11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 156점의 오스왈드 버클리 작품 (당사 카탈로그 기준)
요약하자면
오스왈드 버클리가 남긴 모든 원작 중 가장 유명한 작품은 런던의 Courtauld Gallery에 소장된 Sir Robert Witt (1931)입니다. 그 뒤를 이어 Sir John Edwin Mitchell (1863–1931), OBE (1930)와 Ernest Rutherford (1871–1937) (1932)가 뒤를 잇습니다. 오스왈드 버클리의 작품 156점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 100점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
This oil on canvas, titled Sir Robert Witt, was executed by the artist Oswald Birley in 1931. The portrait depicts a man seated in a formal manner, presented with a quiet dignity. The subject of the work was a successful lawyer and art historian who maintained a significant presence in the study of visual history.
In the quiet, commanding presence of Sir John Edwin Mitchell, one encounters the very essence of judicial authority and Edwardian gravitas. Painted in 1930, this portrait offers a profound window into a bygone era of legal prestige. The composition is masterfully centered, utilizing a classic three-quarter pose that invites the viewer into an intimate yet respectful encounter with the subject. As the eye meets the elderly man’s gaze, there is…
The oil on canvas depicts Ernest Rutherford, a man with graying hair and a mustache, presented in a formal academic setting. He is dressed in a black robe over a white shirt and a black tie. The subject is positioned centrally against a dark, muted background. A hint of a window appears on the right side of the frame, providing a subtle source of light that defines the contours of…
The subject is seated at a desk, his hands folded in a gesture of stillness. He wears the crimson robes of a Doctor of Civil Law, which contrast with the darker tones of his formal suit and tie. A pair of spectacles rests upon his face, and a well-groomed mustache sits above his mouth. The skin of his face shows the lines of age. In the background, the room contains…
The painting depicts a man in naval uniform seated at a desk. He is positioned in a way that suggests he is engaged in administrative or strategic work, with various papers spread before him. The subject wears a tie and a formal jacket, consistent with the attire of a high-ranking naval officer. His gaze is directed toward the documents, capturing a moment of quiet concentration. The lighting defines the contours…
In this 1905 portrait, we find ourselves in the presence of John Lancaster. He is seated in an ornate chair, his upper body filling the frame with a quiet, commanding presence. The composition is centered, drawing the eye immediately to the man himself, while the background remains dark and indistinct. This lack of environmental detail ensures that nothing distracts from the subject's steady, composed demeanor. He sits at a slight…
The room feels heavy with the silence of a courtroom, held within the stillness of this 1914 oil painting. Sir Ellis Jones Griffiths sits anchored in his chair, a figure of profound authority draped in the stark black of his judicial robe. A white wig, detailed with delicate frills, rests upon his head, framing a face that carries the deep lines of experience and the gravity of his station. The…
In this somber oil portrait, we encounter Mrs. Henry E. Huntington (Arabella Duvall Yarrow Huntington Huntington). The subject sits with a quiet, heavy dignity, her presence defined by the weight of her mourning attire. A dark veil rests upon her, partially obscuring her features, while dark beaded necklaces hang against her clothing. Every detail of her dress speaks to a period of profound loss and formal remembrance.
