10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 89점의 조나단 리처드슨 더 엘더 작품 (당사 카탈로그 기준)
요약하자면
조나단 리처드슨 더 엘더가 남긴 모든 원작 중 가장 유명한 작품은 바스의 The Holburne Museum에 소장된 Garton Orme at the Spinet (1707)입니다. 그 뒤를 이어 William Cheselden (1688–1752) (1730)와 Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above (1730)가 뒤를 잇습니다. 조나단 리처드슨 더 엘더의 작품 89점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 88점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
1. Garton Orme at the Spinet 1707
2. William Cheselden (1688–1752) 1730
3. Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above 1730
The portrait titled Garton Orme at the Spinet is a work by the English painter Jonathan Richardson the Elder. Created around 1707, this piece offers a glimpse into the refined domesticity of the early eighteenth century. It captures a moment of quiet focus, centering on a young subject engaged with a musical instrument.
A man emerges from a deep, shadowy void, his presence commanding the space with a quiet, scholarly dignity. He wears a heavy red robe, the fabric catching a soft light that defines the folds of the hood resting upon his head. His gaze is steady, carrying the weight of a life spent in contemplation or perhaps the gravity of a man accustomed to being observed. A subtle mustache traces his…
A Glimpse into the Artistic Brilliance of Jonathan Richardson The Elder Jonathan Richardson The Elder's painting, Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above, is a testament to his exceptional skill as an artist. This oil on canvas masterpiece, measuring 229…
The gaze of Lady Holland meets the viewer from across the centuries, captured in a formal portrait by Jonathan Richardson the Elder. Created in 1704, this work presents a woman who carries herself with the quiet dignity of the early 18th century. She sits in a three-quarter view, her presence defined by a controlled and poised posture that suggests a life of significant social standing. The way she holds herself,…
Judith Parsons is a portrait executed by Jonathan Richardson the Elder. Created around 1710, the work presents a three-quarter length depiction of the sitter, who gazes directly at the viewer. The subject is identified by an inscription at the top of the composition: "Judith, dnu’ of John Persons of Thornton in Walter Jones Rector of Upton".
The Portrait of a Sea Officer is an oil on canvas painting by the English artist Jonathan Richardson the Elder. Created about 1700, this work belongs to the genre of portraiture. It captures a single figure through the deliberate application of pigment on fabric.
The gaze of Sir Richard Steele meets the viewer through this formal portrait, a work that captures the presence of the Anglo-Irish writer, playwright, and politician. He sits with a quiet dignity, his likeness preserved by the hand of Jonathan Richardson the Elder. The artist, a significant figure in the development of English portraiture, renders the subject with a focus on the character and social standing of a man deeply…
The air in the room seems to settle around the figure of John Carmichael, 3rd Earl of Hyndford, as he meets the viewer's gaze. He stands with a quiet, commanding stillness, his body angled slightly to suggest a man accustomed to being observed. There is a profound sense of weight to his presence, anchored by the structured lines of his attire. His coat, heavy and meticulously rendered, falls with a…
The portrait titled The Reverend William Lucy (1673 1674–1723 1724) features an elderly man who appears to be a clergyman or a scholar. This oil on canvas work was executed by the English artist Jonathan Richardson the Elder. The painting dates to about 1723.
Jonathan Richardson the Elder painted this portrait of Henry St John, 1st Viscount Bolingbroke, about 1730. The subject was a prominent British Tory politician and philosopher who rose to become a leader of the Tories. His political career was marked by significant controversy, including his support for the Jacobite rebellion of 1715.
