11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 7점의 Louis Caravaque 작품 (당사 카탈로그 기준)
요약하자면
Louis Caravaque가 남긴 모든 원작 중 가장 유명한 작품은 모스크바의 트레티야코프 미술관에 소장된 Portrait of Elizabeth of Russia (1750)입니다. 그 뒤를 이어 Portrait of Peter the Great on his Death-Bed (1725)와 Portrait of Crown Princess Elizabeth Petrovna (1724)가 뒤를 잇습니다. Louis Caravaque의 작품 7점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 7점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
The Portrait of Elizabeth of Russia is a significant oil portrait by the French artist Louis Caravaque. Executed about 1750, this work captures the Empress Elizabeth of Russia in a formal, full-length pose. It represents a moment in the mid-18th century when Caravaque had become a central figure within the Russian imperial court, having transitioned from his origins in Marseille to the heart of the empire's political life.
A somber, dramatic oil painting captures a man in his final moments, lying in a state of unconsciousness or death. The composition centers on the subject's face, framed by a rectangular patch of dark, textured brown paint that isolates the visage from the surrounding environment. A muted palette of deep blacks, shadowy browns, and creams dominates the scene, punctuated by subtle hints of pale green and lavender. Lighting is concentrated…
The Portrait of Crown Princess Elizabeth Petrovna is an oil on canvas work by the French artist Louis Caravaque. Born in Marseille, France, Caravaque established himself within the Russian imperial court, where he became a significant figure in the development of courtly portraiture. This specific painting, executed in the 1720s, depicts the subject in her role as the future Empress of Russia, Elizabeth Petrovna. She is also identified in historical…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 4개의 미술관
| 소장 미술관 | 도시 | Louis Caravaque의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 에르미타주 박물관 |
상트페테르부르크 | 3 | Portrait of Peter the Great on his Death-Bed, Portrait of Crown Princess Elizabeth Petrovna, Battle of Poltava |
 트레티야코프 미술관 |
모스크바 | 2 | Portrait of Elizabeth of Russia, Portrait of Empress Anna Ioannovna |
 바르샤바 국립 박물관 |
바르샤바 | 1 | Portrait of Grand Duchess Anna Petrovna. |
 국립 러시아 미술관 |
상트페테르부르크 | 1 | Portrait of Tsarevna Elizabeth Petrovna in Childhood |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
A somber, dramatic oil painting captures a man in his final moments, lying in a state of unconsciousness or death. The composition centers on the subject's face, framed by a rectangular patch of dark, textured brown paint that isolates the visage from the surrounding environment. A muted palette of deep blacks, shadowy browns, and creams dominates the scene, punctuated by subtle hints of pale green and lavender. Lighting is concentrated…
The Portrait of Elizabeth of Russia is a significant oil portrait by the French artist Louis Caravaque. Executed about 1750, this work captures the Empress Elizabeth of Russia in a formal, full-length pose. It represents a moment in the mid-18th century when Caravaque had become a central figure within the Russian imperial court, having transitioned from his origins in Marseille to the heart of the empire's political life.
Portrait of Elizabeth of Russia (1750), 트레티야코프 미술관, 모스크바. 다음은 Portrait of Peter the Great on his Death-Bed (1725)와 Portrait of Crown Princess Elizabeth Petrovna (1724)입니다.
66세: Portrait of Elizabeth of Russia은(는) 1750년 작품이며, Louis Caravaque은(는) 1684년에 태어났습니다.
저희 카탈로그에는 1716년부터 1750년 사이의 Louis Caravaque 작가의 작품 7점이 수록되어 있습니다.
대부분 에르미타주 박물관 (상트페테르부르크), 트레티야코프 미술관 (모스크바) 및 바르샤바 국립 박물관 (바르샤바)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1720s 동안: 이 페이지의 총 7점의 작품 중 3점이 해당 시기에 제작되었으며, 그중 Portrait of Peter the Great on his Death-Bed점입니다.
이 페이지에서 가장 오래된 작품은 Portrait of Tsarevna Elizabeth Petrovna in Childhood (1716)이며, 가장 최근 작품은 Portrait of Elizabeth of Russia (1750)입니다.
이 페이지의 7점의 작품에 걸쳐 있는 Woman (2), Ermine fur (2) 및 Jewelry (2)
이 페이지의 총 7점의 작품 중 3점의 Oil On Canvas
Portrait of Peter the Great on his Death-Bed, Portrait of Crown Princess Elizabeth Petrovna 및 Battle of Poltava: 에르미타주 박물관, 상트페테르부르크은(는) 이 페이지에 있는 작품 중 3점을 소장하고 있습니다.
Marseilles, Provence, provides the starting point for Louis Caravaque. He is born into a family of painter-decorators, men who specialized in the practical, rugged task of painting ships from Gascony. The son follows this lineage, beginning his professional life at the Arsenal Galeries in Marseille. The trajectory shifts in 1715. In Paris, his portraits catch the eye of Peter Lefort. A contract is signed. The terms are specific: Caravaque will travel to Russia for three years to serve as a painter and to train Russian pupils.
The transition from the Mediterranean coast to the northern reaches of the Russian Empire marks a permanent change in his life. By 1716, he is in Russia, painting a portrait of Peter the Great at Astrakhan. This work is later engraved by Massard and by Langlois. He settles on Vasilyevsky Island near the Menshikov Palace, living in a house presented to him by Peter I in 1722. He moves between the imperial centers of St. Petersburg and Moscow.
The Russian court becomes his primary stage. During the reign of Anna Ioannovna, he is appointed the first painter at court. His salary reaches 2000 rubles a year. He paints her coronation portrait and participates in the decoration of the coronation celebrations. His brush captures the likenesses of the ruling elite, including Catherine I of Russia and Anna Ioannovna. He remains a fixture of the court through the reigns of Anna Leopoldovna and Elizabeth Petrovna.
His influence extends to the very image of the monarchy. He becomes the author of the official, approved image of Elizabeth as the new Empress. In May 1743, he receives a heavy responsibility: the execution of fourteen portraits of Elizabeth to be sent to Russian embassies abroad. His work spans several genres, including:
Caravaque’s presence in the Russian capital is long-lasting. He navigates the shifting political tides of the 18th century, maintaining his position as a dominant force in portrait painting. He dies in St. Petersburg on June 9, 1754. He is buried in the cemetery at St. Sampson Cathedral.
