11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 134점의 필리프 드 샹파뉴 작품 (당사 카탈로그 기준)
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갤러리가 선정한 필리프 드 샹파뉴의 가장 유명한 작품은 최후의 만찬, '작은 만찬'으로 알려진 (1652)이며, 원작은 파리의 루브르 박물관에 전시되어 있습니다. The Échevins of the City of Paris (1648)와 Portrait of Omer Talon (1649)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 필리프 드 샹파뉴의 작품 134점 중, 갤러리는 가장 유명한 100점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
친밀하게는 작은 만찬이라 불리는 필리프 드 샹파뉴의 최후의 만찬 앞에 선다는 것은, 신성한 계시와 심오한 인간적 드라마 사이, 그 정지된 순간 속으로 직접 걸어 들어가는 것과 같습니다. 1652년에 제작된 이 캔버스에 유채 작품은 단순한 묘사를 넘어, 역사 그 자체가 숨을 죽인 찰나의 순간을 포착해 냅니다. 길고 화려하게 꾸며진 식탁을 중심으로 펼쳐지는 이 장면 속에서, 예수 그리스도는 열두 사도와 함께 빵과 포도주를 나누고 있습니다. 이는 기념비적인 의미로 격상된 친밀한 모임이며, 관람객으로…
To stand before The Échevins of the City of Paris is to step directly into the richly textured, hallowed atmosphere of 17th-century Parisian civic life. This monumental canvas by Philippe de Champaigne is far more than a mere portrait of dignitaries; it is a meticulously composed tableau vivant, capturing a moment charged with solemn ritual and profound institutional weight. The scene unfolds within an architectural embrace—suggested by the stately columns…
A Portrait Steeped in Tradition: Omer Talon by Philippe de Champaigne The painting “Portrait of Omer Talon,” executed in 1649 by Philippe de Champaigne, stands as a testament to the enduring influence of Flemish Baroque artistry within the burgeoning artistic fervor of Louis XIV’s France. Born in Brussels in 1602, Champaigne honed his skills under Jacques Fouquieres, absorbing foundational landscape techniques that would later inform his masterful compositions. His subsequent…
In the grand tapestry of the seventeenth century, few images capture the intersection of political intellect and artistic majesty as profoundly as Philippe de Champaigne’s Portrait of Jean-Bapiste Colbert. Painted in 1655, this work is far more than a mere likeness of the man who would become the architect of France's economic golden age; it is a psychological study of authority. As the first Minister of Finance under King Louis…
The Portrait of Cardinal Richelieu by Philippe de Champaigne captures a man of immense gravity. Created about 1640, this oil on canvas presents the subject in a moment of stillness. The figure is Cardinal Richelieu, a man whose influence shaped the very foundations of France. He stands as a pillar of ecclesiastical and political authority, his presence defined by the weight of his station.
The year 1653 finds King Charles II in a precarious state, living in exile in France following the English Civil War. This portrait captures the monarch not in the comfort of a palace, but amidst the tension of political displacement. He is rendered in a typical French cuirassier's armor, a style intended for cavalry that likely arrived as a gift when he was an infant. The metal reflects a sense…
To stand before an image like Philippe de Champaigne’s Annunciation is to step across the threshold of time and into a moment suspended by divine grace. Painted in 1644, this oil on canvas masterpiece transcends mere depiction; it captures the very breath of revelation. The scene unfolds with breathtaking clarity: two celestial figures—angels—presenting sacred tidings to a woman, all bathed in an ethereal light that seems to emanate from the…
Philippe de Champaigne’s “The Annunciation,” completed around 1644, stands as a cornerstone of French Baroque art—a testament to the artistic fervor that gripped Europe during Louis XIII's reign. More than just a depiction of biblical narrative, it embodies the intellectual currents of Jansenism, a theological movement advocating for strict moral discipline and emphasizing God’s grace as paramount to salvation.