This formal portrait painting by Oswald Birley depicts Joseph E. Widener. Created about 1928, the work presents the subject in a three-quarter view. Widener was an American Thoroughbred horse race owner and breeder who managed the family estate and was a member of the wealthy Widener family. He was also a prominent figure in the Jockey Club and a significant art collector who donated over 2,000 works of art to…
In this masterful oil portrait from 1932, Sir Oswald Birley captures more than just a likeness; he preserves the very essence of intellectual triumph. The subject, Ernest Rutherford, Lord Rutherford of Nelson, stands as a monumental figure of the twentieth century, rendered with a dignity that transcends the mere physical form. As the Cavendish Professor, Rutherford was a titan of physics, and Birley utilizes a traditional studio portrait style to…
Hastings Rashdall (1858–1924)1923 · New College
12
Andrew W. Mellon1933
13
Geoffrey Luttrell (1887–1957)1929 · Dunster Castle
14
Portrait of a Rhodes Trustee1929 · The Rhodes Trust
15
John Viscount Sankey1929 · Jesus College
16
Sir Thomas Kelly, Lord Provost of Glasgow (1929–1932)1932
17
John Sampson Furley (1855–1949), Mayor of Winchester1938
18
Diana Langton, Lady Montgomery-Massingberd (1872 -1963)1943
19
Field-Marshal Sir Archibald Montgomery-Massingberd GCB, GCVO, KCMG (1871-1947)1943
20
Air Marshal Sir Richard Peirse (1892–1970), KCB, DSO, AFC1940
21
Marye Frances Pole Carew (b. 1903)1947 · Antony House
22
Cynthia Mary Burns, Lady Carew Pole (d.1977)1945 · Antony House
23
Admiral of the Fleet Sir James Somerville (1882–1949), GCB1947
24
Admiral of the Fleet Viscount Cunningham (1883–1963)1947
25
Sir Charles Wright (1876–1950)1944
26
Viscount Bledisloe of Lydney (1867–1958), Governor General of New Zealand, Former Student and Chairman of Governors (1919–1922)1946
27
Right Honourable Edward William Spencer (1895–1950), 10th Duke of Devonshire1950 · The Library And Museum of Freemasonry
28
Sydney George Holland (1855–1931), 2nd Viscount Knutsford, Chairman of The London Hospital (1896–1914)1914 · Royal London Hospital
29
Colonel Charles Harold Tetley, DSO, TD, MA, LLD, DL, Pro Chancellor of the University of Leeds (1926–1946)1943 · The Stanley - Audrey Burton Gallery
30
William Francis Victor Bonney (1872–1953)1926
31
Henry Richard Lloyd Howard of Wigfair (1853–1922), CB1900
32
Admiral Sir Arthur J. Power (1889–1960)
33
Colonel Richard Prescott Decie (d.1927), on Retirement from the County Council1910
34
General the Lord Rawlinson (1864–1925), Commandant, Staff College (1905–1906) (copy of an earlier painting)1906
35
Field Marshal Sir Henry Wilson (1864–1922), Bt, GCB, DSO벨파스트 시청
36
Annie Allen Cunard (1863–1944), Lady WenlockNational Trust
37
Charles Lupton (1855–1935), Chairman of the Leeds General Infirmary (1900–1921), Lord Mayor of Leeds (1915–1916), Deputy Lieutenant of the West Riding, Yorkshire (1918)Leeds Art Gallery
38
The Spanish Plume1912
39
Rufus Isaacs (1860–1935)1914 · Reading Museum - Town Hall
40
Sir William Ffoulkes (1847–1912), Bt1912
41
HM King George V (1865–1936)1935 · The Fusilier Museum London
42
J. Bowan Jones1922 · Ludlow Museum Resource Centre
43
Glyn Warren Philpot1920 · National Portrait Gallery
44
Sir Gerald Kelly1920 · National Portrait Gallery
45
The Right Honourable Cecil John Rhodes (1853–1902)1922 · County Hall
46
George V (1865–1936)1928
47
Major General Ivor Herbert (1851–1933), 1st Baron Treowen1928
48
Llewellyn Lloyd Mostyn (1856–1952), 3rd Baron Mostyn1928
49
James Herbert Benyon (1849–1935)1928 · The University of Reading
