Thomas Barber의 초상화

갤러리 엄선, 가장 유명한 Thomas Barber 작품 33선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 45점의 Thomas Barber 작품 (당사 카탈로그 기준)

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Thomas Barber가 남긴 모든 원작 중 가장 유명한 작품은 노팅엄의 Nottingham Castle Museum And Art Gallery에 소장된 Self Portrait (1841)입니다. 그 뒤를 이어 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784)와 Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812)가 뒤를 잇습니다. Thomas Barber의 작품 45점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 33점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.

1771 – 1843, Nottingham Neoclassicism 최다 소장처: Nottingham Castle Museum And Art Gallery

Thomas Barber의 베스트 작품 10선: 갤러리 선정

1
Self Portrait (1841) 의 Thomas Barber

Self Portrait

In this 1841 work, we encounter the artist himself, captured in a moment of quiet introspection. The portrait presents a man dressed in the formal attire of the nineteenth century, wearing a dark coat, a crisp white collar, and a tie. A mustache defines his features, lending a sense of maturity and gravity to his expression. It is an intimate study of character, rendered with a precision that suggests a…

2
The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) 의 Thomas Barber

The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds)

1784 · Oil On Canvas · National Trust, 체스터필드

The subject sits anchored in a sea of dark blues and deep browns. He is a man of middle age, his face etched with the quiet gravity of a life spent in the public eye. Light falls from the upper left, carving the contours of his brow and the sharp lines around his mouth. He holds books against his chest, his hands resting with a heavy, certain stillness. These volumes…

3
Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812) 의 Thomas Barber

Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon

1812 · Oil On Canvas

The oil painting titled Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon was executed by the artist Thomas Barber the Elder. This work depicts three children: Alfred Curzon, Francis James Curzon, and Mary Curzon. These subjects are the children of the 2nd Baron Scarsdale and Félicité de Wattines, of Flanders. The figures are presented in a three-quarter length portrait format.

4
Lady Caroline Gordon (1785–1866), Lady Chesham (1814) 의 Thomas Barber

Lady Caroline Gordon (1785–1866), Lady Chesham

1814 · Oil On Canvas · National Trust, 체스터필드

This oil on canvas portrait, executed in 1814, depicts Lady Caroline Gordon, later known as Lady Chesham. The subject is positioned in a seated posture, facing the viewer with a centered composition that emphasizes the head and upper torso. She is rendered against a dark, indistinct background that provides a high level of contrast to her pale skin and the light-colored fabric of her attire. The lighting is diffused from…

5
James Montgomery 의 Thomas Barber

James Montgomery

Oil On Canvas · Sheffield City Art Galleries, 셰필드

The oil on canvas painting titled "James Montgomery" presents a portrait of a man characterized by a white beard and a mustache. He is depicted wearing a black coat and a tie, positioned as if looking directly at the viewer. The subject stands before a brick wall background.

