Bartolomeo Passarotti의 초상화

갤러리 엄선, 가장 유명한 Bartolomeo Passarotti 작품 56선

10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 59점의 Bartolomeo Passarotti 작품 (당사 카탈로그 기준)

요약하자면

Bartolomeo Passarotti가 남긴 모든 원작 중 가장 유명한 작품은 빈의 빈 미술사 박물관에 소장된 Portrait of an old woman (1582)입니다. 그 뒤를 이어 The Anatomy Lesson (1550)와 Family Portrait (1585)가 뒤를 잇습니다. Bartolomeo Passarotti의 작품 59점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 56점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.

1529 – 1592, Bologna Renaissance 최다 소장처: 프라도 미술관

Bartolomeo Passarotti의 베스트 작품 10선: 갤러리 선정

1
Portrait of an old woman (1582) 의 Bartolomeo Passarotti

Portrait of an old woman

1582 · Oil On Canvas · 빈 미술사 박물관, 빈

The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.

2
The Anatomy Lesson (1550) 의 Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · 갈레리아 보르게세, 로마

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) 의 Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · 빈 미술사 박물관, 빈

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

5
Portrait of a Man (1560) 의 Bartolomeo Passarotti

Portrait of a Man

The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.

6
Saint Jerome (1550) 의 Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · 아일랜드 국립 미술관, 더블린

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) 의 Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) 의 Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) 의 Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) 의 Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Bartolomeo Passarotti 컬렉션이 계속됩니다, 11부터 56까지

11Portrait of the Physician Carlo Fontana (1570) 의 Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) 의 Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) 의 Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) 의 Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) 의 Bartolomeo PassarottiPortrait of a Man1580 · 하버드 미술관 16Poultry dealer (1580) 의 Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer 의 Bartolomeo PassarottiBlood of the Redeemer보스턴 미술관 18Portrait of Ignazio Danti (1597) 의 Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) 의 Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · 보스턴 미술관 20Copy after Michelangelo (1550) 의 Bartolomeo PassarottiCopy after Michelangelo1550 · 넬슨 아트 박물관 21DIANE CHASSERESSE 의 Bartolomeo PassarottiDIANE CHASSERESSE루브르 박물관 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) 의 Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) 의 Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) 의 Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina 25The Fishmonger's Shop (1580) 의 Bartolomeo PassarottiThe Fishmonger's Shop1580 · 갤러리아 나자날 드 아트 안티카 26Portrait of a Man with a Dog (1585) 의 Bartolomeo PassarottiPortrait of a Man with a Dog1585 · Pinacoteca Capitolina 27Study of Male Nudes Fighting (1572) 의 Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) 의 Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait 의 Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi 의 Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of Assisi스트라스부르 미술관 31Lute palyer 의 Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure 의 Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) 의 Bartolomeo PassarottiA Butchery1575 · 갤러리아 나자날 드 아트 안티카 34Male Nude (1550) 의 Bartolomeo PassarottiMale Nude1550 · 프라도 미술관 35Copy of a Statue with A Female Nude From Back (1550) 의 Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · 프라도 미술관 36Lucretia's Suicide (1550) 의 Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) 의 Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada 38Portrait of Pope Pius V (1566) 의 Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) 의 Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) 의 Bartolomeo PassarottiDouble Portrait of Musicians1579 · 카피톨리니 박물관 41Double Dressed Portrait of Circe and Ulysses (1575) 의 Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) 의 Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · 프라도 미술관 43The Holy Family Accompained by an Angel and two Saints (1565) 의 Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · 프라도 미술관 44Portrait of a Gentleman (1580) 의 Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) 의 Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) 의 Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) 의 Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · 사우스오스트레일리아 미술관 48St. Dominicus and the Albigensians (1580) 의 Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 49Domenico Giuliani and His Servant 의 Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman 의 Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait 의 Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders 의 Bartolomeo PassarottiPortrait of a lady, head and shoulders바이에른 주립 회화 컬렉션 53Portrait of an Unknown Soldier in Armour 의 Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria 의 Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables 의 Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 56The Butcher's Shop (1580) 의 Bartolomeo PassarottiThe Butcher's Shop1580 · 갤러리아 나자날 드 아트 안티카

