James Peter Quinn의 초상화

갤러리 엄선, 가장 유명한 James Peter Quinn 작품 13선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 15점의 James Peter Quinn 작품 (당사 카탈로그 기준)

요약하자면

James Peter Quinn가 남긴 모든 원작 중 가장 유명한 작품은 리버풀의 워커 아트 갤러리에 소장된 A Japanese Lady (1914)입니다. 그 뒤를 이어 Lillias Hamilton (1858–1925), Physician (1924)와 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910)가 뒤를 잇습니다. James Peter Quinn의 작품 15점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 13점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.

1869 – 1951, Melbourne 최다 소장처: Canadian War Museum

James Peter Quinn의 베스트 작품 10선: 갤러리 선정

1
A Japanese Lady (1914) 의 James Peter Quinn

A Japanese Lady

1914 · Oil On Canvas · 워커 아트 갤러리, 리버풀

A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.

2
Lillias Hamilton (1858–1925), Physician (1924) 의 James Peter Quinn

Lillias Hamilton (1858–1925), Physician

1924 · Oil

The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…

3
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) 의 James Peter Quinn

LIEUTENANT R.G. COMBE, THE VICTORIA CROSS

1910 · Oil · Canadian War Museum, 오타와

The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…

4
LIEUTENANT COLONEL W.A. BISHOP (1910) 의 James Peter Quinn

LIEUTENANT COLONEL W.A. BISHOP

1910 · Oil On Canvas · Canadian War Museum, 오타와

In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…

5
Major Okill Massey Learmonth (1918) 의 James Peter Quinn

Major Okill Massey Learmonth

1918 · Oil On Canvas · Canadian War Museum, 오타와

The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…

6
William Self Weeks (1934) 의 James Peter Quinn

William Self Weeks

1934 · Oil On Canvas

In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…

James Peter Quinn 컬렉션이 계속됩니다, 11부터 13까지

James Peter Quinn의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

James Peter Quinn의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 5개의 미술관

소장 미술관 도시 James Peter Quinn의 작품 이 목록의 작품들
Canadian War Museum, 오타와Canadian War Museum 오타와 3 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth
뉴사우스웨일스 주립 미술관, 시드니뉴사우스웨일스 주립 미술관 시드니 2 George Bell (artist and critic), The rendezvous
워커 아트 갤러리, 리버풀워커 아트 갤러리 리버풀 1 A Japanese Lady
Government Art Collection, 런던Government Art Collection 런던 1 Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent)
The National Trust For Scotland, 포레스The National Trust For Scotland 포레스 1 Fish Market at Étaples, France

James Peter Quinn의 시대별 걸작: 시대를 정의하는 오리지널 작품들

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

James Peter Quinn의 작품에 관한 컬렉터들의 질문

James Peter Quinn의 가장 대표적인 작품은 무엇인가요?정답 확인하기

A Japanese Lady (1914), 워커 아트 갤러리, 리버풀. 다음은 Lillias Hamilton (1858–1925), Physician (1924)와 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910)입니다.

A Japanese Lady이(가) 제작되었을 당시 James Peter Quinn의 나이는 몇 살이었나요?정답 확인하기

45세: A Japanese Lady은(는) 1914년 작품이며, James Peter Quinn은(는) 1869년에 태어났습니다.

James Peter Quinn의 가장 유명한 작품 10가지는 무엇인가요?정답 확인하기

A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) 및 Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

James Peter Quinn 작가가 남긴 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1910년부터 1939년 사이의 James Peter Quinn 작가의 작품 15점이 수록되어 있습니다.

James Peter Quinn의 걸작은 어느 박물관에 전시되어 있나요?정답 확인하기

대부분 Canadian War Museum (오타와), 뉴사우스웨일스 주립 미술관 (시드니) 및 워커 아트 갤러리 (리버풀)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

James Peter Quinn의 가장 유명한 작품들은 어느 연도에 그려졌나요?정답 확인하기

1930s 동안: 이 페이지의 총 13점의 작품 중 5점이 해당 시기에 제작되었으며, 그중 William Self Weeks점입니다.

James Peter Quinn의 첫 번째와 마지막 유명 원작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910)이며, 가장 최근 작품은 George Bell (artist and critic) (1939)입니다.