50
Alfred Thomas (1840–1927), 1st Lord Pontypridd1927
51
Henry Campbell Bruce (1851–1929), 2nd Baron Aberdare1928
52
Bernard Moore (1850–1935)1924
53
George Blackall Simonds (1843–1929)1927 · Reading Museum - Town Hall
54
General Lord Rawlinson of Trent (1864–1925), GCB, GCSI, GCVO, KCMG1925
55
The Right Honourable Ailwyn Edward Fellowes (1855–1924), First Baron Ailwyn of Honingham1924
56
Cara Leyland Rogers (1867–1939), Lady Fairhaven1925 · National Trust
57
Huttleston Rogers Broughton (1896–1966), 1st Lord Fairhaven, in the Ceremonial Uniform of the 1st Life Guards1925 · National Trust
58
Sir John Moore (1761–1809), KB1927
59
Lieutenant Colonel George Augustus Anson (b.1857), CBE1930 · Staffordshire County Buildings
60
Lieutenant Colonel, Henry Gilbert Ralph Nevill, 3rd Marquess of Abergavenny (1854 – 1938)1930
61
Sir James Colquhoun Irvine (1877–1952)1933
62
Lloyd Kenyon (1864–1927), 4th Baron Kenyon1931
63
Lord Wakefield1932
64
Henry Nevill (1854–1938), 3rd Marquess of Abergavenney1930
65
Lieutenant General Sir Hastings Anderson (1872–1930), Commandant, Staff College (1919–1922)1931
66
Sir Arthur Churchman (1867–1949), Lord Woodbridge1929
67
Ivor Windsor Clive (1889–1943), 2nd Earl of Plymouth1933
68
Urban Hanlon Broughton (1857–1929)1931 · National Trust
69
Samuel Howard Whitbread (1858–1944), MP, CB, LL1930 · Bedford Magistrates' Court
70
Haywood Lonsdale (d.1976)1931 · Ludlow Museum Resource Centre
71
John Simon, Viscount Simon (1873–1954), Lord Chancellor1933
72
Sir William Reardon Smith (1856–1935)1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
73
Sir Joseph Priestly, KC, Chairman of the County Council (1930–1939)1929 · County Hall
74
Lady Ellen Reardon Smith (1857–1939)1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
75
Louis Carnac Rivett, Esq. (1888–1947), MA, MC, FRCS, MCOG1933 · Royal College of Obstetricians And Gynaecologists
76
William Ewert Berry, 1st Viscount Camrose1933
77
Lieutenant General Sir Thomas Snow (1858–1940), KCB, KCMG1931
78
Lieutenant Colonel Ralph Charles Donaldson Hudson (1874–1941)1929 · Ludlow Museum Resource Centre
79
King George V1933
80
Frederick Edwin Smith, 1st Earl of Birkenhead (replica of an original of c.1922 by the artist)1932
81
John Reith (1889–1971), 1st Baron Reith of Stonehaven, Director General of the British Broadcasting Corporation1933
82
Colonel Charles Elton Longmore (d.1930), County Treasurer (1878–1894), Clerk of the Peace and Chairman of the County Council (1894–1930), Honorary Colonel 1st Hertfordshire Regiment (1921–1930)1931 · County Hall
83
John Sampson Furley (1855 - 1949)1938
84
Captain Dale1936
85
The Right Honourable Joseph Chamberlain (1836–1914), PC, MP1937
86
William Henry Abbey1935
87
Alfred Charles Leney, JP1934
88
Sir William Crundall (b.1847)1936
89
Sir Cyril Norwood1934 · 세인트 존스 칼리지
90
Courtauld Greenwood (1865–1954), Later Baron Courtauld Thomson KBE, CB1937
91
Alderman H. Astley Bell1936 · Harris Museum - Art Gallery
92
Portrait of a Man in Academic Dress1937 · Ludlow Library - Museum Resource Centre
93
Sir James Crichton Browne (1840–1938)1934 · Crichton Royal Hospital
94
Sir Thomas Barlow (1845–1945), 1st Bt1935
95
Miss Winifred Mercier (1874–1934), MA, CBE, Principal of Whitelands College (1918–1934)1938 · Whitelands College
96
Lord Hirst of Witton1934
97
Christopher Maude Chavasse (1884–1962), Founding First Master of St Peter's Hall (1928–1939)1938 · st Peter's College
98
Gordon Hewart, 1st Viscount Hewart1935
99
Diana Langton (1872–1963), Lady Montgomery Massingberd1943
100
