11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 19점의 Pieter Mulier 작품 (당사 카탈로그 기준)
요약하자면
Pieter Mulier가 남긴 모든 원작 중 가장 유명한 작품은 시카고의 시카고 미술관에 소장된 Tobias and the Angel (1693)입니다. 그 뒤를 이어 Landscape with a bridge (1600)와 Landscape with Shepherdess and Flock (1692)가 뒤를 잇습니다. Pieter Mulier의 작품 19점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 15점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
The air feels heavy with the scent of damp earth and the rushing sound of a nearby stream. In this rugged landscape, a young man named Tobias moves through the terrain, accompanied by a faithful dog and a celestial guide. The scene unfolds with a dramatic tension that pulls the eye from the dark, leafy foliage in the foreground toward the towering, sun-drenched cliffs in the distance. Light breaks through…
A quiet tension hangs in the air as a stone bridge arches over a dark, steady stream. Two figures occupy the structure, their presence adding a sense of scale to the vastness of the landscape. One person lingers near the left edge, while another moves further toward the right, their small silhouettes suggesting a shared or perhaps solitary passage through the terrain. Above them, the sky is alive with movement;…
Landscape with Shepherdess and Flock is a landscape painting by the artist Pieter Mulier. The work is attributed to Pieter Mulier d. J., gen. Cavaliere Tempesta. This piece was executed about 1692.
Landscape with a Storm is an oil on canvas by Pieter Mulier. The artist, also known by the moniker Cavalier Tempesta, produced this work in 1671.
This landscape painting depicts a serene scene centered around a flowing river. The composition captures a picturesque moment in nature, where the water serves as a focal point for the surrounding environment, capturing a moment of natural beauty.
Stormy Sea with Stranded Merchant Ship is an oil on canvas painting by the artist Pieter Mulier. This maritime work dates to about 1670. The composition focuses on a merchant vessel navigating through turbulent waters and heavy weather conditions.
The canvas opens with a heavy, dark architecture on the left, a weight of shadow that pushes the eye toward the light. Aeneas arrives not in stillness, but amidst a churning, restless landscape. The sky is a turbulent mass of clouds, painted with thick, visible brushwork that suggests the salt spray of a rising storm. To the right, a bright, theatrical light breaks through the gloom, illuminating a rugged shoreline…
Battle Ships in a Gale is a dramatic, monochromatic seascape painting that captures a maritime scene during a storm. The composition is framed on the right by a dark, vertical rock formation, which creates a sense of depth and perspective, leading the eye toward the turbulent center. The subject matter features several sailing ships navigating choppy waters under a heavy, swirling sky.
A heavy, atmospheric tension defines this Baroque landscape, capturing the precise moment before a storm breaks over a pastoral setting. The composition relies on a dramatic chiaroscuro, where deep, silhouetted foliage in the foreground creates a sense of enclosure, pushing the viewer's eye toward a sunlit clearing. Through this dark frame, light pierces through turbulent, swirling clouds, illuminating a distant stone structure and the small, vulnerable figures of shepherds and…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Pieter Mulier의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 빈 미술사 박물관 |
빈 | 4 | Landscape with Shepherdess and Flock, A Sea Storm with Ships, A Sea Storm with Ships |
 Pinacoteca Stuard |
파르마 | 2 | Landscape with a bridge, Landscape with a river |
 에르미타주 박물관 |
상트페테르부르크 | 2 | Landscape with a Storm, Landscape with Shepherds in a Storm |
 시카고 미술관 |
시카고 | 1 | Tobias and the Angel |
 New York Historical Society |
뉴욕 | 1 | The arrival of Aeneas in Carthago |
 국립 미술관 |
스톡홀름 | 1 | Battle Ships in a Gale |
 Blanton Museum of Art |
1 | Pan and Daphnis | |
 Galleria Nazionale |
파르마 | 1 | Coastal View at Sunset and Wooded Valley with Shepherds |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
Landscape with a Storm is an oil on canvas by Pieter Mulier. The artist, also known by the moniker Cavalier Tempesta, produced this work in 1671.