James Peter Quinn 작가가 가장 자주 선택한 주제는 무엇인가요?정답 확인하기

이 페이지의 13점의 작품에 걸쳐 있는 Man (5), Chair (3) 및 Portrait (3)

James Peter Quinn 작가가 가장 많이 사용한 기법은 무엇인가요?정답 확인하기

이 페이지의 총 13점의 작품 중 4점의 Oil On Canvas

Canadian War Museum에는 어떤 James Peter Quinn의 작품이 전시되어 있나요?정답 확인하기

LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP 및 Major Okill Massey Learmonth: Canadian War Museum, 오타와은(는) 이 페이지에 있는 작품 중 3점을 소장하고 있습니다.

James Peter Quinn: 생애와 작품 세계

Early Life and Artistic Foundations

James Peter Quinn, born in Melbourne, Australia, in 1869, emerged as a significant figure in Australian portraiture at the turn of the twentieth century. His artistic journey began with formative studies under Frederick McCubbin at the National Gallery of Victoria Art School, laying a foundation steeped in the traditions of Australian landscape painting. This early exposure was broadened by tutelage from George Folingsby and Bernard Hall, further refining his skills before he embarked on an ambitious period of study in Paris between 1893 and 1901. At the Académie Julian and École des Beaux-Arts, under the guidance of Jean Paul Laurens, Quinn absorbed the techniques and aesthetic sensibilities of European academic art—a crucial step that would shape his distinctive style. His time at the Etaples art colony in northern France proved particularly influential, fostering camaraderie with fellow Australian artists like Rupert Bunny and Hilda Rix Nicholas, and exposing him to a vibrant artistic community.

The Rise of a Portraitist

By 1904, Quinn had firmly established himself as a highly sought-after portrait painter. His work resonated with an audience captivated by his ability to capture not merely likenesses but the very essence of his sitters. Exhibiting at the prestigious Royal Academy of Arts signaled his arrival on the international art scene. The recognition he received in 1912, with an honourable mention for *Mère et Fils* (a portrait of his wife and son) at the Salon in Paris, further cemented his reputation. This success led to a series of commissions from prominent figures—Joseph Chamberlain, the Duchess of York, and even the Duke of Windsor all entrusted their portraits to Quinn’s skilled hand. He possessed an innate talent for conveying social status and personality through meticulous detail and subtle nuances of expression.

Wartime Service and the Portrait of Monash

The outbreak of World War I brought a new dimension to Quinn's career, as he was appointed official war artist for the First AIF. While tasked with documenting the conflict, his focus shifted towards portraying the officers serving in France. This period proved fraught with challenges, marked by friction with authorities and fellow artists—a testament to his independent spirit and uncompromising artistic vision. However, it also yielded one of his most enduring masterpieces: the portrait of General Sir John Monash, Commander-in-Chief of the Australian Corps. Monash, a pivotal figure in the Allied victory at Amiens in 1918, became an iconic subject for Quinn. The resulting portrait, celebrated for its powerful depiction of leadership and integrity, remained within the Monash-Bennett family for decades before being gifted to the National Portrait Gallery of Australia in Canberra. It served as the model for the prestigious Monash Medal, awarded annually to Australians who demonstrate exceptional service to their community.

Later Years and Artistic Legacy

Following his wartime experiences, Quinn continued his work with Canadian War Records before returning to Australia in December 1935 after the tragic loss of his son René. Back on Australian soil, he rejoined the Victorian Artists Society, even serving as its president for a remarkable twelve years. He also became a founding member of the Australian Academy of Art, an organisation established by Robert Menzies that championed traditional artistic values. Despite his conservative affiliations, Quinn’s openness to modern art often led to public confrontations and debates—underscoring his complex relationship with the evolving art world. Throughout his later years, he continued to exhibit his paintings and impart his knowledge as a teacher at the National Gallery of Victoria Art School. A commemorative exhibition in 1980, curated by Alison Fraser, brought renewed attention to his portraiture, rescuing it from relative obscurity and solidifying his place in Australian art history. Quinn’s legacy lies not only in his masterful portraits but also in his ability to capture the spirit of an era—a testament to his enduring artistic vision and unwavering commitment to his craft.