Georges Rouget의 초상화

Georges Rouget Paintings: The 39 Most Famous, Through a Gallery's Eye

10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 39점의 Georges Rouget 작품 (당사 카탈로그 기준)

In short

To the gallery's eye, Georges Rouget's most famous painting is Saint Louis Forgiving Pierre de Bretagne (1817), whose original hangs in the Musée des Beaux-Arts de Quimper, Quimper. Sketch for the church Saint Gervais "Ecce Homo" (1819) and Jean-Nicolas Houchard (1835) complete the trio every eye recognises. Of the 39 works by Georges Rouget in our catalog, the gallery presents the 39 most famous below, each original with its year, its museum and what makes it unique.

1783 – 1869 Neoclassicism 최다 소장처: Opera House

The gallery's top 10 Georges Rouget paintings

4
Jacques-Louis David 의 Georges Rouget

Jacques-Louis David

Oil On Canvas · 바이에른 주립 회화 컬렉션, 뮌헨

A middle-aged man sits in a moment of profound stillness, his gaze drifting toward the upper right as if caught by a sudden, unspoken thought. He is draped in the heavy, dark navy blue of a jacket that absorbs the light, contrasting sharply against the crisp, creamy white of his cravat. The light strikes the left side of his face with a deliberate intensity, sculpting the sharp lines of his…

7
JEAN PIERRE THENOT (1803 1857) 의 Georges Rouget

JEAN PIERRE THENOT (1803 1857)

Oil On Canvas · 루브르 박물관, 파리

The canvas before you presents not merely a likeness, but an embodiment of the 19th century’s fascination with portraiture – a meticulously rendered study in dignity and quiet authority. Painted by Georges Rouget between 1803 and 1857, this depiction of Jean Pierre Thenot is more than just a representation; it's a window into a specific moment in French history, imbued with the formal elegance and restrained emotion characteristic of his…