Thomas Barber 컬렉션이 계속됩니다, 11부터 33까지

11Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850) (1812) 의 Thomas BarberFrancis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)1812 · National Trust 12Lady Anne Margaret Coke, Viscountess Anson (1815) 의 Thomas BarberLady Anne Margaret Coke, Viscountess Anson1815 · Shugborough Hall 13The Honourable Anne Margaret Anson, Countess of Rosebery (1815) 의 Thomas BarberThe Honourable Anne Margaret Anson, Countess of Rosebery1815 · Shugborough Hall 14General Sir George Anson (1769–1849) (1815) 의 Thomas BarberGeneral Sir George Anson (1769–1849)1815 · National Trust 15General Sir William Anson (1772–1847), 1st Bt (1815) 의 Thomas BarberGeneral Sir William Anson (1772–1847), 1st Bt1815 · National Trust 16Landscape near Bath (1835) 의 Thomas BarberLandscape near Bath1835 · 아일랜드 국립 미술관 17Lord Denman (1779–1854) (1833) 의 Thomas BarberLord Denman (1779–1854)1833 · Nottingham Castle Museum And Art Gallery 18The Trent at Wilford (1840) 의 Thomas BarberThe Trent at Wilford1840 · Nottingham Castle Museum And Art Gallery 19The Reverend John Thomas Becher (1770–1848) 의 Thomas BarberThe Reverend John Thomas Becher (1770–1848) 20James Montgomery (1771–1854) 의 Thomas BarberJames Montgomery (1771–1854) 21Henry Kirke White, Poet 의 Thomas BarberHenry Kirke White, PoetNottingham Castle Museum And Art Gallery 22The Reverend Lewis Sneyd (c.1788–1858) 의 Thomas BarberThe Reverend Lewis Sneyd (c.1788–1858)National Trust 23Charles Compton Cavendish (1793–1863), 1st Lord Chesham 의 Thomas BarberCharles Compton Cavendish (1793–1863), 1st Lord CheshamNational Trust 24Cecil Brooke Boothby (1813–1883) 의 Thomas BarberCecil Brooke Boothby (1813–1883)National Trust 25Landscape with Cattle 의 Thomas BarberLandscape with CattleReading Public Museum 26Jonathan Dunn 의 Thomas BarberJonathan DunnNottingham Castle Museum And Art Gallery 27Joseph Murray (1737–1820) 의 Thomas BarberJoseph Murray (1737–1820) 28Reverend Richard Smith 의 Thomas BarberReverend Richard SmithNational Trust 29Benjamin Mayo (c.1779–1843), the Old General 의 Thomas BarberBenjamin Mayo (c.1779–1843), the Old General 30Sophia Baillie (1771–1843) 의 Thomas BarberSophia Baillie (1771–1843) 31David Love (1750–1827), Ballad Writer 의 Thomas BarberDavid Love (1750–1827), Ballad WriterNottingham Castle Museum And Art Gallery 32View across Nottingham Park with Lenton Priory in the Distance 의 Thomas BarberView across Nottingham Park with Lenton Priory in the DistanceNottingham Castle Museum And Art Gallery 33Cornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832) (1826) 의 Thomas BarberCornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832)1826 · Manx Museum

Thomas Barber의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

Thomas Barber의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 Thomas Barber의 작품 이 목록의 작품들
Nottingham Castle Museum And Art Gallery, 노팅엄Nottingham Castle Museum And Art Gallery 노팅엄 7 Self Portrait, Lord Denman (1779–1854), The Trent at Wilford
National Trust, 체스터필드National Trust 체스터필드 7 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Lady Caroline Gordon (1785–1866), Lady Chesham, Lady Harriet Cavendish (1785–1862), Countess Granville
National Trust, 더비National Trust 더비 2 Mrs Garnett (1724–1809), in the Marble Hall, Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 Lady Anne Margaret Coke, Viscountess Anson, The Honourable Anne Margaret Anson, Countess of Rosebery
National Trust, MilfordNational Trust Milford 2 General Sir George Anson (1769–1849), General Sir William Anson (1772–1847), 1st Bt
Sheffield City Art Galleries, 셰필드Sheffield City Art Galleries 셰필드 1 James Montgomery
Royal College of Physicians of London, 런던Royal College of Physicians of London 런던 1 Matthew Baillie
아일랜드 국립 미술관, 더블린아일랜드 국립 미술관 더블린 1 Landscape near Bath

Thomas Barber의 시대별 걸작: 시대를 정의하는 오리지널 작품들

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

Thomas Barber의 작품에 관한 컬렉터들의 질문

Thomas Barber의 가장 대표적인 작품은 무엇인가요?정답 확인하기

Self Portrait (1841), Nottingham Castle Museum And Art Gallery, 노팅엄. 다음은 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784)와 Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812)입니다.

Self Portrait이(가) 제작되었을 당시 Thomas Barber의 나이는 몇 살이었나요?정답 확인하기

70세: Self Portrait은(는) 1841년 작품이며, Thomas Barber은(는) 1771년에 태어났습니다.

Thomas Barber의 가장 유명한 작품 10가지는 무엇인가요?정답 확인하기

Self Portrait, The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon, Lady Caroline Gordon (1785–1866), Lady Chesham, James Montgomery, Mrs Garnett, in the Marble Hall, Mrs Garnett (1724–1809), in the Marble Hall, Matthew Baillie, Matthew Baillie (1761–1823) 및 Lady Harriet Cavendish (1785–1862), Countess Granville. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Thomas Barber 작가가 남긴 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1784년부터 1841년 사이의 Thomas Barber 작가의 작품 45점이 수록되어 있습니다.

Thomas Barber의 걸작은 어느 박물관에 전시되어 있나요?정답 확인하기

대부분 Nottingham Castle Museum And Art Gallery (노팅엄), National Trust (체스터필드) 및 National Trust (더비)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

Thomas Barber의 가장 유명한 작품들은 어느 연도에 그려졌나요?정답 확인하기

1810s 동안: 이 페이지의 총 33점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon점입니다.