Alexander pope1738 · 예일 영국 미술관
12
Lord Matthew Aylmer (c.1655–1720)1693 · 국립 해양 박물관
13
Admiral Sir John Balchen (1670–1744)1695
14
Sir Robert Davers (1652 1653–1722), 2nd Bt, MP1700 · Ickworth
15
John Sheffield (1647–1721), 1st Duke of Buckingham and Normanby1705 · Examination Schools
16
Portrait of the Artist with His Palette and Manuscripts1700 · Fairfax House
17
The Dryden Family Edward Dryden (d.1717), His Wife, Elizabeth Allen and Their Children, John Dryden (c.1704–1770), Later Sir John Dryden, 7th Bt Bevill Dryden (d.1758) and Mary Dryden, Later Mrs Allen Puleston1710 · Canons Ashby House
18
Mary Langham (1653 1654–1690 1691), Countess of Warrington1705 · National Trust
19
Fisher Harding (active 1698–1701), Master Shipwright, with the Launch of the 'Royal Sovereign', 17011701 · 국립 해양 박물관
20
Thomas Grey (1654–1720), 2nd Earl of Stamford1705 · National Trust
21
Archdeacon Edward Talbot (1693–1720)1715
22
Lady Mary Wortley Montagu (1689–1762)1718
23
Josiah Bateman1718 · 버밍엄 미술관
24
Elizabeth, 1st Countess of Aylesford (d.1743)1720 · 버밍엄 미술관
25
Martin Folkes (1690–1754)1718
26
Sir Richard Hoare I (1648–1718), Kt, as Lord Mayor1712
27
Henry Hare (1693–1749), 3rd Baron Coleraine1715
28
Isaac Ambrose, Clerk of the Irish House of Commons1720 · Castle Ward
29
Thomas Tufton (1644–1729), 7th Earl of Thanet1719 · Abbot Hall Art Gallery
30
Sir William Wyndham, 3rd Bt1714 · National Portrait Gallery
31
Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork1719
32
Sir Robert Walpole, KG (1676–1745)1726
33
Self Portrait1728 · Polesden Lacey
34
George, 1st Earl of Mount Edgcumbe (1720–1795) and Richard, 2nd Baron (1716–1761)1725
35
Sir Robert Davers (c.1684–1723), 3rd Bt1723 · Ickworth
36
Sir Hans Sloane (1660–1753), Bt1730 · Examination Schools
37
Charles (1701–1750), 2nd Duke of Richmond and Lennox, KG1724 · The Library And Museum of Freemasonry
38
Portrait of the Artist's Son, Jonathan1732 · 워커 아트 갤러리
39
John Carmichael (1701–1767), 3rd Earl of Hyndford, Diplomat1726 · 스코틀랜드 국립 초상화 갤러리
40
Richard Hale (1670–1728)1733
41
George Vertue1733 · National Portrait Gallery
42
Jonathan Richardson1729 · National Portrait Gallery
43
Called 'Henrietta Shelley (1731–1809), Countess of Onslow' (but really Lady Henrietta Godolphin, d.1776 , Duchess of Newcastle)1730 · National Trust
44
James Lowther (1673–1755), 4th Bt1734
45
Henry Plumptre (1680–1746)1744
46
Alexander Pope1737 · National Portrait Gallery
47
Martin Benson, Bishop of Gloucester1740
48
Portrait of the Artist's Son, Jonathan Richardson the Younger, in his Study1734
49
Richard Mead1738 · National Portrait Gallery
50
Carew Harvey Mildmay of Marks Manor House, Dagenham (1694–1784)1740
51
Sir James Thornhill1734
52
Thomas Cromwell (1699–1748)1748
53
Sir James Burrow (1701–1782), Editor of Law Reports1745 · Government Art Collection
54
Matthew Prior (1664–1721)1719 · 보들리언 도서관
55
Portrait of an Unknown LadyOxburgh Hall
56
Philip Dormer Stanhope (1694–1773), 4th Earl of Chesterfield
57
George Turbill, Alderman, Mayor of Plympton Erle (1733 and 1736)
58
Juliana Boyle, Countess of Ailesbury
59
Portrait of a Gentleman (traditionally identified as Samuel Chetham)Turton Tower
60
William Brownlow (1633–1675)National Trust
61
Edward Colston (1636–1721)Council House
62
Richard Boyle (1612–1697 1698), 2nd Earl of Cork and 1st Earl of Burlington (after Anthony van Dyck)National Trust
63
Lady mary wortley montagu
64
Portrait of a girl
65
Portrait Of Alexander Pope
66
Anthony collins
67
Fisher harding, master shipwright
68
Portrait of John Gay , author of The Beggar's Opera
69
Major John Hanbury (1664–1734)
70
Portrait of Anne Hatton, Countess of WinchilseaNational Portrait Gallery
71
Richard Hoare of Ellisfield (1673–1721)
72
William Cowper, 1st Earl of Cowper (1665–1723), Lord Chancellor
73
Lady Elizabeth Cecil (1706–1733), Lady AislabieNational Trust
74
Roger Le Strange
75
Robert Harley (1661–1724), Earl of Oxford
76
Martin Benson (1689–1752), Bishop of Gloucester
77
Isaac Watts (1674–1748), DD
78
John Manners (1696–1779), 3rd Duke of RutlandNational Trust
79
Matthew Prior
80
Thomas Watson Wentworth (1693–1750), 1st Marquess of Rockingham, Politician세인트 존스 칼리지
81
Martha Stonehouse (d.1782), Mrs Arthur Vansittart (detail)National Trust
82
Admiral Sir John Jennings (1664–1743)국립 해양 박물관
83
Sir Walter St John (1622–1708), 3rd BtLydiard House
84
Elijah Fenton (1683–1730)Brampton Museum
85
Henry St John (1678–1751), 1st Viscount Bolingbroke, Baron St John of Lydiard TregozeLydiard House
86
Henrietta Pelham Holles (d.1776), 1st Duchess of Newcastle under LyneThe University of Nottingham
