11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 51점의 콩스탕탱 뫼니에 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 콩스탕탱 뫼니에의 가장 유명한 작품은 Holy-Water Font (1854)이며, 원작은 안트베르펜의 안트베르펜 왕립 미술관에 전시되어 있습니다. Women Working in a Glass Factory (1878)와 Return of the Miners (1850)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 콩스탕탱 뫼니에의 작품 51점 중, 갤러리는 가장 유명한 51점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Return of the Miners by Constantin Meunier presents a group of laborers moving through an industrial landscape. The figures are positioned in the foreground, walking toward the right side of the frame. These workers, specifically miners, are depicted amidst a setting characterized by the presence of distant smokestacks and rooftops. The scene captures the physical reality of the working class during the Industrial Revolution, focusing on the specific lives of…
The Pithead is an oil painting by Constantin Meunier, created about 1850. The work depicts a scene of heavy industrial labor, focusing on the physical toil of the working class. A single male figure occupies the foreground, positioned slightly off-center and moving toward the viewer. His expression is strained, and his heavy clothing reflects the grit of his environment. The composition centers on this individual amidst a setting of industrial…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
The oil painting titled Saint Stephen emerges from the shadows of history, a somber creation by the Belgian artist Constantin Meunier. This work, rendered on canvas, captures a moment of profound stillness. It exists as a quiet meditation on sacrifice, appearing to have been produced about 1867. The figure lies caught in a perpetual state of repose, a subject that demands a slow, steady gaze to truly witness.
The canvas holds a heavy, dark air. In the lower left, a group of figures huddles together, their bodies pressed into a tight, desperate knot. They are shadows among shadows. A man’s white shirt catches a stray, pale light, cutting through the gloom like a sharp intake of breath. Above them, the world is breaking. A turbulent landscape stretches toward the upper right, where the sky is bruised and thick…
In this oil painting, Constantin Meunier presents a solitary young man caught in a moment of quiet stillness. The figure sits alone, his posture suggesting a heavy sense of exhaustion or perhaps a deep, inward contemplation. He appears to be an organ grinder, a man whose life is defined by the labor of his trade and the solitude that often accompanies it. The scene feels intimate, pulling the viewer into…
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
The oil painting titled Tobacco Factory, Seville, was created by the Belgian artist Constantin Meunier in 1883. This work captures a specific moment of industry within a vast, stone-arched space. The canvas holds the heavy atmosphere of a working hall, where light falls upon the figures of women engaged in their daily labor.
The Flood of Leuven in 18911896
12
Whaler1902 · Finnish National Gallery
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Portrait of the Artist Gustave Poirier1900 · Museum of Fine Arts Ghent (MSK)
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De buildrager, (1898)
15
Steel Foundry1850 · 안트베르펜 왕립 미술관
16
Unloading a Sailing Ship1878 · 안트베르펜 왕립 미술관
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The removal of the cracked melting pot1885 · 벨기에 왕립 미술관
18
Cigar Makers in Sevilla1882 · 안트베르펜 왕립 미술관
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Mining Area1882 · 안트베르펜 왕립 미술관
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In the Black Country1893 · 오르세 미술관
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Calvary1900 · Museum of Fine Arts Ghent (MSK)
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Collier with Safety Lamp안트베르펜 왕립 미술관
23
Man at the Press벨기에 왕립 미술관
24
The bust of a dockerOldenburg State Museum for Art and Cultural History
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Buste d'emmanuel chabrier
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The Porter1887 · Staatliche Kunsthalle Karlsruhe
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In a Salt Refinery at Rupelmonde벨기에 왕립 미술관