George VI (1895–1952)1939 · Royal Veterinary College
#7 Sir Ellis Jones Griffiths (1860–1926), KC
#11 Hastings Rashdall (1858–1924)
#28 Sydney George Holland (1855–1931), 2nd Viscount Knutsford, Chairman of The London Hospital (1896–1914)
#36 Annie Allen Cunard (1863–1944), Lady Wenlock
#37 Charles Lupton (1855–1935), Chairman of the Leeds General Infirmary (1900–1921), Lord Mayor of Leeds (1915–1916), Deputy Lieutenant of the West Riding, Yorkshire (1918)
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
#11 Hastings Rashdall (1858–1924)
#16 Sir Thomas Kelly, Lord Provost of Glasgow (1929–1932)
#26 Viscount Bledisloe of Lydney (1867–1958), Governor General of New Zealand, Former Student and Chairman of Governors (1919–1922)
#28 Sydney George Holland (1855–1931), 2nd Viscount Knutsford, Chairman of The London Hospital (1896–1914)
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 오스왈드 버클리의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Ludlow Museum Resource Centre |
Ludlow | 5 | J. Bowan Jones, Haywood Lonsdale (d.1976), Lieutenant Colonel Ralph Charles Donaldson Hudson (1874–1941) |
 County Hall |
Hertford | 3 | The Right Honourable Cecil John Rhodes (1853–1902), Sir Joseph Priestly, KC, Chairman of the County Council (1930–1939), Colonel Charles Elton Longmore (d.1930), County Treasurer (1878–1894), Clerk of the Peace and Chairman of the County Council (1894–1930), Honorary Colonel 1st Hertfordshire Regiment (1921–1930) |
 National Trust |
Cambridge | 3 | Cara Leyland Rogers (1867–1939), Lady Fairhaven, Huttleston Rogers Broughton (1896–1966), 1st Lord Fairhaven, in the Ceremonial Uniform of the 1st Life Guards, Urban Hanlon Broughton (1857–1929) |
 Antony House |
4 | Marye Frances Pole Carew (b. 1903), Cynthia Mary Burns, Lady Carew Pole (d.1977) | |
 Staffordshire County Buildings |
Stoke-on-Trent | 3 | Sir John Edwin Mitchell (1863–1931), OBE, Lieutenant Colonel George Augustus Anson (b.1857), CBE |
 Reading Museum - Town Hall |
Reading | 2 | Rufus Isaacs (1860–1935), George Blackall Simonds (1843–1929) |
 National Portrait Gallery |
런던 | 2 | Glyn Warren Philpot, Sir Gerald Kelly |
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
애베리스토이쓰 | 2 | Sir William Reardon Smith (1856–1935), Lady Ellen Reardon Smith (1857–1939) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this 1905 portrait, we find ourselves in the presence of John Lancaster. He is seated in an ornate chair, his upper body filling the frame with a quiet, commanding presence. The composition is centered, drawing the eye immediately to the man himself, while the background remains dark and indistinct. This lack of environmental detail ensures that nothing distracts from the subject's steady, composed demeanor. He sits at a slight…
The room feels heavy with the silence of a courtroom, held within the stillness of this 1914 oil painting. Sir Ellis Jones Griffiths sits anchored in his chair, a figure of profound authority draped in the stark black of his judicial robe. A white wig, detailed with delicate frills, rests upon his head, framing a face that carries the deep lines of experience and the gravity of his station. The…
In this somber oil portrait, we encounter Mrs. Henry E. Huntington (Arabella Duvall Yarrow Huntington Huntington). The subject sits with a quiet, heavy dignity, her presence defined by the weight of her mourning attire. A dark veil rests upon her, partially obscuring her features, while dark beaded necklaces hang against her clothing. Every detail of her dress speaks to a period of profound loss and formal remembrance.
