11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 4점의 Matthijs Harings 작품 (당사 카탈로그 기준)
요약하자면
Portrait of a 42-year-old man (1630)은(는) Matthijs Harings의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 러워르던에 위치한 Fries Museum에 소장되어 있습니다. 그다음 시선은 Portrait of Rippertus Sixti ( -1651) (1631)와 Portrait of Gerlske van Amama (1645)로 향합니다. 우리 카탈로그에 수록된 Matthijs Harings의 작품 4점 중, 가장 유명한 4점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
This oil portrait, titled Portrait of a 42-year-old man, was executed by the Dutch artist Matthijs Harings. Dating to about 1630, the work captures a specific moment in the life of a sitter who possesses short dark hair, a light beard, and a mustache. The portrait offers a direct encounter with a man of the seventeenth century, rendered with the quiet dignity characteristic of the period.
In this intimate portrait, we encounter Rippertus Sixti, a man whose presence is captured with a quiet, scholarly dignity. The work, titled Portrait of Rippertus Sixti ( -1651), was executed by the Dutch Golden Age painter Matthijs Harings. It offers a direct encounter with a figure from the seventeenth century, presented within the formal constraints of an oval trompe l'oeil frame. The subject's steady gaze and instructional gesture suggest a…
This oil on panel or canvas work, titled Portrait of Gerlske van Amama, offers a quiet encounter with a woman from the mid-seventeenth century. Painted by Matthijs Harings about 1645, the portrait captures Gerlske van Amama in a moment of composed stillness. It is a formal half-length depiction that places the subject within an oval vignette, a common choice for intimate portraiture of this era.
The portrait depicts Gysbert Japicx, a man of thirty-four years. He is positioned in a frontal view, looking directly at the viewer. He wears a black suit characterized by a stark white collar that creates a sharp contrast against the dark fabric of his attire. A wig sits upon his head, and a mustache is visible on his face. The composition is framed by a gold border, which provides a…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Matthijs Harings의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Fries Museum |
러워르던 | 4 | Portrait of a 42-year-old man, Portrait of Rippertus Sixti ( -1651), Portrait of Gerlske van Amama |
16년의 긴 여정, 1630년부터 1645년까지: Matthijs Harings의 가장 유명한 원작들을 연도별로 만나보세요.
연도를 선택하여 원작을 확인해 보세요.
This oil portrait, titled Portrait of a 42-year-old man, was executed by the Dutch artist Matthijs Harings. Dating to about 1630, the work captures a specific moment in the life of a sitter who possesses short dark hair, a light beard, and a mustache. The portrait offers a direct encounter with a man of the seventeenth century, rendered with the quiet dignity characteristic of the period.
In this intimate portrait, we encounter Rippertus Sixti, a man whose presence is captured with a quiet, scholarly dignity. The work, titled Portrait of Rippertus Sixti ( -1651), was executed by the Dutch Golden Age painter Matthijs Harings. It offers a direct encounter with a figure from the seventeenth century, presented within the formal constraints of an oval trompe l'oeil frame. The subject's steady gaze and instructional gesture suggest a…
The portrait depicts Gysbert Japicx, a man of thirty-four years. He is positioned in a frontal view, looking directly at the viewer. He wears a black suit characterized by a stark white collar that creates a sharp contrast against the dark fabric of his attire. A wig sits upon his head, and a mustache is visible on his face. The composition is framed by a gold border, which provides a…
This oil on panel or canvas work, titled Portrait of Gerlske van Amama, offers a quiet encounter with a woman from the mid-seventeenth century. Painted by Matthijs Harings about 1645, the portrait captures Gerlske van Amama in a moment of composed stillness. It is a formal half-length depiction that places the subject within an oval vignette, a common choice for intimate portraiture of this era.
Portrait of a 42-year-old man (1630), Fries Museum, 러워르던. 다음은 Portrait of Rippertus Sixti ( -1651) (1631)와 Portrait of Gerlske van Amama (1645)입니다.
37세: Portrait of a 42-year-old man은(는) 1630년 작품이며, Matthijs Harings은(는) 1593년에 태어났습니다.
저희 카탈로그에는 1630년부터 1645년 사이의 Matthijs Harings 작가의 작품 4점이 수록되어 있습니다.
대부분 Fries Museum (러워르던)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
이 페이지에서 가장 오래된 작품은 Portrait of a 42-year-old man (1630)이며, 가장 최근 작품은 Portrait of Gerlske van Amama (1645)입니다.
이 페이지의 4점의 작품에 걸쳐 있는 Man (3), White collar (3) 및 Beard (2)
이 페이지의 총 4점의 작품 중 4점의 Oil
Portrait of a 42-year-old man, Portrait of Rippertus Sixti ( -1651) 및 Portrait of Gerlske van Amama: Fries Museum, 러워르던은(는) 이 페이지에 있는 작품 중 4점을 소장하고 있습니다.
In the vibrant landscape of the seventeenth-century Netherlands, Matthijs Harings emerged as a distinguished figure of the Dutch Golden Age, carving out a legacy defined by his precision and psychological depth. Born in Leeuwarden, Netherlands, Harings was more than just a painter; he was a man deeply embedded in the civic fabric of his community. His life was marked by significant responsibilities, serving as a captain of the Civic Guard, a deacon of the Reformed Church, and an alderman of Leeuwarden. This multifaceted existence provided him with a unique vantage point from which to observe the faces and characters of his era, allowing him to capture the essence of the people who shaped his world.
The artistry of Harings is most profoundly felt in his portraiture, where he demonstrated an exceptional ability to seize the subtle expressions of his subjects. While some historical accounts suggest that his works are occasionally confused with those of the renowned Wybrand de Geest, Harings maintained a distinct presence through his focus on the affluent burghers of his region. Unlike contemporaries who often sought the patronage of the high aristocracy, Harings found his inspiration in the prosperous middle class, imbuing his portraits with an intimacy and a sense of grounded reality that bridged the gap between the sitter and the viewer.
The development of Harings' technique was shaped by the rich artistic traditions of the North Netherlandish school. He is believed to have been a pupil of Wybrand de Geest, a connection that likely anchored his mastery of light and form. This lineage of training allowed him to navigate the complexities of oil on canvas and panel with remarkable skill, producing works that remain evocative centuries later. His influence extended beyond his own brush, as he also served as a teacher to artists such as Cornelis Birdama, ensuring that his approach to capturing human character would persist through subsequent generations.
The historical significance of Matthijs Harings lies in his role as a chronicler of the Frisian and Dutch identity. Through his portraits, such as the notable depiction of Gysbert Japicx, he preserved the likenesses of influential figures who contributed to the cultural richness of his time. His ability to render the textures of clothing, the weight of a gaze, and the dignity of a pose has allowed his oeuvre to remain a vital window into the social hierarchy and personal histories of the seventeenth century. Even as time passes, the works attributed to him continue to resonate with an enduring charm, reminding us of the profound human connections captured within the frames of his masterful compositions.