The air feels heavy with the scent of damp earth and the rushing sound of a nearby stream. In this rugged landscape, a young man named Tobias moves through the terrain, accompanied by a faithful dog and a celestial guide. The scene unfolds with a dramatic tension that pulls the eye from the dark, leafy foliage in the foreground toward the towering, sun-drenched cliffs in the distance. Light breaks through…
Tobias and the Angel (1693), 시카고 미술관, 시카고. 다음은 Landscape with a bridge (1600)와 Landscape with Shepherdess and Flock (1692)입니다.
56세: Tobias and the Angel은(는) 1693년 작품이며, Pieter Mulier은(는) 1637년에 태어났습니다.
Tobias and the Angel, Landscape with a bridge, Landscape with Shepherdess and Flock, Landscape with a Storm, Landscape with a river, Stormy Sea with Stranded Merchant Ship, The arrival of Aeneas in Carthago, Battle Ships in a Gale, Landscape with Shepherds in a Storm 및 Pan and Daphnis. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1670년부터 1695년 사이의 Pieter Mulier 작가의 작품 19점이 수록되어 있습니다.
대부분 빈 미술사 박물관 (빈), Pinacoteca Stuard (파르마) 및 에르미타주 박물관 (상트페테르부르크)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1670s 동안: 이 페이지의 총 15점의 작품 중 4점이 해당 시기에 제작되었으며, 그중 Landscape with a Storm점입니다.
이 페이지에서 가장 오래된 작품은 Stormy Sea with Stranded Merchant Ship (1670)이며, 가장 최근 작품은 Landscape with Shepherds in a Storm (1695)입니다.
이 페이지의 15점의 작품에 걸쳐 있는 Clouds (8), River (4) 및 Water (4)
이 페이지의 총 15점의 작품 중 5점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Baroque
Landscape with Shepherdess and Flock, A Sea Storm with Ships 및 A Sea Storm with Ships: 빈 미술사 박물관, 빈은(는) 이 페이지에 있는 작품 중 4점을 소장하고 있습니다.
In the annals of the Dutch Golden Age, few names evoke as much dramatic tension and atmospheric intrigue as Pietro Mulier Il Giovane. Known widely by his evocative moniker, Cavalier Tempesta, this painter possessed a singular ability to capture the raw, unbridified power of nature. Born in Haarlem, Netherlands, he was the son and student of Pieter Mulier the Elder, inheriting a legacy of maritime skill that he would eventually transform into something far more tempestuous and Italianate. His life was a journey across the great artistic hubs of Europe, moving from the industrious landscapes of his Dutch roots to the sun-drenched, yet often turbulent, territories of the Papal States.
The trajectory of Mulier’s life was as dramatic as the sea storms he so famously depicted. After establishing himself in Rome, where he even decorated a room in the prestigious Palazzo Colonna, his path led him through Genoa and eventually to northern Italy. His time in Genoa was marked by profound personal hardship; he endured sixteen years of imprisonment following the death of his wife, a period of isolation that perhaps deepened the emotional intensity found within his brushwork. It was only after the bombardment of Genoa in 1684 that he found himself free to flee toward Parma, where he spent his final years painting with a legendary, almost surreal dedication, reportedly using two eyeglasses placed one in front of the other to maintain his vision.
The artistry of Cavalier Tempesta is defined by a seamless fusion of Northern precision and Southern drama. While his foundations were rooted in the Dutch tradition, his work blossomed into a distinct style of Italianate landscapes that resonated with the aesthetic sensibilities of the Mediterranean. He was particularly renowned for his ability to render the chaotic energy of marine scenes—sea storms that seemed to surge from the canvas, threatening to overwhelm the viewer. This mastery of movement and light allowed him to specialize in subjects that were both terrifying and beautiful, capturing the fleeting moment when a calm sea turns into a churning vortex.
Beyond the maritime realm, Mulier’s versatility extended to other captivating themes:
His historical significance lies in this unique synthesis. By bridging the gap between the meticulous observation of the Dutch masters and the theatricality of the Italian landscape tradition, he created a body of work that remains a testament to the interconnectedness of European art during the seventeenth century. Through his turbulent skies and restless seas, Pietro Mulier Il Giovane left an indelible mark on the history of landscape painting, ensuring that the name Tempesta would forever be synonymous with the sublime power of the natural world.