This oil on canvas, titled Sir Robert Witt, was executed by the artist Oswald Birley in 1931. The portrait depicts a man seated in a formal manner, presented with a quiet dignity. The subject of the work was a successful lawyer and art historian who maintained a significant presence in the study of visual history.
The subject is seated at a desk, his hands folded in a gesture of stillness. He wears the crimson robes of a Doctor of Civil Law, which contrast with the darker tones of his formal suit and tie. A pair of spectacles rests upon his face, and a well-groomed mustache sits above his mouth. The skin of his face shows the lines of age. In the background, the room contains…
The subject of this oil on canvas is the Right Honourable Edward William Spencer, the 10th Duke of Devonshire. He is depicted as an elderly man, positioned slightly off-center to the right of the frame. He wears ceremonial robes that suggest a high-ranking position or membership in an esteemed order. These garments feature heavy folds and textures rendered in shades of white, cream, and grey, accented by touches of red…
Sir Robert Witt (1931), Courtauld Gallery, 런던. 다음은 Sir John Edwin Mitchell (1863–1931), OBE (1930)와 Ernest Rutherford (1871–1937) (1932)입니다.
51세: Sir Robert Witt은(는) 1931년 작품이며, 오스왈드 버클리은(는) 1880년에 태어났습니다.
Sir Robert Witt, Sir John Edwin Mitchell (1863–1931), OBE, Ernest Rutherford (1871–1937), Clement Attlee (1883–1967), 1st Earl Attlee, Wearing DCL Robes, Commoner, Prime Minister (1945–1951), Admiral Sir Bertram Ramsay (1883–1945), KCB, John Lancaster (1842–1918), Sir Ellis Jones Griffiths (1860–1926), KC, Mrs. Henry E. Huntington (Arabella Duvall Yarrow Huntington Huntington), Joseph E. Widener 및 Ernest Rutherford, Lord Rutherford of Nelson (1871–1937), Cavendish Professor (1919–1937). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1900년부터 1950년 사이의 오스왈드 버클리 작가의 작품 156점이 수록되어 있습니다.
대부분 Ludlow Museum Resource Centre (Ludlow), County Hall (Hertford) 및 National Trust (Cambridge)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1930s 동안: 이 페이지의 총 100점의 작품 중 46점이 해당 시기에 제작되었으며, 그중 Sir Robert Witt점입니다.
이 페이지에서 가장 오래된 작품은 Henry Richard Lloyd Howard of Wigfair (1853–1922), CB (1900)이며, 가장 최근 작품은 Right Honourable Edward William Spencer (1895–1950), 10th Duke of Devonshire (1950)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Portrait (14), Man (13) 및 Portraiture (7)
이 페이지의 총 100점의 작품 중 24점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Contemporary realism
J. Bowan Jones, Haywood Lonsdale (d.1976) 및 Lieutenant Colonel Ralph Charles Donaldson Hudson (1874–1941): Ludlow Museum Resource Centre, Ludlow은(는) 이 페이지에 있는 작품 중 3점을 소장하고 있습니다.
서 오스왈드 혼비 조셉 버클은 영국 초상화 역사에 있어 기념비적인 인물로, 그의 붓끝은 격변과 장엄함으로 정의되는 한 시대의 정수를 포착해냈습니다. 1880년 3월 31일, 역사적 무게감을 지닌 인물인 아버지 휴 프랜시스 버클의 가문에서 태어난 버클의 유년기는 영국 상류층의 절제된 전통 속에서 형성되었습니다. 해로 스쿨과 케임바리지 트리니티 칼리지에서의 시절은 그에게 단순한 엘리트 교육 그 이상을 선사했습니다. 그는 이곳에서 고전 학문에 대한 깊은 조예와 세밀한 관찰력을 길러냈으며, 이는 훗날 그의 예술적 숙련도를 상징하는 독보적인 특징이 되었습니다. 이러한 지적 토대는 그가 초상화를 단순한 기술적 연습이 아닌, 피사체의 내면을 탐구하는 깊은 심리적 여정으로 접근할 수 있게 해주었습니다.
