Suze Robertson의 초상화

갤러리 엄선, 가장 유명한 Suze Robertson 작품 47선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 48점의 Suze Robertson 작품 (당사 카탈로그 기준)

요약하자면

Suze Robertson가 남긴 모든 원작 중 가장 유명한 작품은 로테르담의 Museum Boijmans Van Beuningen에 소장된 Portrait of a young girl ('Greta') (1922)입니다. 그 뒤를 이어 Self-portrait of Suze Robertson (1855-1922) (1890)와 Portrait of a young woman (1898)가 뒤를 잇습니다. Suze Robertson의 작품 48점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 47점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.

1855 – 1922, The Hague 최다 소장처: Groninger Museum

Suze Robertson의 베스트 작품 10선: 갤러리 선정

1
Portrait of a young girl ('Greta') (1922) 의 Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, 로테르담

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) 의 Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · 국립 미술관, 암스테르담

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) 의 Suze Robertson

Old mother

1896 · Oil · Groninger Museum, 흐로닝언

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) 의 Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) 의 Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, 도르드레흐트

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) 의 Suze Robertson

Girl asleep

1889 · Oil On Canvas · 쿤스트뮤지엄 덴하흐, 헤이그

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

Suze Robertson 컬렉션이 계속됩니다, 11부터 47까지

Suze Robertson의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

Suze Robertson의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 Suze Robertson의 작품 이 목록의 작품들
Groninger Museum, 흐로닝언Groninger Museum 흐로닝언 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, 로테르담Museum Boijmans Van Beuningen 로테르담 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
쿤스트뮤지엄 덴하흐, 헤이그쿤스트뮤지엄 덴하흐 헤이그 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
국립 미술관, 암스테르담국립 미술관 암스테르담 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, 도르드레흐트Dordrechts Museum 도르드레흐트 2 Lena, Portrait of a Peasant Woman
Centraal Museum, 위트레흐트Centraal Museum 위트레흐트 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, 헤이그The Mesdag Collection 헤이그 1 The cart
Rijksmuseum Twenthe, 엔스헤데Rijksmuseum Twenthe 엔스헤데 1 Old woman at a clock

Suze Robertson의 시대별 걸작: 시대를 정의하는 오리지널 작품들

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

Suze Robertson의 작품에 관한 컬렉터들의 질문

Suze Robertson의 가장 대표적인 작품은 무엇인가요?정답 확인하기

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, 로테르담. 다음은 Self-portrait of Suze Robertson (1855-1922) (1890)와 Portrait of a young woman (1898)입니다.

Portrait of a young girl ('Greta')이(가) 제작되었을 당시 Suze Robertson의 나이는 몇 살이었나요?정답 확인하기

67세: Portrait of a young girl ('Greta')은(는) 1922년 작품이며, Suze Robertson은(는) 1855년에 태어났습니다.

Suze Robertson의 가장 유명한 작품 10가지는 무엇인가요?정답 확인하기

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle 및 Still Life (Plate with Lemons). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Suze Robertson 작가가 남긴 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1870년부터 1922년 사이의 Suze Robertson 작가의 작품 48점이 수록되어 있습니다.

Suze Robertson의 걸작은 어느 박물관에 전시되어 있나요?정답 확인하기

대부분 Groninger Museum (흐로닝언), Museum Boijmans Van Beuningen (로테르담) 및 쿤스트뮤지엄 덴하흐 (헤이그)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

Suze Robertson의 가장 유명한 작품들은 어느 연도에 그려졌나요?정답 확인하기

1890s 동안: 이 페이지의 총 47점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 Self-portrait of Suze Robertson (1855-1922)점입니다.

Suze Robertson의 첫 번째와 마지막 유명 원작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 Woman in a courtyard (1870)이며, 가장 최근 작품은 Portrait of a young girl ('Greta') (1922)입니다.

Suze Robertson 작가가 가장 자주 선택한 주제는 무엇인가요?정답 확인하기

이 페이지의 47점의 작품에 걸쳐 있는 Woman (4), Dark tones (4) 및 Face (3)

Suze Robertson 작가가 가장 많이 사용한 기법은 무엇인가요?정답 확인하기

이 페이지의 총 47점의 작품 중 4점의 Oil On Canvas

Groninger Museum에는 어떤 Suze Robertson의 작품이 전시되어 있나요?정답 확인하기

Old mother, The artist's studio with mantelpiece 및 Corner of the artist's studio: Groninger Museum, 흐로닝언은(는) 이 페이지에 있는 작품 중 6점을 소장하고 있습니다.

Suze Robertson: 생애와 작품 세계

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.