portrayed as St. Catherine, she gazes directly at the viewer with a poised, calm expression. The composition centers on her bust-length figure, where the light focuses intensely upon her face and chest. This use of tenebrism creates a deep sense of three-dimensionality, pulling the subject forward from a dark, warm background.
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
In Saint Andrew the Apostle by Carlo Dolci, the viewer meets a figure caught in a moment of profound spiritual weight. The composition follows a vertical arrangement, pulling the gaze upward toward the saint's head and upper torso. He sits slightly off-center, creating a sense of natural, unforced presence. A large, dark wooden saltire cross cuts diagonally across the frame, its heavy shape anchoring the saint within the shadows. A…
The Virgin is a somber and deeply emotive Baroque portrait of a woman, likely the Virgin Mary, rendered in oil on canvas. The composition is a close-up, centered on the subject's downward-looking face, which is partially shrouded by a heavy dark blue mantle. The color palette is restrained, dominated by deep blues, shadows, and warm skin tones, with a single highlight of white fabric at the neck.
Christ and Mary Magdalen in the House of Simon1645 · 국립 미술관
12
Christ's Agony in the Garden of Gethsemane1658 · Statens Museum For Kunst
13
Archduchess Claudia Felicitas (1653-1676)1672 · 빈 미술사 박물관
14
The boy Jesus invites the Christian soul to crown it according to the Song of Songs1674 · 빈 미술사 박물관
15
Allegory of Sincerity1665 · 빈 미술사 박물관
16
St Andrew Praying before his Martyrdom1643 · 버밍엄 미술관
17
The Flight into Egypt1648 · 디트로이트 미술관
18
The Trinity in Glory1640 · Rhode Island School of Design Museum of Art
19
Saint John the Baptist1645 · Hatchlands Park
20
Saint John the Evangelist1647 · 푸시킨 국립 미술관
21
Saint Agnes1651 · 바이에른 주립 회화 컬렉션
22
The Penitent Mary Magdalene1651 · 바이에른 주립 회화 컬렉션
23
Penitent Mary Magdalene1651 · 바이에른 주립 회화 컬렉션
24
Christ Carrying the Cross1651 · 바이에른 주립 회화 컬렉션
25
Saint Agnes1651 · 바이에른 주립 회화 컬렉션
26
Christ Child with Flower Wreath1651 · 바이에른 주립 회화 컬렉션
27
Diogenes1650 · Galleria Palatina
28
Saint Christina of Bolsena1652 · Kedleston Hall
29
Maria With Child1665 · 빈 미술사 박물관
30
Saint Sebastian1650 · Schloss Weissenstein
31
Saint Agnes1670 · 아일랜드 국립 미술관
32
Adoration of the Shepherds1670 · 클리블랜드 미술관
33
Sir Thomas Baines, F.R.S., F.R.C.P. 1622-16811667 · Fitzwilliam Museum
34
Sir John Finch F.R.S., F.R.C.P. 1626-16821667 · Fitzwilliam Museum
35
Salome with the Head of John the Baptist1667 · 로열 컬렉션
36
The Penitent Magdalen1670 · 로열 컬렉션
37
David with the Head of Goliath1680 · 보스턴 미술관
38
Blessing Christ1680
39
Portrait of Vittoria della Rovere in Widow's Weeds1680
40
St Cecilia at the Organ1671 · Gemäldegalerie
41
Head of Christ1658 · Statens Museum For Kunst
42
Moses1640
43
Self-Portrait1674 · 우피치 미술관
44
Saint Paul the hermit1640 · 바르샤바 국립 박물관
45
The Holy Family with God the Father and the Holy Spirit1630
46
Madonna And Child1600 · Patrick and Beatrice Haggerty Museum of Art
47
Italian, )1616
48
Italian, dolci)1616
49
Portrait of Ainolfo de' Bardi1632
50
St Mary Magdalene1644 · 에르미타주 박물관
51
Saint John the Evangelist
52
John the Evangelist1650 · 존 앤 메이블 링링 미술관
53
Magdalene1660 · Galleria Palatina
54
St. Mary Magdalene
55
St Catherine Of Siena덜위치 픽처 갤러리
56
Salome with the Head of St John the Baptist1665 · 로열 컬렉션
57
Head of ChristStatens Museum For Kunst
58
Allegory of PatienceBiennale Internazionale dell'Antiquariato di Firenze
59
Self-Portrait1674 · 우피치 미술관
60
Saint John the EvangelistGemäldegalerie
61
Mater DolorosaFitzwilliam Museum
62
