헨리 레바스케의 초상화

갤러리 엄선, 가장 유명한 헨리 레바스케 작품 100선

10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 539점의 헨리 레바스케 작품 (당사 카탈로그 기준)

요약하자면

헨리 레바스케가 남긴 모든 원작 중 가장 유명한 작품은 Street by the Port at Collioure (1921)입니다. 그 뒤를 이어 Young woman on a hammock (1923)와 On the Beach (1921)가 뒤를 잇습니다. 헨리 레바스케의 작품 539점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 100점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.

1865 – 1937, Champigné Post-impressionism 최다 소장처: 월라프 리하르츠 박물관

헨리 레바스케의 베스트 작품 10선: 갤러리 선정

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Street by the Port at Collioure (1921) 의 헨리 레바스케

Street by the Port at Collioure

1921 · Oil

In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down to the port, where the architecture of the town meets the movement of the sea. Several boats are scattered throughout the harbor, their forms resting upon the water, while small figures move along the waterfront. There is a sense of a lived-in…

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Young woman on a hammock (1923) 의 헨리 레바스케

Young woman on a hammock

1923 · Oil On Canvas

Sunlight filters through a dense canopy of leaves, casting dappled patterns across a secluded garden. In the center of this lush sanctuary, a young woman reclines within the gentle embrace of a hammock. The fabric, marked by distinct stripes of red, yellow, and blue, sways almost imperceptibly between two sturdy trees. She rests in a state of profound contentment, her body softly contoured by the weight of her repose. Around…

3
On the Beach (1921) 의 헨리 레바스케

On the Beach

1921 · Oil On Canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. Lebasque, born in Champigné, France, developed a style characterized by a natural brush-stroke and a focus on the serene atmosphere of the outdoors.

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Girls in the Garden (1905) 의 헨리 레바스케

Girls in the Garden

1905 · Oil

Two young figures occupy a sun-dappled garden, their presence framed by the protective canopy of a large tree. One girl finds balance atop a fence, while her companion sits nearby on the ground. A handbag rests on the earth, a small, domestic detail that anchors the scene in a specific, unscripted moment of childhood. Throughout the composition, birds move through the foliage, adding a sense of life to the stillness.…

5
In the Flowers (1903) 의 헨리 레바스케

In the Flowers

1903 · Oil

In this 1903 composition, we find ourselves drawn into a quiet, sun-drenched corner of a garden. Three women inhabit this lush space, their presence felt through a soft, intimate arrangement of figures and flora. On the left, a woman in a white dress leans down to kiss a child, a gesture of tenderness that anchors the scene in a sense of domestic peace. Behind her, another figure in white observes…

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bather (1910) 의 헨리 레바스케

bather

1910 · Oil

Created about 1910, bather by Henri Lebasque captures a moment of leisure at the water's edge. The central figure is a woman positioned in the water, appearing to sit upon a bench. Her presence establishes a sense of quietude amidst a lively setting. Around her, several other people are gathered, some standing and others seated, observing or interacting within the shared space.

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Bathers at a fountain in Saint Tropez (1906) 의 헨리 레바스케

Bathers at a fountain in Saint Tropez

1906 · Oil On Canvas

In this 1906 work, we find ourselves in a secluded corner of a forest, where the heat of the day seems to soften against the cool presence of a stone fountain. Two women, stripped of the complexities of social life, stand near the water, their forms integrated into the lush surroundings. One figure is positioned toward the left, while the other occupies the right, both seemingly lost in a shared,…

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Woman in a Boat with an Umbrella (1915) 의 헨리 레바스케

Woman in a Boat with an Umbrella

1915 · Oil

A woman sits within a boat characterized by a green hull, positioned upon a body of water. She holds an open umbrella, shielding herself while appearing to exist in a state of quiet repose despite the presence of rain. The water's surface reflects the light and the forms of the figures present. In the background, several other people are visible, some positioned near the shoreline, adding a sense of communal…

10
Blue Reflection in the Fountain at Pradet (1917) 의 헨리 레바스케

Blue Reflection in the Fountain at Pradet

1917 · Oil

Two women sit by the water's edge, seeking repose in a park-like setting. One holds an umbrella, a gesture of shade against the midday sun. Behind them, the landscape rises in soft silhouettes of trees and mountains, framing a scene of stillness. The composition focuses on the intersection of human presence and the natural world, captured during a period when the light of the South of France began to transform…