The air hangs heavy with the weight of a sudden, violent silence. In this vast, atmospheric landscape, the earth itself seems to recoil from the tragedy unfolding upon its rugged surface. The lifeless body of Abel lies in the foreground, a pale and still center to a storm of human grief. Around him, the composition pulls the eye through a sequence of mourning, moving from the slumped, broken forms of…
The scene captures a sudden, violent rupture in monastic stillness. Within an octagonal frame, a seated monk, St. Benedict, sits in profile, draped in heavy black robes. He holds an open book and gestures upward, a thin, glowing halo marking his sanctity. To his right, a group of standing monks reacts with visible shock; one raises a hand in a startled gesture. On the wooden floor, a broken ceramic cup…
Portrait of an Alderman of the City of Paris1650 · Walters Art Museum
12
Unknown man, formerly known as Montague Bertie, 2nd Earl of Lindsey1660 · National Portrait Gallery
13
Lamentation of Abel1656 · 빈 미술사 박물관
14
Portrait of a man in official robes1668 · Staatliche Kunsthalle Karlsruhe
15
King Louis XIII1655 · 프라도 미술관
16
Madonna and Child1635 · 바이에른 주립 회화 컬렉션
17
The abbé de Saint-Cyran1649 · 월리스 컬렉션
18
The Virgin Mary1650 · 포그 미술관
19
Louis XIII, 1601 - 1643. King of France1650 · 스코틀랜드 국립 초상화 갤러리
20
Portrait of Francois Lotin de Charny1647 · 스코틀랜드 국립 미술관
21
Antoine Singlin1646 · J. 폴 게티 미술관
22
St Bruno1655 · 국립 미술관
23
The Presentation of the Virgin in the Temple
24
Saint Jerome in the Wilderness
25
Louis XIII (1601-1643)1625
26
The Immortal Glory of Richelieu1635
27
Portrait of artist's wife Charlotte Duchesne1630 · Moravian Gallery in Brno
28
The assumption of the Virgin1630
29
Saint Arsenius Leaving the World1633 · 휴스턴 미술관
30
Louis XIII, King of France (1610-43)1630 · 로열 컬렉션
31
Armand, Cardinal Richelieu (1585-1642)1633 · 로열 컬렉션
32
Cephalus and Procris in a Landscape1630
33
Child with a Falcon1637
34
Presentation of the Virgin in the Temple1638
35
Nativity of the Virgin1637
36
Portrait of Jean Duvergier de Hauranne, Abbot of Saint-Cyran1647 · Musée de Grenoble
37
St Veronica's Veil1640 · Brighton Museum & Art Gallery
38
The Adoration of the Shepherds1640 · Portland Art Museum
39
The Visitation1643 · Art Museum
40
The Vision of Saint Juliana of Mont Cornillon1645 · Barber Institute of Fine Arts
41
Saint Jerome1648 · 신시내티 미술관
42
Two musician angels1648
43
Armand-Jean du Plessis, cardinal de Richelieu1640
44
Adoration of the Shepherds1647 · Musée d'art et d'histoire de Narbonne
45
The Visitation1645
46
Paphnuce Liberating Thaïs1656
47
Translation of the bodies of Saint Gervais and Saint Protais1661
48
Mother Angélique Arnauld (1591-1661), Abbess of Port-Royal1654
49
Saint Philip the Apostle1649
50
Little Girl with Joined Hands1650
51
Christ on the Cross1650
52
Portrait of Two Men1656
53
The Virgin of Sorrows1650
54
Portrait of Monseigneur Pierre de Bertier (1608-1674)1650 · Musée Ingres Bourdelle
55
Joan of Arc1650
56
Louis XIV on the day after his coronation, receiving the oath of his brother Monsieur, Duke of Anjou, as Knight of the Order of the Holy Spirit at Reims, June 8, 16541650 · Musée de Grenoble
57
Saint Gervais and Saint Protais Appearing to Saint Ambrose1657
58
The Assumption of the Virgin1656 · Musée des Beaux-Arts de Marseille
59
The Ecstasy of Saint Mary Magdalene1656 · Musée des Beaux-Arts de Marseille
60