87
Richard Hale (1670–1728)보들리언 도서관
88
George Oxenden (1651–1703), LLD, Master (1685–1703), MP for Cambridge University (1695–1698)Trinity Hall
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
#2 William Cheselden (1688–1752)
#3 Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above
#7 Sir Richard Steele
#8 John Carmichael, 3rd Earl of Hyndford (1701–1767), Ambassador to Vienna (1752–1764)
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 조나단 리처드슨 더 엘더의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 National Portrait Gallery |
런던 | 8 | Sir Richard Steele, Henry St John, 1st Viscount Bolingbroke, Sir William Wyndham, 3rd Bt |
 국립 해양 박물관 |
런던 | 3 | Lord Matthew Aylmer (c.1655–1720), Fisher Harding (active 1698–1701), Master Shipwright, with the Launch of the 'Royal Sovereign', 1701, Admiral Sir John Jennings (1664–1743) |
 National Trust |
더비 | 2 | Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above, John Manners (1696–1779), 3rd Duke of Rutland |
 Government Art Collection |
런던 | 2 | John Carmichael, 3rd Earl of Hyndford (1701–1767), Ambassador to Vienna (1752–1764), Sir James Burrow (1701–1782), Editor of Law Reports |
 Ickworth |
서퍽 카운티 | 2 | Sir Robert Davers (1652 1653–1722), 2nd Bt, MP, Sir Robert Davers (c.1684–1723), 3rd Bt |
 Examination Schools |
Oxford | 2 | John Sheffield (1647–1721), 1st Duke of Buckingham and Normanby, Sir Hans Sloane (1660–1753), Bt |
 National Trust |
알트린컴 | 2 | Mary Langham (1653 1654–1690 1691), Countess of Warrington, Thomas Grey (1654–1720), 2nd Earl of Stamford |
 버밍엄 미술관 |
버밍엄 | 2 | Josiah Bateman, Elizabeth, 1st Countess of Aylesford (d.1743) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The portrait titled Garton Orme at the Spinet is a work by the English painter Jonathan Richardson the Elder. Created around 1707, this piece offers a glimpse into the refined domesticity of the early eighteenth century. It captures a moment of quiet focus, centering on a young subject engaged with a musical instrument.
Judith Parsons is a portrait executed by Jonathan Richardson the Elder. Created around 1710, the work presents a three-quarter length depiction of the sitter, who gazes directly at the viewer. The subject is identified by an inscription at the top of the composition: "Judith, dnu’ of John Persons of Thornton in Walter Jones Rector of Upton".
The air in the room seems to settle around the figure of John Carmichael, 3rd Earl of Hyndford, as he meets the viewer's gaze. He stands with a quiet, commanding stillness, his body angled slightly to suggest a man accustomed to being observed. There is a profound sense of weight to his presence, anchored by the structured lines of his attire. His coat, heavy and meticulously rendered, falls with a…
A man emerges from a deep, shadowy void, his presence commanding the space with a quiet, scholarly dignity. He wears a heavy red robe, the fabric catching a soft light that defines the folds of the hood resting upon his head. His gaze is steady, carrying the weight of a life spent in contemplation or perhaps the gravity of a man accustomed to being observed. A subtle mustache traces his…
Garton Orme at the Spinet (1707), The Holburne Museum, 바스. 다음은 William Cheselden (1688–1752) (1730)와 Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above (1730)입니다.
40세: Garton Orme at the Spinet은(는) 1707년 작품이며, 조나단 리처드슨 더 엘더은(는) 1667년에 태어났습니다.
Garton Orme at the Spinet, William Cheselden (1688–1752), Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above, Lady Holland, Judith Parsons, Portrait of a Sea Officer, Sir Richard Steele, John Carmichael, 3rd Earl of Hyndford (1701–1767), Ambassador to Vienna (1752–1764), The Reverend William Lucy (1673 1674–1723 1724) 및 Henry St John, 1st Viscount Bolingbroke. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1693년부터 1745년 사이의 조나단 리처드슨 더 엘더 작가의 작품 89점이 수록되어 있습니다.
대부분 National Portrait Gallery (런던), 국립 해양 박물관 (런던) 및 National Trust (더비)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1730s 동안: 이 페이지의 총 88점의 작품 중 14점이 해당 시기에 제작되었으며, 그중 William Cheselden (1688–1752)점입니다.
이 페이지에서 가장 오래된 작품은 Lord Matthew Aylmer (c.1655–1720) (1693)이며, 가장 최근 작품은 Sir James Burrow (1701–1782), Editor of Law Reports (1745)입니다.
이 페이지의 88점의 작품에 걸쳐 있는 18th century (13), Portraiture (12) 및 Portrait (7)
이 페이지의 총 88점의 작품 중 11점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Neoclassicism 및 Baroque
Sir Richard Steele, Henry St John, 1st Viscount Bolingbroke 및 Sir William Wyndham, 3rd Bt: National Portrait Gallery, 런던은(는) 이 페이지에 있는 작품 중 8점을 소장하고 있습니다.