헨리 레바스케 컬렉션이 계속됩니다, 11부터 100까지

11The Terrace at Prefailles (1922) 의 헨리 레바스케The Terrace at Prefailles1922 12Le Pradet Jeune Femme au Hamac (1923) 의 헨리 레바스케Le Pradet Jeune Femme au Hamac1923 13Blue Mountains in Cannes (1926) 의 헨리 레바스케Blue Mountains in Cannes1926 14Women and Children in the Parc de Dammartin (1896) 의 헨리 레바스케Women and Children in the Parc de Dammartin1896 15Young Woman Seated with Hydrangeas (1920) 의 헨리 레바스케Young Woman Seated with Hydrangeas1920 16Girls in a Mediterranean landscape 의 헨리 레바스케Girls in a Mediterranean landscape 17Young Girls in a Wood (1897) 의 헨리 레바스케Young Girls in a Wood1897 · Museo de Arte de Ponce 18Girls in the Forest at Sunset (1898) 의 헨리 레바스케Girls in the Forest at Sunset1898 19Girls in the Garden (1905) 의 헨리 레바스케Girls in the Garden1905 20Fillette à la Fenêtre (1904) 의 헨리 레바스케Fillette à la Fenêtre1904 21The Marne at Lagny (1905) 의 헨리 레바스케The Marne at Lagny1905 22Madame Lebasque and Her Daughters (1903) 의 헨리 레바스케Madame Lebasque and Her Daughters1903 23bathers (1910) 의 헨리 레바스케bathers1910 24Marthe and Madame Lebasque at the Fountain (1907) 의 헨리 레바스케Marthe and Madame Lebasque at the Fountain1907 25ms zambelli (1912) 의 헨리 레바스케ms zambelli1912 26Cannes in Spring (1921) 의 헨리 레바스케Cannes in Spring1921 27Naked on the Red Carpet (1925) 의 헨리 레바스케Naked on the Red Carpet1925 28Nude with Necklace (1923) 의 헨리 레바스케Nude with Necklace1923 29The Terrace in Pradet 의 헨리 레바스케The Terrace in Pradet 30Two Bathers by the Beach 의 헨리 레바스케Two Bathers by the Beach 31Rest on the Banks of the Yaudet (1897) 의 헨리 레바스케Rest on the Banks of the Yaudet1897 32The Siesta (1923) 의 헨리 레바스케The Siesta1923 33Nude in Provence 의 헨리 레바스케Nude in Provence 34Terrace in the Garden 의 헨리 레바스케Terrace in the Garden 35Nude in Repose 의 헨리 레바스케Nude in Repose 36a woman reading 의 헨리 레바스케a woman reading 37woman tying up her sandle 의 헨리 레바스케woman tying up her sandle 38Young girls in a boat on the Marne 의 헨리 레바스케Young girls in a boat on the Marne 39Garden with Urn (1913) 의 헨리 레바스케Garden with Urn1913 40Women Sewing (1922) 의 헨리 레바스케Women Sewing1922 41Street in Lagny, in Chessy (1906) 의 헨리 레바스케Street in Lagny, in Chessy1906 42Young woman with Umbrella at St Maxime (1918) 의 헨리 레바스케Young woman with Umbrella at St Maxime1918 43Madame Lebasque and Her Daughters (1903) 의 헨리 레바스케Madame Lebasque and Her Daughters1903 44Nono and a guitar (1910) 의 헨리 레바스케Nono and a guitar1910 45Bathers in the Sea 의 헨리 레바스케Bathers in the Sea 46Woman in a White Dress (1923) 의 헨리 레바스케Woman in a White Dress1923 47Garden in Spring (1904) 의 헨리 레바스케Garden in Spring1904 48Portrait of Basler (1912) 의 헨리 레바스케Portrait of Basler1912 49Le Cannet Madame Lebasque Reading in the Garden (1923) 의 헨리 레바스케Le Cannet Madame Lebasque Reading in the Garden1923 50Reading in the Garden (1886) 의 헨리 레바스케Reading in the Garden1886 51Reading in the Garden (1886) 의 헨리 레바스케Reading in the Garden1886 52Sheep in the Village Street (1895) 의 헨리 레바스케Sheep in the Village Street1895 53Conversation in the Park (1898) 의 헨리 레바스케Conversation in the Park1898 54Landscape at Champetre (1894) 의 헨리 레바스케Landscape at Champetre1894 55Country Road Bridge and Carriage (1895) 의 헨리 레바스케Country Road Bridge and Carriage1895 56Conversation