Portrait of Germain Piètre, Procurator of the Ville de Paris (1641-1654)1654 · 카르나발레 박물관
61
Scene from the Life of Saint Benedict: the Angel Pointing Out to Saint Benedict the Site of the Monastery of Monte Cassino1656 · 카르나발레 박물관
62
The Dream of St. Joseph1650 · 쿠바 국립 미술관
63
Claude de Bullion (c.1580-1640)1657 · Knole House
64
Christ on the Mount of Olives1650 · Musée des Beaux-Arts
65
Jean-Antoine de Mesmes, president of Paris'Parliament.1653
66
Jean-Baptiste Colbert1650 · Musée des Beaux-Arts
67
Portrait of a Dead Child1650 · Musée des Beaux-Arts et d'Archéologie
68
Kardinal Mazarin (1602-1661)1650 · 독일 역사 박물관
69
Portrait of Jean de Thevenot1660 · 헨리 E. 헌팅턴 도서관
70
Ecce Homo (behold the man)1655
71
Portrait of the children of Habert de Montmor1649 · Musée des Beaux-Arts
72
Christ on the Cross1674
73
The Annunciation1644 · 메트로폴리탄 미술관
74
Portrait of the Artist's Wife1628 · Bowes Museum
75
Portrait of an Échevin of Paris, half-length1654 · 톨레도 미술관
76
Cardinal Mazarin1650 · 콩데 미술관
77
Louis XIV with his mother and brother1650 · 함부르크 미술관
78
Portrait of a Man1650 · 루브르 박물관
79
Portrait of Robert Arnauld d'Andilly1667 · 루브르 박물관
80
The Dead Christ on the Cross1654 · 톨레도 미술관
81
The Marriage of the Virgin1644 · 월리스 컬렉션
82
Moses with the Ten Commandments1648 · 에르미타주 박물관
83
Portrait of Jacobus Govaerts (b. 1635/36)1665 · Mauritshuis
84
Self-Portrait하버드 미술관
85
Sts Gervase abd Protase Appearing to St Ambrose1658 · 루브르 박물관
86
The Miracles of the Penitent St Mary1656 · 루브르 박물관
87
Portrait of Bishop Jean-Pierre Camus1643 · Museum voor Schone Kunsten
88
The Vow of Louis XIII1637 · Musée des Beaux-Arts
89
Moses Presenting the Tablets of the Law1648 · Milwaukee Art Museum
90
King Charles II of England (1630-1685)바이에른 주립 회화 컬렉션
91
The Presentation of the Temple1648 · Musées Royaux des Beaux-Arts
92
Vincent Voiture as St. Louis세인트루이스 미술관
93
Christ on the Cross1829
94
The Adoration of the Shepherds월리스 컬렉션
95
Henri de la Tour d'Auvergne-Bouillon, Viscount of Turenne
96
Portrait of a manNational Art Museum of Azerbaijan
97
The Holy Family with a Sparrow
98
Reverend Father Giovanni Antonio Philippini보스턴 미술관
99
portrait of a young man
100
Portrait of a Man with a DogNew York Historical Society
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 필리프 드 샹파뉴의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 루브르 박물관 |
파리 | 9 | 최후의 만찬, '작은 만찬'으로 알려진, The Échevins of the City of Paris, Portrait of a Man |
 월리스 컬렉션 |
런던 | 4 | The Annunciation, The abbé de Saint-Cyran, The Marriage of the Virgin |
 Musée de Grenoble |
그르노블 | 4 | Portrait of Jean Duvergier de Hauranne, Abbot of Saint-Cyran, Louis XIV on the day after his coronation, receiving the oath of his brother Monsieur, Duke of Anjou, as Knight of the Order of the Holy Spirit at Reims, June 8, 1654 |
 메트로폴리탄 미술관 |
뉴욕 | 2 | Jean-Baptiste Colbert (1619–1683), The Annunciation |
 빈 미술사 박물관 |
빈 | 2 | Lamentation of Abel, Lamentation of Abel |
 에르미타주 박물관 |
상트페테르부르크 | 2 | Scene from the Life of St Benedict. The Poisoned Cup of Wine, Moses with the Ten Commandments |
 바이에른 주립 회화 컬렉션 |
뮌헨 | 2 | Madonna and Child, King Charles II of England (1630-1685) |
 로열 컬렉션 |
런던 | 2 | Louis XIII, King of France (1610-43), Armand, Cardinal Richelieu (1585-1642) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this formal state portrait, we encounter King Louis XIII seated upon an ornate throne, a figure of quiet authority amidst the heavy shadows of the Baroque era. The composition is deliberate, placing the monarch slightly off-center to create a sense of movement within a rigid, ceremonial structure. He is draped in a mantle of deep blue, patterned with the fleur-de-lis, which contrasts sharply against the brilliant white of the…
