Joseph Badger의 초상화

갤러리 엄선, 가장 유명한 Joseph Badger 작품 32선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 32점의 Joseph Badger 작품 (당사 카탈로그 기준)

요약하자면

Joseph Badger가 남긴 모든 원작 중 가장 유명한 작품은 로스앤젤레스의 로스앤젤레스 카운티 미술관에 소장된 Portrait of Sarah Larrabee Edes (1760)입니다. 그 뒤를 이어 Little Girl Holding Flowers (attributed to Joseph Badger) (1755)와 Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746)가 뒤를 잇습니다. Joseph Badger의 작품 32점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 32점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.

1708 – 1765, Charlestown 최다 소장처: 보스턴 미술관

Joseph Badger의 베스트 작품 10선: 갤러리 선정

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Portrait of Sarah Larrabee Edes (1760) 의 Joseph Badger

Portrait of Sarah Larrabee Edes

1760 · Oil On Canvas · 로스앤젤레스 카운티 미술관, 로스앤젤레스

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Joseph Badger 컬렉션이 계속됩니다, 11부터 32까지

Joseph Badger의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 Joseph Badger의 작품 이 목록의 작품들
보스턴 미술관, 보스턴보스턴 미술관 보스턴 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
국립 미술관, 워싱턴국립 미술관 워싱턴 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
Worcester Art Museum, 우스터Worcester Art Museum 우스터 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, 프로비던스Rhode Island School of Design Museum of Art 프로비던스 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
예일 대학교 미술관, 뉴헤이븐예일 대학교 미술관 뉴헤이븐 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
미니애폴리스 미술관, 미니애폴리스미니애폴리스 미술관 미니애폴리스 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, 뉴 브리튼New Britain Museum of American Art 뉴 브리튼 2 Samuel Moody, Hannah Minot Moody
로스앤젤레스 카운티 미술관, 로스앤젤레스로스앤젤레스 카운티 미술관 로스앤젤레스 1 Portrait of Sarah Larrabee Edes

Joseph Badger의 시대별 걸작: 시대를 정의하는 오리지널 작품들

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

Joseph Badger의 작품에 관한 컬렉터들의 질문

Joseph Badger의 가장 대표적인 작품은 무엇인가요?정답 확인하기

Portrait of Sarah Larrabee Edes (1760), 로스앤젤레스 카운티 미술관, 로스앤젤레스. 다음은 Little Girl Holding Flowers (attributed to Joseph Badger) (1755)와 Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746)입니다.

Portrait of Sarah Larrabee Edes이(가) 제작되었을 당시 Joseph Badger의 나이는 몇 살이었나요?정답 확인하기

52세: Portrait of Sarah Larrabee Edes은(는) 1760년 작품이며, Joseph Badger은(는) 1708년에 태어났습니다.

Joseph Badger의 가장 유명한 작품 10가지는 무엇인가요?정답 확인하기

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) 및 George Whitefield (1714-1770). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Joseph Badger 작가가 남긴 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1745년부터 1763년 사이의 Joseph Badger 작가의 작품 32점이 수록되어 있습니다.

Joseph Badger의 걸작은 어느 박물관에 전시되어 있나요?정답 확인하기

대부분 보스턴 미술관 (보스턴), 국립 미술관 (워싱턴) 및 Worcester Art Museum (우스터)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

Joseph Badger의 가장 유명한 작품들은 어느 연도에 그려졌나요?정답 확인하기

1750s 동안: 이 페이지의 총 32점의 작품 중 18점이 해당 시기에 제작되었으며, 그중 Little Girl Holding Flowers (attributed to Joseph Badger)점입니다.

Joseph Badger의 첫 번째와 마지막 유명 원작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 Portrait of John Gerry (1745)이며, 가장 최근 작품은 Portrait of Mary Croswell (1730-1830?) (1763)입니다.

보스턴 미술관에는 어떤 Joseph Badger의 작품이 전시되어 있나요?정답 확인하기

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) 및 Elizabeth Storer (Mrs. Isaac Smith): 보스턴 미술관, 보스턴은(는) 이 페이지에 있는 작품 중 5점을 소장하고 있습니다.

Joseph Badger: 생애와 작품 세계

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.