Thomas Barber의 첫 번째와 마지막 유명 원작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784)이며, 가장 최근 작품은 Self Portrait (1841)입니다.

Thomas Barber 작가가 가장 자주 선택한 주제는 무엇인가요?정답 확인하기

이 페이지의 33점의 작품에 걸쳐 있는 Portrait (4), Dignified (4) 및 Formal (4)

Thomas Barber 작가가 가장 많이 사용한 기법은 무엇인가요?정답 확인하기

이 페이지의 총 33점의 작품 중 4점의 Oil On Canvas

Thomas Barber은(는) 어떤 미술 사조에 속하나요?정답 확인하기

이 페이지의 원작들을 기준으로 볼 때, Neoclassicism

Nottingham Castle Museum And Art Gallery에는 어떤 Thomas Barber의 작품이 전시되어 있나요?정답 확인하기

Self Portrait, Lord Denman (1779–1854) 및 The Trent at Wilford: Nottingham Castle Museum And Art Gallery, 노팅엄은(는) 이 페이지에 있는 작품 중 7점을 소장하고 있습니다.

Thomas Barber: 생애와 작품 세계

The Multifaceted Legacy of Thomas Barber

In the vibrant tapestry of the early nineteenth century, few figures embodied the intersection of military discipline and artistic refinement as uniquely as Thomas Barber. Known to many in his era as Barber Beaumont, this remarkable individual led a life that defied simple categorization. Born on December 21, 1774, in the heart of St Marylebone, London, Barber was far more than a mere painter; he was a British army officer, an author, a philanthropist, and a pioneer of miniature portraiture. His journey from the bustling streets of London to the service of royalty and the establishment of significant social institutions reflects a life driven by an unyielding ambition and a profound dedication to both aesthetic beauty and public service.

The artistic soul of Barber was nurtured through a rigorous classical education, which instilled in him a lifelong reverence for historical narrative and neoclassical ideals. Under the influential tutelage of Henry Kirke White, Barber developed a stylistic language characterized by meticulous detail and a dramatic use of light. This training allowed him to navigate the prestigious circles of the Royal Academy's aesthetic, where he mastered the ability to breathe life into both grand historical scenes and intimate portraits. His work often sought to capture the very essence of his subjects, blending the monumental scale of history painting with the delicate, emotive precision required for miniature portraiture.

Mastery of the Miniature and Royal Patronage

While his ambitions reached toward the epic, it was in the intimate realm of miniature painting that Barber achieved his most enduring acclaim. His ability to render the dignity and grace of the aristocracy within a small, exquisitely crafted frame made him a sought-after portraitist for the British elite. Most notably, his role as the miniature painter to the Duke of Clarence—who would later ascend the throne as King William IV—cemented his status within the highest echelons of society. Through these small-scale masterpieces, Barber did not merely record faces; he captured the social standing, character, and enduring legacy of a generation.

His portfolio serves as a window into the Neoclassical era, showcasing a range of subjects that highlight his technical versatility:

  • Lady Caroline Gordon: An 1814 oil portrait that stands as a testament to his ability to convey elegance and wealth through refined brushwork.
  • Henry Kirke White, Poet: A poignant neoclassical portrait that utilizes subtle expression and masterful oil techniques to evoke a sense of remembrance and intellectual status.
  • The Reverend John Thomas Becher: A later work from 1848 that demonstrates his command over dramatic lighting and meticulous detail, reflecting the dignified style of his mature period.

A Life of Service and Entrepreneurial Spirit

Beyond the studio and the battlefield, Barber’s life was defined by a remarkable entrepreneurial spirit and a commitment to social welfare. His experiences as an officer, which included service in South America, provided him with a worldly perspective that informed his later ventures in London. He was not content to remain solely within the realm of fine arts; he applied the same precision found in his paintings to the world of commerce and philanthropy. His involvement in founding insurance offices and his leadership roles in organizations such as the Royal Victoria Rifle Club and the Provident Institution reveal a man deeply invested in the stability and progress of British society.

Ultimately, the historical significance of Thomas Barber lies in this rare synthesis of talents. He was an artist who understood the weight of history, an officer who understood the necessity of order, and a businessman who understood the value of security. Though his name may sometimes be obscured by the alias Beaumont, his contribution to the visual and social fabric of the nineteenth century remains indelible. Through his canvases, we continue to witness the grace of a bygone era, preserved through the eyes of a man who mastered both the brush and the complexities of life itself.