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Rupelmonde안트베르펜 왕립 미술관
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Pupil in the Snow안트베르펜 왕립 미술관
30
An Old Bridge안트베르펜 왕립 미술관
31
The Blue Tavern안트베르펜 왕립 미술관
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Abandoned shaft벨기에 왕립 미술관
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Black Country – Borinage벨기에 왕립 미술관
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Le faucheur
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The sower, (1890)
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Monument Au Travail (Bruxelles)
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Monument Au Travail (Detail) (2)
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Monument Au Travail (Detail) (7)
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Monument Au Travail (Detail)
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Monument Au Travail (Detail) (5)
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Monument Au Travail (Detail) (3)
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Monument Au Travail (Detail) (4)
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Der huttenarbeiter, (1890)
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Der hafenarbeiter (2)
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Der hafenarbeiter
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Cheval a L'abreuvoir, (1899)
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The sower, (2) (1890)
48
Monument Au Travail (Detail) (6)
49
Triptych of the Mine1902 · 벨기에 왕립 미술관
50
The hiercheuse1887 · 벨기에 왕립 미술관
51
Removal of a Broken Crucible1884 · 벨기에 왕립 미술관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관
| 소장 미술관 | 도시 | 콩스탕탱 뫼니에의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 안트베르펜 왕립 미술관 |
안트베르펜 | 14 | Holy-Water Font, Return of the Miners, The Pithead |
 벨기에 왕립 미술관 |
브뤼셀 | 10 | Women Working in a Glass Factory, Tobacco Factory, Seville, The removal of the cracked melting pot |
 Museum of Fine Arts Ghent (MSK) |
헨트 | 4 | Saint Stephen as a Martyr, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Portrait of the Artist Gustave Poirier |
 Finnish National Gallery |
헬싱키 | 1 | Whaler |
 오르세 미술관 |
파리 | 1 | In the Black Country |
 Oldenburg State Museum for Art and Cultural History |
Oldenburg | 1 | The bust of a docker |
 Staatliche Kunsthalle Karlsruhe |
카를스루에 | 1 | The Porter |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
Constantin Meunier painted The Flood of Leuven in 1891 about 1896. The work captures a catastrophic flood in a town, likely Leuven, under a heavy, storm-laden sky. It focuses on the human struggle against nature, documenting the devastating impact of rising waters on a community.
The heavy atmosphere of manual labor settles over the viewer in Whaler, a work by the Belgian artist Constantin Meunier. Created about 1902, the painting captures a moment of intense physical exertion. The subject focuses on the life of a whaler, a figure defined by the grit and strain of a demanding existence. This piece finds its home within the collection of the Finnish National Gallery.
Holy-Water Font (1854), 안트베르펜 왕립 미술관, 안트베르펜. 다음은 Women Working in a Glass Factory (1878)와 Return of the Miners (1850)입니다.
23세: Holy-Water Font은(는) 1854년 작품이며, 콩스탕탱 뫼니에은(는) 1831년에 태어났습니다.
Holy-Water Font, Women Working in a Glass Factory, Return of the Miners, The Pithead, Saint Stephen as a Martyr, Saint Stephen, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Organ Grinder, Two women at the Tobacco Factory in Seville 및 Tobacco Factory, Seville. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1850년부터 1902년 사이의 콩스탕탱 뫼니에 작가의 작품 51점이 수록되어 있습니다.
대부분 안트베르펜 왕립 미술관 (안트베르펜), 벨기에 왕립 미술관 (브뤼셀) 및 Museum of Fine Arts Ghent (MSK) (헨트)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1880s 동안: 이 페이지의 총 51점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 Two women at the Tobacco Factory in Seville점입니다.
이 페이지에서 가장 오래된 작품은 Return of the Miners (1850)이며, 가장 최근 작품은 Whaler (1902)입니다.
이 페이지의 51점의 작품에 걸쳐 있는 Shadows (6), Man (6) 및 Earthy tones (4)
이 페이지의 총 51점의 작품 중 9점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Social realism
Holy-Water Font, Return of the Miners 및 The Pithead: 안트베르펜 왕립 미술관, 안트베르펜은(는) 이 페이지에 있는 작품 중 14점을 소장하고 있습니다.