버클의 삶의 궤적은 제1차 세계 대전의 발발과 함께 돌이킬 수 없을 정도로 변화했습니다. 로열 퓨질리어스 부대와 이후 정보 부대에서 보여준 탁월한 복무는 그의 용기를 증명하였고, 그는 1919년 무공 훈장(Military Cross)을 수여받았습니다. 격동의 전쟁과 군 복무 경험은 그의 인격에 독특한 깊이를 더해주었으며, 이후 그의 작품 속에 인간의 회복 탄력성, 리더십, 그리고 책임감의 무게를 투영하는 밑거름이 되었습니다. 전쟁의 그림자와 정보 부대에서의 엄중한 경험은 세계적인 영향력을 가진 인물들을 묘사할 때 나타나는 섬세하고 영혼 어린 사실주의에 기여하였으며, 이를 통해 그는 명성의 표면 너머에 숨겨진 인간성을 발견해낼 수 있었습니다.
버클이 예술계의 정점에 오르게 된 결정적인 계기는 영국 왕실과의 특별한 관계였습니다. 국왕 조지 숭배와 메리 왕비의 후원을 받으며, 그는 에드워드 시대와 전간기(interwar period)를 기록하는 가장 독보적인 연대기 작가가 되었습니다. 빛을 다루는 정교한 통제력, 섬세한 명암의 변화, 그리고 질감에 대한 치밀한 집중력을 특징으로 하는 그의 화풍은 왕실의 예복을 숨 막힐 듯 정확하게 재현하는 동시에 피사체의 영혼과 친밀하게 교감하게 했습니다. 그는 단순히 왕관과 담비 모피를 그린 것이 아니라, 군주제가 지닌 품격과 그 무게를 그려냈습니다.
궁궐의 담장을 넘어 버클의 예술적 영향력은 진정으로 세계적인 수준에 도달했습니다. 그의 재능은 20세기의 가장 중요한 지도자들을 매료시켰으며, 그의 포트폴리큐는 다음과 같은 상징적인 인물들의 모습을 담은 역사의 시각적 기록 역할을 합니다:
귀족 사회의 화려한 배경과 정치적 혁명가들의 거칠고 강력한 존재감 사이를 자유자재로 넘나드는 그의 능력은 다재다능한 천재성을 보여줍니다. 그의 작품 속에서 실크와 벨벳의 질감은 피사체의 시선이 담고 있는 가공되지 않은 심리적 강렬함과 균형을 이루며, 구도를 넘어 인물의 성격 그 자체를 드러내는 예술 세계를 구축합니다.
서 오스왈드 버클이 지닌 영속적인 가치는 전통적인 아카데믹 초상화와 보다 현대적인 심리적 사실주의 사이의 간극을 메운 능력에 있습니다. 그의 기법은 세밀한 묘사와 형식적 우아함이라는 고전적 전통에 뿌리를 두고 있었지만, 피사체의 내면 세계에 집중한 그의 시선은 후대 초상화가들이 보여준 정서적 깊이를 앞서가는 것이었습니다. 그는 빛을 단순히 형태를 정의하는 도구가 아니라, 분위기와 역사적 무게감을 암시하는 수단으로 사용하는 보기 드문 능력을 갖추고 있었습니다. 그의 모든 붓터치는 의도적이었으며, 이는 영원성과 기억의 분위기를 조성하는 데 기여했습니다.
그의 삶과 작품을 되돌아볼 때, 버클은 단순한 엘리트 화가 그 이상으로 남습니다. 그는 인간의 얼굴을 기록한 역사학자였습니다. 그의 초상화는 사라진 세계를 들여다보는 창 역할을 하며, 현대사를 형성한 인물들의 모습을 보존하고 있습니다. 매체의 숙련된 통제를 통해 서 오스왈드 버클은 피사체들이 지녔던 품격과 투쟁, 그리고 승리의 기록이 예술계의 집단적 기억 속에 영원히 각인되도록 만들었습니다.
