갤러리 엄선, 가장 유명한 사무엘 딕슨 본 작품 14선

The Taj Mahal from the corner of the quadrangle

In this breathtaking photogravure from 1865, titled The Taj Mahal from the corner of the quadrangle, the viewer is transported back to the heart of nineteenth-century India. The image serves as a profound architectural study, capturing the monumental majesty of the Taj Mahal with a precision that feels both intimate and eternal. Through the lens of Samuel Dixon Bourne, one does not merely see a building; one experiences the weight…

Paigah Tomb

This black and white photograph, dated 1860, captures the Paigah Tomb in Hyderabad, India. The composition centers on the stone structure, which features a series of receding arched doorways that lead into the interior. These arches create a sense of depth, drawing the eye through the geometric layers of the building. A small group of men is seated at the base of the tomb, providing a scale for the height…

Tomb of Itmad-ud Daulah

The sun hangs high over the Tomb of Itmad-ud Daulah, casting soft shadows that dance across the stone surfaces. In this 1864 view, the air feels heavy with the stillness of a quiet afternoon in India. The central dome rises with a quiet authority, its silhouette cutting a sharp line against the sky. Around the main structure, the landscape breathes through a cluster of trees that frame the monument, offering…

Bombay, The Said-Memon Street

Bombay, The Said-Memon Street – Samuel Dixon Bourne Samuel Dixon Bourne’s ‘Bombay, The Said-Memon Street,’ painted in 1860, stands as a remarkable testament to Victorian India and the burgeoning field of photographic art. Captured in exquisite black and white photogravure—a printing process that achieved unparalleled tonal depth and detail—the image transports viewers back to a bustling cityscape brimming with life and commerce. More than just a depiction of urban activity,…

Untitled

In this evocative black and white photograph from 1865, the viewer is transported into a realm of profound stillness and spiritual contemplation. The subject, an untitled sculpture of Jesus Christ, stands with arms outstretched toward the heavens, perched atop a rugged stone pedestal. Captured by the pioneering eye of Samuel Dixon Bourne, the image transcends mere documentation, becoming a poetic meditation on faith and permanence. The stark contrast of the…

Delhi, The Laore Gate and Fort

Delhi, The Laore Gate and Fort is a landscape format photographic work by Samuel Dixon Bourne. Produced in 1860, the piece captures a specific architectural perspective of the historical structures located in Delhi. The image provides a detailed view of the fort's exterior, focusing on the imposing scale and the intricate design of the gate and its accompanying tower.

Malabar Hill from Xavier

is a photographic study captured by the artist Samuel Dixon Bourne. The image was taken in 1860. It documents a specific view of Malabar Hill from Xavier, located in Bombay, which is known today as Mumbai, India.

Interiors of Moti Masjid, Agra Fort

Light filters through the arched doorways of the Moti Masjid, casting long, soft shadows across the stone floor of the Agra Fort. The air feels heavy with the stillness of a bygone era, captured in the monochromatic tones of a mid-nineteenth-century gaze. Within this space, the architecture does not merely exist; it breathes through the intricate patterns carved into the pillars and the rhythmic repetition of the arches. People move…

Government House showing the South Eastern Arch, Calcutta

Marochetti