18세기 영국 미술이라는 거대한 태피스트리 속에서, 조나단 리처드슨 더 엘더가 짜 내려간 실만큼 지적으로 심오하고 시각적으로 영속적인 것은 드뭅니다. 1667년 1월 12일 런던의 세인트 보톨프 교구에서 태어난 리처드슨의 여정은 개인적인 역경과 비범한 지적 호기심이 교차하며 형성되었습니다. 아버지 윌리엄 리처드슨의 갑작스러운 죽음 이후, 젊은 예술가는 계부의 보살핌 아래 성장하게 되었으나, 그가 훗날 붓질의 정교함을 정의하게 될 섬세함을 처음 연마하기 시작한 것은 서기 수습 과정을 통해서였습니다. 그의 진정한 변모는 존경받는 동시대 화가인 존 라일리의 영역에 발을 들였을 때 일어났으며, 라일리의 작업실은 리처드슨의 피어나는 재능을 단련하는 용광로 역할을 했습니다. 이 수습 시절은 단순히 물감을 다루는 기술을 가르쳐준 것에 그치지 않고, 초상화가 단순한 외형의 기록을 넘어 인물의 성격과 사회적 지위를 탐구하는 심오한 영역임을 깨닫게 하는 몰입의 시간이었습니다.
경력이 번창함에 따라 리처드슨은 귀족 후원자들의 격식 있는 요구와 깊이 있는 심리적 깊이 사이의 균형을 맞추는 독보적인 화가로 부상했습니다. 그의 작품은 일부 바로크 예술계에서 흔히 볼 수 있었던 화려하고 연극적인 장식성을 지양하는 대신, 절제된 우아함과 섬세한 명암의 변화를 다루는 숙련된 기법을 선택했습니다. 렘브란트의 극적인 키아로스쿠로(명암법)와 라이트 오브 더비 같은 후기 거장들의 세밀한 관찰력에 영향을 받은 리처드슨은 대상의 정적인 품격을 포착해내는 독특한 능력을 지니고 있었습니다. 리처드 헬의 지적인 중후함이나 매튜 프라이어를 둘러싼 평온하고 학구적인 분위기를 묘사함에 있어, 그의 캔버스는 단순한 장식을 넘어 정확성과 강렬한 존재감을 우선시하는 계몽주의 정신을 비추는 창이 되었습니다.
그의 초상화들이 미학적 우아함으로 인해 오늘날까지 사랑받고 있지만, 미술계에 남긴 가장 영속적인 공헌은 미술 이론의 선구자로서의 역할에 있습니다. 그는 단순히 기술을 구현하는 실무자를 넘어, 예술을 가장 명료하게 설명하는 철학자였습니다. 1715년에 출간된 그의 기념비적인 저서 An Essay on Painting(회화론)을 통해, 리처드슨은 화가의 지위를 단순한 장인에서 존경받는 지식인으로 격상시키고자 하는 영국 미술의 기초적 틀을 제공했습니다. 이 논문은 단순히 기법을 논하는 데 그치지 않고, 아름다움의 본질과 창의성의 중요성, 그리고 예술가의 비전이 지닌 도덕적 무게를 탐구했습니다. 그의 저술은 올드 마스터들의 전통과 태동하는 영국 미술의 국가적 정체성 사이를 잇는 가교 역할을 하며, 수 세대에 걸쳐 울림을 줄 담론을 형성했습니다.
리처드슨의 지적 탐구가 지닌 역사적 중요성은 결코 과소평가될 수 없는데, 이는 그가 서 조슈아 레이놀즈의 예술적 여정에 불을 지핀 인물로 널리 인정받기 때문입니다. 리처드슨은 '그랜드 스타일'과 인물의 성격이 지닌 중요성을 강조하는 초상화의 이론적 어휘를 확립함으로써, 영국 왕립 아카데미의 토대를 마련하고 예술 교육의 체계화를 이끌었습니다. 그의 영향력은 다음과 같은 핵심적인 유산을 통해 확인할 수 있습니다.
결국, 조나단 리처드슨 더 엘더는 초상화가 지닌 침묵의 힘과 그의 언어가 지닌 영속적인 울림을 통해 그 영향력을 증명하는 기념비적인 인물로 남았습니다. 그는 얼굴을 그린다는 것은 영혼을 포착하려는 시도이며, 예술에 대해 쓴다는 것은 한 국가가 스스로를 바라보는 방식을 정의하는 것임을 이해한 예술가였습니다. 그의 삶은 기술적 숙련도와 심오한 철학적 탐구가 결합했을 때 발휘되는 힘을 보여주는 증거이며, 거장들의 전당에 그의 이름을 영원히 각인시켰습니다.
