11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 21점의 구이도 다 시에나 작품 (당사 카탈로그 기준)
요약하자면
구이도 다 시에나가 남긴 모든 원작 중 가장 유명한 작품은 프린스턴의 University Art Museum에 소장된 Annunciation (1270)입니다. 그 뒤를 이어 Kruisbestijging (1269)와 The Crucifixion (1275)가 뒤를 잇습니다. 구이도 다 시에나의 작품 21점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 21점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
To gaze upon this depiction of the Annunciation is to step directly into the hushed reverence of the late medieval world. It captures that singular, breathtaking instant when the divine intersects with the human—the moment the Angel Gabriel announces to Mary her destiny as the vessel for Christ. The composition itself breathes a profound sense of serenity; one can almost hear the quiet whisper of the announcement echoing through the…
In this late 13th-century tempera painting on wood, we witness the heavy, physical reality of the Descent from the Cross. The composition is dense, pulling the eye into a crowded, vertically oriented arrangement of figures clustered around three wooden crosses. At the center, Christ is being lowered via a ladder, his body rendered with a focus on anatomical weight that contrasts with the stylized grace of the period. To the…
The air in the sacred space feels heavy, held in place by the luminous gold leaf that radiates from the background. This is not a natural sky, but a divine, unmoving expanse that denies the viewer any sense of earthly depth. At the center of this golden void, the figure of Christ hangs upon the cross, his body a focal point of rhythmic, heavy drapery and stylized form. The composition…
by Guido of Siena dates to about 1260. The work represents the moment Christ places a crown upon the head of the Virgin Mary during her ascent into Heaven. This specific composition was originally the top panel of a larger altarpiece. It was commissioned for Siena cathedral to commemorate the Virgin's intercession during the victory of Siena over Florence in 1260.
The artwork titled Adoration of the Magi (detail) is a work by the artist Guido of Siena. Dated 1270, this piece focuses on the religious subject of the Magi visiting the infant Jesus. The composition centers on the interaction between the holy figures, specifically featuring the Virgin Mary and the infant Jesus.
In the quiet, hallowed corridors of art history, few images possess the immediate, spiritual gravity of Guido da Siena’s Flight into Egypt (detail). This exquisite fragment of a larger narrative serves as a profound window into the late 13th century, a period where the boundaries between the earthly and the divine were rendered through the luminous language of Byzantine-influenced Italian art. The composition centers on the intimate, sacred bond between…
In the quiet, profound depths of the late thirteenth century, a period where the spiritual and the earthly were inextricably entwined, Guido da Siena captured one of the most harrowing moments in human history. The painting, titled Kiss of Judas, serves as a visceral window into the biblical narrative of betrayal. At its heart, the composition focuses on the intimate yet devastating contact between Jesus and Judas Iscariot. This is…
In the quiet, hallowed atmosphere of the late thirteenth century, a profound moment of human and divine sorrow was captured by the hand of Guido da Siena. His Entombment serves as a breathtaking window into the spiritual heart of the Sienese school, a period where art began to breathe with a new, tender vitality. The painting presents us with the heavy, somber reality of Christ’s lifeless body, positioned at the…
In the quiet, hallowed atmosphere of the late thirteenth century, Guido da Siena breathed life into one of the most profound moments of Christian scripture. His Presentation of Jesus at the Temple is not merely a depiction of a biblical event; it is a window into a world where the divine and the earthly intersect through the medium of light and devotion. The scene captures the solemnity of Mary and…
In the quiet sanctity of the 13th century, Guido Da Siena captured a moment of profound divine intersection that continues to resonate through the centuries. His Adoration of the Magi is not merely a painting but a window into a spiritual era, where the boundaries between the earthly and the heavenly were rendered thin by the artist's brush. As one gazes upon this masterpiece, the eye is immediately drawn to…
Nativity1270 · 루브르 박물관
12
Christ Crucified1270 · Museum Catharijneconvent
13
Massacre of the Innocents1270 · Pinacoteca Nazionale
14
Flagellation1270 · Lindenau-Museum
15
Flight into Egypt1270 · Lindenau-Museum
16
Deposition1270 · Pinacoteca Nazionale
17
Crucifixion1270 · Pinacoteca Nazionale
18
Triptych of the Transfiguration, Christ in Jerusalem, and the resurrection of Lazarus1270 · Pinacoteca Nazionale
19
Madonna and Child with four Saints1270 · Pinacoteca Nazionale
20
Dossale di Badia Ardenga1280
21
Virgin and Christ Child Enthroned1270 · San Domenico
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 구이도 다 시에나의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Pinacoteca Nazionale |
시에나 | 7 | Kiss of Judas, Entombment, Massacre of the Innocents |
 Lindenau-Museum |
알텐가우 | 5 | Adoration of the Magi (detail), Flight into Egypt (detail), Adoration of the Magi |
 Museum Catharijneconvent |
위트레흐트 | 2 | Kruisbestijging, Christ Crucified |
 루브르 박물관 |
파리 | 2 | Presentation of Jesus at the Temple, Nativity |
 University Art Museum |
프린스턴 | 1 | Annunciation |
 예일 대학교 미술관 |
뉴헤이븐 | 1 | The Crucifixion |
 Courtauld Gallery |
런던 | 1 | Coronation of the Virgin |
 San Domenico |
시에나 | 1 | Virgin and Christ Child Enthroned |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this late 13th-century tempera painting on wood, we witness the heavy, physical reality of the Descent from the Cross. The composition is dense, pulling the eye into a crowded, vertically oriented arrangement of figures clustered around three wooden crosses. At the center, Christ is being lowered via a ladder, his body rendered with a focus on anatomical weight that contrasts with the stylized grace of the period. To the…
To gaze upon this depiction of the Annunciation is to step directly into the hushed reverence of the late medieval world. It captures that singular, breathtaking instant when the divine intersects with the human—the moment the Angel Gabriel announces to Mary her destiny as the vessel for Christ. The composition itself breathes a profound sense of serenity; one can almost hear the quiet whisper of the announcement echoing through the…
Annunciation (1270), University Art Museum, 프린스턴. 다음은 Kruisbestijging (1269)와 The Crucifixion (1275)입니다.
40세: Annunciation은(는) 1270년 작품이며, 구이도 다 시에나은(는) 1230년에 태어났습니다.
Annunciation, Kruisbestijging, The Crucifixion, Coronation of the Virgin, Adoration of the Magi (detail), Flight into Egypt (detail), Kiss of Judas, Entombment, Presentation of Jesus at the Temple 및 Adoration of the Magi. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1260년부터 1280년 사이의 구이도 다 시에나 작가의 작품 21점이 수록되어 있습니다.
대부분 Pinacoteca Nazionale (시에나), Lindenau-Museum (알텐가우) 및 Museum Catharijneconvent (위트레흐트)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1270s 동안: 이 페이지의 총 21점의 작품 중 18점이 해당 시기에 제작되었으며, 그중 Annunciation점입니다.
이 페이지에서 가장 오래된 작품은 Coronation of the Virgin (1260)이며, 가장 최근 작품은 Dossale di Badia Ardenga (1280)입니다.
이 페이지의 21점의 작품에 걸쳐 있는 Virgin mary (5), Medieval art (4) 및 Religious scene (4)
이 페이지의 총 21점의 작품 중 11점의 Tempera On Panel
이 페이지의 원작들을 기준으로 볼 때, Italo-byzantine
Kiss of Judas, Entombment 및 Massacre of the Innocents: Pinacoteca Nazionale, 시에나은(는) 이 페이지에 있는 작품 중 7점을 소장하고 있습니다.