Bartolomeo Passarotti의 시대별 명작

Bartolomeo Passarotti의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

Bartolomeo Passarotti의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 Bartolomeo Passarotti의 작품 이 목록의 작품들
프라도 미술관, 마드리드프라도 미술관 마드리드 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
빈 미술사 박물관, 빈빈 미술사 박물관 빈 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
갤러리아 나자날 드 아트 안티카, 로마갤러리아 나자날 드 아트 안티카 로마 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
바이에른 주립 회화 컬렉션, 뮌헨바이에른 주립 회화 컬렉션 뮌헨 2 Portrait of a Man, Portrait of a lady, head and shoulders
보스턴 미술관, 보스턴보스턴 미술관 보스턴 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
Pinacoteca Capitolina, 로마Pinacoteca Capitolina 로마 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
갈레리아 보르게세, 로마갈레리아 보르게세 로마 1 The Anatomy Lesson
아일랜드 국립 미술관, 더블린아일랜드 국립 미술관 더블린 1 Saint Jerome

Bartolomeo Passarotti의 시대별 걸작: 시대를 정의하는 오리지널 작품들

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

Bartolomeo Passarotti의 작품에 관한 컬렉터들의 질문

Bartolomeo Passarotti의 가장 대표적인 작품은 무엇인가요?정답 확인하기

Portrait of an old woman (1582), 빈 미술사 박물관, 빈. 다음은 The Anatomy Lesson (1550)와 Family Portrait (1585)입니다.

Portrait of an old woman이(가) 제작되었을 당시 Bartolomeo Passarotti의 나이는 몇 살이었나요?정답 확인하기

53세: Portrait of an old woman은(는) 1582년 작품이며, Bartolomeo Passarotti은(는) 1529년에 태어났습니다.

Bartolomeo Passarotti의 가장 유명한 작품 10가지는 무엇인가요?정답 확인하기

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe 및 Three Men with Two Dogs. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Bartolomeo Passarotti 작가가 남긴 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1550년부터 1585년 사이의 Bartolomeo Passarotti 작가의 작품 59점이 수록되어 있습니다.

Bartolomeo Passarotti의 걸작은 어느 박물관에 전시되어 있나요?정답 확인하기

대부분 프라도 미술관 (마드리드), 빈 미술사 박물관 (빈) 및 갤러리아 나자날 드 아트 안티카 (로마)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

Bartolomeo Passarotti의 가장 유명한 작품들은 어느 연도에 그려졌나요?정답 확인하기

1580s 동안: 이 페이지의 총 56점의 작품 중 15점이 해당 시기에 제작되었으며, 그중 Portrait of an old woman점입니다.

Bartolomeo Passarotti의 첫 번째와 마지막 유명 원작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 The Anatomy Lesson (1550)이며, 가장 최근 작품은 Family Portrait (1585)입니다.

Bartolomeo Passarotti 작가가 가장 자주 선택한 주제는 무엇인가요?정답 확인하기

이 페이지의 56점의 작품에 걸쳐 있는 Man (15), Beard (7) 및 Book (6)

Bartolomeo Passarotti 작가가 가장 많이 사용한 기법은 무엇인가요?정답 확인하기

이 페이지의 총 56점의 작품 중 15점의 Oil On Canvas

Bartolomeo Passarotti은(는) 어떤 미술 사조에 속하나요?정답 확인하기

이 페이지의 원작들을 기준으로 볼 때, Renaissance 및 Mannerism

프라도 미술관에는 어떤 Bartolomeo Passarotti의 작품이 전시되어 있나요?정답 확인하기

Male Nude, Copy of a Statue with A Female Nude From Back 및 Copy of the Good Thief, From the Last Judgement of Michelangelo: 프라도 미술관, 마드리드은(는) 이 페이지에 있는 작품 중 4점을 소장하고 있습니다.

Bartolomeo Passarotti: 생애와 작품 세계

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.