In this 1635 oil on canvas, we find ourselves drawn into a private, hushed moment between a mother and her child. The composition is tight, focusing on the upper bodies of the figures to create an immediate sense of closeness. A dark, minimalist background pushes the subjects toward us, ensuring that nothing distracts from the central connection. The Virgin is draped in a deep crimson red gown with a blue…
To stand before The Échevins of the City of Paris is to step directly into the richly textured, hallowed atmosphere of 17th-century Parisian civic life. This monumental canvas by Philippe de Champaigne is far more than a mere portrait of dignitaries; it is a meticulously composed tableau vivant, capturing a moment charged with solemn ritual and profound institutional weight. The scene unfolds within an architectural embrace—suggested by the stately columns…
친밀하게는 작은 만찬이라 불리는 필리프 드 샹파뉴의 최후의 만찬 앞에 선다는 것은, 신성한 계시와 심오한 인간적 드라마 사이, 그 정지된 순간 속으로 직접 걸어 들어가는 것과 같습니다. 1652년에 제작된 이 캔버스에 유채 작품은 단순한 묘사를 넘어, 역사 그 자체가 숨을 죽인 찰나의 순간을 포착해 냅니다. 길고 화려하게 꾸며진 식탁을 중심으로 펼쳐지는 이 장면 속에서, 예수 그리스도는 열두 사도와 함께 빵과 포도주를 나누고 있습니다. 이는 기념비적인 의미로 격상된 친밀한 모임이며, 관람객으로…
A middle-aged man gazes directly from an oval composition, his expression calm and dignified. He possesses long, wavy brown hair and a mustache, framed by a dark, nearly black background that creates immediate depth. The lighting is concentrated on the subject's face and the intricate white lace of his collar, pulling the viewer into an intimate connection with the sitter. This focused illumination highlights the smoothness of the skin and…
The painting titled Christ on the Cross is an oil on canvas work by the artist Philippe de Champaigne. This piece belongs to the Baroque period and focuses on religious iconography. The subject matter centers on the Crucifixion, a central theme in Christian art. Through the depiction of the figure on the cross, the work addresses the themes of suffering and sacrifice.
최후의 만찬, '작은 만찬'으로 알려진 (1652), 루브르 박물관, 파리. 다음은 The Échevins of the City of Paris (1648)와 Portrait of Omer Talon (1649)입니다.
50세: 최후의 만찬, '작은 만찬'으로 알려진은(는) 1652년 작품이며, 필리프 드 샹파뉴은(는) 1602년에 태어났습니다.
최후의 만찬, '작은 만찬'으로 알려진, The Échevins of the City of Paris, Portrait of Omer Talon, Jean-Baptiste Colbert (1619–1683), Portrait of Cardinal Richelieu, Portrait of King Charles II of England, Annunciation, The Annunciation, Lamentation of Abel 및 Scene from the Life of St Benedict. The Poisoned Cup of Wine. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1625년부터 1674년 사이의 필리프 드 샹파뉴 작가의 작품 134점이 수록되어 있습니다.
대부분 루브르 박물관 (파리), 월리스 컬렉션 (런던) 및 Musée de Grenoble (그르노블)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1650s 동안: 이 페이지의 총 100점의 작품 중 39점이 해당 시기에 제작되었으며, 그중 최후의 만찬, '작은 만찬'으로 알려진점입니다.
이 페이지에서 가장 오래된 작품은 Louis XIII (1601-1643) (1625)이며, 가장 최근 작품은 Christ on the Cross (1674)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Man (45), Woman (24) 및 Dark background (18)
이 페이지의 총 100점의 작품 중 63점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Baroque
최후의 만찬, '작은 만찬'으로 알려진, The Échevins of the City of Paris 및 Portrait of a Man: 루브르 박물관, 파리은(는) 이 페이지에 있는 작품 중 6점을 소장하고 있습니다.