Georges Rouget paintings, ranked 11 to 39

11PHILIPPE HENRI SCHUNCK (1757 1847) 의 Georges RougetPHILIPPE HENRI SCHUNCK (1757 1847) 12ARMAND LOUIS DE GONTAUT, DUC DE BIRON, GENERAL EN CHEF DE L'ARMEE DU RHIN (1747 1793) 의 Georges RougetARMAND LOUIS DE GONTAUT, DUC DE BIRON, GENERAL EN CHEF DE L'ARMEE DU RHIN (1747 1793) 13BERTRAND CLAUSEL, CAPITAINE AU 43E DE LIGNE EN 1792 (1772 1842) 의 Georges RougetBERTRAND CLAUSEL, CAPITAINE AU 43E DE LIGNE EN 1792 (1772 1842) 14MARIE HENRI FRANCOIS DE FRANQUETOT, DUC DE COIGNY, MARECHAL DE FRANCE (1737 1821) 의 Georges RougetMARIE HENRI FRANCOIS DE FRANQUETOT, DUC DE COIGNY, MARECHAL DE FRANCE (1737 1821) 15SAINT LOUIS RENDANT LA JUSTICE SOUS LE CHENE DE VINCENNES.1260 의 Georges RougetSAINT LOUIS RENDANT LA JUSTICE SOUS LE CHENE DE VINCENNES.1260 16HENRI IV DEVANT PARIS ASSIEGE.AOUT 1590 의 Georges RougetHENRI IV DEVANT PARIS ASSIEGE.AOUT 1590 17VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846) 의 Georges RougetVICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846)Opera House 18LAURENT GOUVION SAINT CYR, CAPITAINE AU 1ER BATAILLON DE CHASSEURS DE PARIS EN 1792 (1764 1830) 의 Georges RougetLAURENT GOUVION SAINT CYR, CAPITAINE AU 1ER BATAILLON DE CHASSEURS DE PARIS EN 1792 (1764 1830)Opera House 19ASSEMBLEE DES NOTABLES A ROUEN.4 NOVEMBRE 1596 의 Georges RougetASSEMBLEE DES NOTABLES A ROUEN.4 NOVEMBRE 1596 20CLAUDE VICTOR PERRIN, LIEUTENANT COLONEL DU 5E BATAILLON DU RHONE EN 1792 (1764 1841) 의 Georges RougetCLAUDE VICTOR PERRIN, LIEUTENANT COLONEL DU 5E BATAILLON DU RHONE EN 1792 (1764 1841) 21GEORGES ROUGET (1784 1864) 의 Georges RougetGEORGES ROUGET (1784 1864) 22Napoléon présente le roi de Rome aux dignitaires de l'Empire, 20 mars 1811 의 Georges RougetNapoléon présente le roi de Rome aux dignitaires de l'Empire, 20 mars 1811Opera House 23LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, VICE AMIRAL (1745 1804) 의 Georges RougetLOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, VICE AMIRAL (1745 1804) 24LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, CONTRE AMIRAL EN 1792 (1745 1804) 의 Georges RougetLOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, CONTRE AMIRAL EN 1792 (1745 1804) 25Oedipe et Antigone sur le mont Cytheron 의 Georges RougetOedipe et Antigone sur le mont Cytheron 26FRANCOIS MIRANDA, LIEUTENANT GENERAL ( 1816) 의 Georges RougetFRANCOIS MIRANDA, LIEUTENANT GENERAL ( 1816) 27AUGUSTE FREDERIC LOUIS VIESSE DE MARMONT, LIEUTENANT D'ETAT MAJOR D'ARTILLERIE EN 1792 (1774 1852) 의 Georges RougetAUGUSTE FREDERIC LOUIS VIESSE DE MARMONT, LIEUTENANT D'ETAT MAJOR D'ARTILLERIE EN 1792 (1774 1852) 28CLOVIS III, ROI D'AUSTRASIE, DE NEUSTRIE ET DE BOURGOGNE ( 695) 의 Georges RougetCLOVIS III, ROI D'AUSTRASIE, DE NEUSTRIE ET DE BOURGOGNE ( 695) 29CHARLES III, DIT LE SIMPLE, ROI DE FRANCE (879 929) 의 Georges RougetCHARLES III, DIT LE SIMPLE, ROI DE FRANCE (879 929) 30MORT DE SAINT LOUIS DEVANT TUNIS.25 AOUT 1270 의 Georges RougetMORT DE SAINT LOUIS DEVANT TUNIS.25 AOUT 1270 31Portrait du général M. Portrait d'homme (titre ancien) 의 Georges RougetPortrait du général M. Portrait d'homme (titre ancien) 32MARIAGE DE NAPOLEON 1ER ET DE MARIE LOUISE.2 AVRIL 1810 의 Georges RougetMARIAGE DE NAPOLEON 1ER ET DE MARIE LOUISE.2 AVRIL 1810 33NAPOLEON RECOIT A SAINT CLOUD LE SENATUS CONSULTE QUI LE PROCLAME EMPEREUR DES FRANCAIS.18 MAI 1804 의 Georges RougetNAPOLEON RECOIT A SAINT CLOUD LE SENATUS CONSULTE QUI LE PROCLAME EMPEREUR DES FRANCAIS.18 MAI 1804 34SAINT LOUIS RECOIT A PTOLEMAIS LES ENVOYES DU VIEUX DE LA MONTAGNE.1251 의 Georges RougetSAINT LOUIS RECOIT A PTOLEMAIS LES ENVOYES DU VIEUX DE LA MONTAGNE.1251 35SAINT LOUIS MEDIATEUR ENTRE LE ROI D'ANGLETERRE ET SES BARONS.23 JANVIER 1264 의 Georges RougetSAINT LOUIS MEDIATEUR ENTRE LE ROI D'ANGLETERRE ET SES BARONS.23 JANVIER 1264Opera House 36Mariage de Napoléon Ier et de Marie Louise, 2 avril 1810 의 Georges RougetMariage de Napoléon Ier et de Marie Louise, 2 avril 1810 37MESDEMOISELLES MOLLIEN 의 Georges RougetMESDEMOISELLES MOLLIEN루브르 박물관 38프랑스 장군 프랑소와 샤셀루프 루바트 의 Georges Rouget프랑스 장군 프랑소와 샤셀루프 루바트Ministère de la Défense Nationale 39EMMANUEL DE GROUCHY, COLONEL DU 2E DRAGON EN 1792 (1766 1847) 의 Georges RougetEMMANUEL DE GROUCHY, COLONEL DU 2E DRAGON EN 1792 (1766 1847)

The subjects that held Georges Rouget's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Georges Rouget's originals

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 Georges Rouget의 작품 이 목록의 작품들
Opera House, VersaillesOpera House Versailles 6 Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794), VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846)
루브르 박물관, 파리루브르 박물관 파리 2 JEAN PIERRE THENOT (1803 1857), MESDEMOISELLES MOLLIEN
Musée des Beaux-Arts de Quimper, QuimperMusée des Beaux-Arts de Quimper Quimper 1 Saint Louis Forgiving Pierre de Bretagne
Petit Palais, 파리Petit Palais 파리 1 Sketch for the church Saint Gervais "Ecce Homo"
Musée de l'Armée, 파리Musée de l'Armée 파리 1 Jean-Nicolas Houchard
바이에른 주립 회화 컬렉션, 뮌헨바이에른 주립 회화 컬렉션 뮌헨 1 Jacques-Louis David
Musée Fesch, 엑스앙프로방스Musée Fesch 엑스앙프로방스 1 The King of Rome in the Tuileries Garden
Ministère de la Défense Nationale, 파리Ministère de la Défense Nationale 파리 1 프랑스 장군 프랑소와 샤셀루프 루바트

Georges Rouget, one signature painting per decade

연대별 작품 수

Pick a decade to see the original that defines it.

Georges Rouget's paintings: the gallery answers

Which Georges Rouget painting is the most famous of all?Reveal the answer

Saint Louis Forgiving Pierre de Bretagne (1817), Musée des Beaux-Arts de Quimper, Quimper. Sketch for the church Saint Gervais "Ecce Homo" (1819) and Jean-Nicolas Houchard (1835) come next.

