Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
요약하자면
Dead Wildfowl (1674)은(는) Jacob Biltius의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 코펜하겐에 위치한 Statens Museum For Kunst에 소장되어 있습니다. 그다음 시선은 Dead Birds (1670)와 Snip, hanging (1663)로 향합니다. 우리 카탈로그에 수록된 Jacob Biltius의 작품 10점 중, 가장 유명한 10점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 3개의 미술관
| 소장 미술관 | 도시 | Jacob Biltius의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 코펜하겐 | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| 러워르던 | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
17년의 긴 여정, 1663년부터 1679년까지: Jacob Biltius의 가장 유명한 원작들을 연도별로 만나보세요.
연도를 선택하여 원작을 확인해 보세요.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
1670의 더 많은 작품
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, 코펜하겐. 다음은 Dead Birds (1670)와 Snip, hanging (1663)입니다.
41세: Dead Wildfowl은(는) 1674년 작품이며, Jacob Biltius은(는) 1633년에 태어났습니다.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall 및 Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1663년부터 1679년 사이의 Jacob Biltius 작가의 작품 10점이 수록되어 있습니다.
대부분 Statens Museum For Kunst (코펜하겐), Fries Museum (러워르던) 및 Kunsthandel P. de Boer에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1663 동안: 이 페이지의 총 10점의 작품 중 2점이 해당 시기에 제작되었으며, 그중 Snip, hanging점입니다.
이 페이지에서 가장 오래된 작품은 Snip, hanging (1663)이며, 가장 최근 작품은 Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679)입니다.
이 페이지의 10점의 작품에 걸쳐 있는 Feathers (2) 및 Dark background (2)
이 페이지의 총 10점의 작품 중 2점의 Oil On Canvas
Dead Wildfowl, Dead Birds 및 Wildfowl on a Wooden Table: Statens Museum For Kunst, 코펜하겐은(는) 이 페이지에 있는 작품 중 5점을 소장하고 있습니다.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.