Virgin and Child with the Infant Saint John the Baptist휴스턴 미술관
63
The Penitent Mary Magdalene국립 미술관
64
Madonna med barnet국립 미술관
65
The artist's wife, Teresa Bucherelli, as Saint Agnes
66
Saint Mark
67
He Mourning Virgin
68
Thistle빈 미술사 박물관
69
Self portrait
70
Rescuing a mother and her child
71
Madonna and Child디트로이트 미술관
72
Portrait of Agata Dolci
73
The Flight into Egypt
74
Saint Jerome In Prayer
75
Virgin with Child
76
Portrait of Stefano Della BellaGalleria Palatina
77
St. Cathrine reading a book월리스 컬렉션
78
The Virgin and Child with Flowers
79
The Child Jesus with a crown of flowers테시엔-본헤르메스 미술관
80
Death nature with flowers
81
The Penitent Magdalen
82
Mater Dolorosa1655 · 국립서양미술관
83
The Angel of the Annunciation1653
84
The Virgin of the Annunciation1653
85
St. Cecil에르미타주 박물관
86
St. Andrew kneeling before his crossGalleria Palatina
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 카를로 돌치의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 바이에른 주립 회화 컬렉션 |
뮌헨 | 7 | Ecce Homo, Saint Agnes, The Penitent Mary Magdalene |
 빈 미술사 박물관 |
빈 | 7 | Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Archduchess Claudia Felicitas (1653-1676) |
 Statens Museum For Kunst |
코펜하겐 | 5 | Saint Andrew the Apostle, The Virgin, Christ's Agony in the Garden of Gethsemane |
 Galleria Palatina |
피렌체 | 4 | Diogenes, Magdalene, Portrait of Stefano Della Bella |
 우피치 미술관 |
피렌체 | 3 | Vase of Flowers, Self-Portrait, Self-Portrait |
 국립 미술관 |
스톡홀름 | 3 | Christ and Mary Magdalen in the House of Simon, The Penitent Mary Magdalene, Madonna med barnet |
 Fitzwilliam Museum |
3 | Sir Thomas Baines, F.R.S., F.R.C.P. 1622-1681, Sir John Finch F.R.S., F.R.C.P. 1626-1682, Mater Dolorosa | |
 로열 컬렉션 |
런던 | 3 | Salome with the Head of John the Baptist, The Penitent Magdalen, Salome with the Head of St John the Baptist |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
Carlo Dolci executed the Vase of Flowers in 1662. This oil on canvas work belongs to the genre of still life painting. It is currently held within the collection of the Galleria degli Uffizi in Florence, Italy.
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
The canvas captures a moment of heavy stillness following a violent upheaval. A young man, David, stands in the center of a vertical frame, his body a study in quiet triumph. He holds a large sword over his shoulder, the metallic edge catching a sharp light that cuts through the surrounding gloom. His hand rests upon the severed head of Goliath, a gruesome weight that anchors the composition. The skin…
The Adoration of the Kings (1649), 국립 미술관, 런던. 다음은 The Guardian Angel (1675)와 Madonna in Glory (1670)입니다.
33세: The Adoration of the Kings은(는) 1649년 작품이며, 카를로 돌치은(는) 1616년에 태어났습니다.
The Adoration of the Kings, The Guardian Angel, Madonna in Glory, Vase of Flowers, Ecce Homo, Saint Philip Neri (1515–1595), Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Saint Andrew the Apostle 및 The Virgin. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1630년부터 1680년 사이의 카를로 돌치 작가의 작품 87점이 수록되어 있습니다.
대부분 바이에른 주립 회화 컬렉션 (뮌헨), 빈 미술사 박물관 (빈) 및 Statens Museum For Kunst (코펜하겐)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1650s 동안: 이 페이지의 총 86점의 작품 중 18점이 해당 시기에 제작되었으며, 그중 Ecce Homo점입니다.
이 페이지에서 가장 오래된 작품은 The Holy Family with God the Father and the Holy Spirit (1630)이며, 가장 최근 작품은 David with the Head of Goliath (1680)입니다.
이 페이지의 86점의 작품에 걸쳐 있는 Man (27), Woman (22) 및 Beard (11)
이 페이지의 총 86점의 작품 중 39점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Baroque
Ecce Homo, Saint Agnes 및 The Penitent Mary Magdalene: 바이에른 주립 회화 컬렉션, 뮌헨은(는) 이 페이지에 있는 작품 중 7점을 소장하고 있습니다.