in the Park (1898) 의 헨리 레바스케Conversation in the Park1898 57Portrait of Marcelle Mezieres Nine Years Old (1896) 의 헨리 레바스케Portrait of Marcelle Mezieres Nine Years Old1896 58Country Road Bridge and Carriage (1895) 의 헨리 레바스케Country Road Bridge and Carriage1895 59Market Place (1893) 의 헨리 레바스케Market Place1893 60Le Château (1897) 의 헨리 레바스케Le Château1897 61Madame Lebasque and her daughter Marthe (1898) 의 헨리 레바스케Madame Lebasque and her daughter Marthe1898 62Young Bather by the River (1897) 의 헨리 레바스케Young Bather by the River1897 63Village of Champigne (1893) 의 헨리 레바스케Village of Champigne1893 · 월라프 리하르츠 박물관 64By the Marne (1898) 의 헨리 레바스케By the Marne1898 65Garden at Champigny (1894) 의 헨리 레바스케Garden at Champigny1894 66Sheep in the Village street (1895) 의 헨리 레바스케Sheep in the Village street1895 67Young Girl in a Clearing (1897) 의 헨리 레바스케Young Girl in a Clearing1897 68Landscape at Champetre (1894) 의 헨리 레바스케Landscape at Champetre1894 69A Square in Monterain (1895) 의 헨리 레바스케A Square in Monterain1895 70Madame Lebasque in a Breton landscape (1898) 의 헨리 레바스케Madame Lebasque in a Breton landscape1898 71The Farm at Lagny in Winter (1905) 의 헨리 레바스케The Farm at Lagny in Winter1905 72The Marne at Lagny (1905) 의 헨리 레바스케The Marne at Lagny1905 73Pont Pierre at the Lagny River (1902) 의 헨리 레바스케Pont Pierre at the Lagny River1902 74The Marne at Lagny (1905) 의 헨리 레바스케The Marne at Lagny1905 75Child's Head in Profile (1905) 의 헨리 레바스케Child's Head in Profile1905 76The Marne at Ponponne (1905) 의 헨리 레바스케The Marne at Ponponne1905 77By the River (1900) 의 헨리 레바스케By the River1900 78Child Playing in the Garden (1903) 의 헨리 레바스케Child Playing in the Garden1903 79Le Parc Monceau (1900) 의 헨리 레바스케Le Parc Monceau1900 80Youn Girl in a Garden at St Tropez (1903) 의 헨리 레바스케Youn Girl in a Garden at St Tropez1903 81Mother and Child in a Landscape (1900) 의 헨리 레바스케Mother and Child in a Landscape1900 82Lunchtime at Lagny (1905) 의 헨리 레바스케Lunchtime at Lagny1905 83Girls by the River (1905) 의 헨리 레바스케Girls by the River1905 84Girls by the River (1905) 의 헨리 레바스케Girls by the River1905 85Madame Lebasque with Daughter (1900) 의 헨리 레바스케Madame Lebasque with Daughter1900 86Madame Lebasque and daughter by the Marne (1899) 의 헨리 레바스케Madame Lebasque and daughter by the Marne1899 87Landscape with Haystack (1900) 의 헨리 레바스케Landscape with Haystack1900 88Partie de Campagne (1903) 의 헨리 레바스케Partie de Campagne1903 89Le Parc de Saint-Cloud (1900) 의 헨리 레바스케Le Parc de Saint-Cloud1900 90fishing party (1905) 의 헨리 레바스케fishing party1905 91Madame Lebasque with daughter (1900) 의 헨리 레바스케Madame Lebasque with daughter1900 92LIttle White Dog (1905) 의 헨리 레바스케LIttle White Dog1905 93In the Forest the Harvest (1904) 의 헨리 레바스케In the Forest the Harvest1904 94The Banks of the Marne at Lagny (1905) 의 헨리 레바스케The Banks of the Marne at Lagny1905 95The Seine at Paris (1904) 의 헨리 레바스케The Seine at Paris1904 96Two girls by the Eau river (1900) 의 헨리 레바스케Two girls by the Eau river1900 97young painter (1905) 의 헨리 레바스케young painter1905 98autumn (1900) 의 헨리 레바스케autumn1900 99A Small Girl with Her Doll (1900) 의 헨리 레바스케A Small Girl with Her Doll1900 100Lagny, View of the Quai de Pamponne (1904) 의 헨리 레바스케Lagny, View of the Quai de Pamponne1904