How old was Georges Rouget on completing Saint Louis Forgiving Pierre de Bretagne?Reveal the answer

34 years old: Saint Louis Forgiving Pierre de Bretagne dates from 1817, and Georges Rouget was born in 1783.

Which are Georges Rouget's top 10 paintings?Reveal the answer

Saint Louis Forgiving Pierre de Bretagne, Sketch for the church Saint Gervais "Ecce Homo", Jean-Nicolas Houchard, Jacques-Louis David, Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, The King of Rome in the Tuileries Garden, JEAN PIERRE THENOT (1803 1857), DEBARQUEMENT DE SAINT LOUIS EN EGYPTE.4 JUIN 1249, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) 및 FRANCOIS CHRISTOPHE KELLERMAN, GENERAL EN CHEF DE L'ARMEE DE LA MOSELLE EN 1792 (1735 1820). The ranking above gives each one's year and museum.

How many works did Georges Rouget create?Reveal the answer

Our catalog holds 39 works by Georges Rouget, dated from 1817 to 1850.

Where do Georges Rouget's most famous originals hang?Reveal the answer

Mostly in Opera House (Versailles), 루브르 박물관 (파리) 및 Musée des Beaux-Arts de Quimper (Quimper). The museum table above lists them all.

When did Georges Rouget create the most famous paintings?Reveal the answer

In 1810s: 2 of the 39 works on this page were made then, Saint Louis Forgiving Pierre de Bretagne among them.

Which are Georges Rouget's earliest and latest famous works?Reveal the answer

On this page, the earliest is Saint Louis Forgiving Pierre de Bretagne (1817) and the latest The King of Rome in the Tuileries Garden (1850).

Which subjects did Georges Rouget return to most?Reveal the answer

Portrait (4), Dignified (3) 및 Formal (2), across the 39 works on this page.

Which medium did Georges Rouget work in most?Reveal the answer

Oil On Canvas, for 3 of the 39 works on this page.

Which movement is Georges Rouget associated with?Reveal the answer

Neoclassicism, judging by the originals on this page.

Which Georges Rouget originals does the Opera House hold?Reveal the answer

Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) 및 VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846): the Opera House, Versailles holds 6 of the works on this page.

Can I have a Georges Rouget painting reproduced by hand?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Georges Rouget: the artist

The Apprentice of Grandeur

Born into the burgeoning energy of late 18th-century Paris, Marie-Georges Louis Rouget was destined to become a silent architect of visual history. His journey began within the prestigious halls of the École des Beaux-Arts, where he first learned the rigors of classical form under masters such as Jean-Victor Carrier Sabre and Alexandre François Bouchardy. Yet, it was his entry into the legendary atelier of Jacques-Louis David in 1797 that would irrevocably alter the course of his life and art. In this crucible of Neoclassicism, Rouget did not merely learn to paint; he learned to breathe the very spirit of an era. As David’s most trusted assistant, he became a vital conduit for the master's revolutionary vision, absorbing a technique defined by dramatic lighting, idealized anatomy, and a profound commitment to heroic narrative. This formative period instilled in him an unwavering dedication to portraying monumental historical events with a sense of scale and conviction that would define his entire career.

A Canvas of Empire

As Napoleon Bonaparte ascended the throne, Rouget’s brush became an instrument of imperial grandeur and historical record. His career was inextricably woven into the fabric of the First Empire, earning him the evocative reputation as the painter of Napoleon. This was not a role of mere imitation, but one of profound creative symbiosis between student and master. Working alongside David, Rouget contributed to some of the most iconic imagery of the age, including meticulously crafted interpretations of Bonaparte at the Grand Saint Bernard and the monumental The Coronation of Napoleon. His work captured the tension between the weight of history and the soaring ambition of a single man, utilizing a palette of deep blues, regal reds, and earthen tones to evoke a sense of permanence and power. Through his hands, the fleeting triumphs of the battlefield and the political maneuvers of the court were transformed into eternal monuments of oil and canvas, much of which eventually adorned the hallowed halls of Versailles.

The Legacy of Neoclassical Precision

Beyond the sweeping historical panoramas, Rouget found his greatest expression in the intimate dignity of portraiture. His ability to capture the essence of the era's leading figures—from military commanders like François Chasseloup Laubat to the quiet authority of the French elite—demonstrated a mastery of Neoclassical realism. In these works, one finds an exquisite attention to texture and light; the subtle sheen of gold embroidery, the heavy drape of a uniform, and the soft, diffused glow that sculpts a subject's features are all rendered with breathtaking precision. While he may not have shared the singular, household fame of David or Ingres, Rouget’s presence in the annals of French art is undeniable. His legacy remains a testament to an age where art served as the ultimate mirror to human ambition, leaving behind a visual lexicon of strength, formality, and grace that continues to resonate with the spirit of the Napoleonic era.

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