헨리 레바스케의 시대별 명작

Early 20th Century

1904 – 1923 · 4개의 작품이 이 목록에 포함됨

헨리 레바스케의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

헨리 레바스케의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 2개의 미술관

소장 미술관 도시 헨리 레바스케의 작품 이 목록의 작품들
월라프 리하르츠 박물관, 쾰른월라프 리하르츠 박물관 쾰른 3 Village of Champigne
Museo de Arte de Ponce, 폰세Museo de Arte de Ponce 폰세 1 Young Girls in a Wood

헨리 레바스케의 시대별 걸작: 시대를 정의하는 오리지널 작품들

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

헨리 레바스케의 작품에 관한 컬렉터들의 질문

헨리 레바스케의 가장 대표적인 작품은 무엇인가요?정답 확인하기

Street by the Port at Collioure (1921). 다음은 Young woman on a hammock (1923)와(과) On the Beach (1921)입니다.

Street by the Port at Collioure이(가) 제작되었을 당시 헨리 레바스케의 나이는 몇 살이었나요?정답 확인하기

56세: Street by the Port at Collioure은(는) 1921년 작품이며, 헨리 레바스케은(는) 1865년에 태어났습니다.

헨리 레바스케의 가장 유명한 작품 10가지는 무엇인가요?정답 확인하기

Street by the Port at Collioure, Young woman on a hammock, On the Beach, Girls in the Garden, In the Flowers, bather, Summer Afternoon at Frejus, Bathers at a fountain in Saint Tropez, Woman in a Boat with an Umbrella 및 Blue Reflection in the Fountain at Pradet. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

헨리 레바스케 작가가 남긴 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1886년부터 1926년 사이의 헨리 레바스케 작가의 작품 539점이 수록되어 있습니다.

헨리 레바스케의 걸작은 어느 박물관에 전시되어 있나요?정답 확인하기

대부분 월라프 리하르츠 박물관 (쾰른) 및 Museo de Arte de Ponce (폰세)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

헨리 레바스케의 가장 유명한 작품들은 어느 연도에 그려졌나요?정답 확인하기

1900s 동안: 이 페이지의 총 100점의 작품 중 41점이 해당 시기에 제작되었으며, 그중 Girls in the Garden점입니다.

헨리 레바스케의 첫 번째와 마지막 유명 원작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 Reading in the Garden (1886)이며, 가장 최근 작품은 Blue Mountains in Cannes (1926)입니다.

헨리 레바스케 작가가 가장 자주 선택한 주제는 무엇인가요?정답 확인하기

이 페이지의 100점의 작품에 걸쳐 있는 Rivers (13), Women (12) 및 Woman (11)

헨리 레바스케 작가가 가장 많이 사용한 기법은 무엇인가요?정답 확인하기

이 페이지의 총 100점의 작품 중 15점의 Oil On Canvas

헨리 레바스케은(는) 어떤 미술 사조에 속하나요?정답 확인하기

이 페이지의 원작들을 기준으로 볼 때, Post-impressionism 및 Impressionism

헨리 레바스케의 작품을 복제 제작(커미션)할 수 있나요?정답 확인하기

네, 복제본으로서 가능합니다. 원본은 박물관에 보관되지만, 이 페이지에 있는 모든 작품은 해당 작품의 상세 페이지를 통해 주문 제작 방식으로 고객님을 위해 한 점씩 수작업으로 그려드릴 수 있습니다.

헨리 레바스케: 생애와 작품 세계

A Painter of Joy and Light: The Life and Art of Henri Lebasque

Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

Embracing Intimacy: Influences and Artistic Development

Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike. Lebasque's artistic vision centered around portraying the beauty found in ordinary life—a deliberate departure from the grand narratives favored by earlier movements. His fascination with domestic interiors and portraits of families stemmed from a desire to capture genuine human connection and tenderness. Influenced heavily by Impressionists like Renoir and Pissarro, Lebasque adopted their technique of layering thin washes of color to achieve luminous effects – a method he perfected through meticulous observation and experimentation. He meticulously studied the interplay of light and shadow, striving to convey not just what was visible but also what lay beneath the surface—the emotions and sensations experienced by his subjects.

A Palette of Serenity: Themes and Techniques

The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch. Lebasque’s dedication to detail—particularly in rendering fabrics and textures—further distinguished him from many of his contemporaries. He painstakingly recreated surfaces using subtle gradations of color and brushstrokes, creating an illusion of depth that enhanced the realism of his compositions. This meticulous approach reflects Lebasque's belief that art should strive for accuracy while simultaneously conveying emotion – a balance he achieved with exceptional skill.

Legacy and Recognition: A Lasting Impression

Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d’Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

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