10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 6점의 Ivan Tyurin 작품 (당사 카탈로그 기준)
요약하자면
Portrait of H. Lazarev (1872)은(는) Ivan Tyurin의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 상트페테르부르크에 위치한 에르미타주 박물관에 소장되어 있습니다. 그다음 시선은 Portrait of Baron Alexander Stieglitz (1872)와 Portrait of Maria Adlerberg (1871)로 향합니다. 우리 카탈로그에 수록된 Ivan Tyurin의 작품 6점 중, 가장 유명한 6점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
The Portrait of Baron Alexander Stieglitz presents us with a formal encounter with a man of significant standing. Painted by the Russian artist Ivan Tyurin, this work captures the essence of a distinguished figure from a bygone era. We find ourselves looking upon Baron Alexander Stieglitz, a man whose presence commands the space he occupies. The portrait, dating to 1872, freezes a moment of quiet dignity and high social station.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
A formal 1874 oil portrait, presented in an oval composition, captures F.I. Shuvalova in a moment of quiet composure. Seated in a three-quarter view, the subject gazes directly at the viewer, her expression marked by a calm and serious temperament. The composition utilizes a shallow depth, focusing attention entirely on the sitter through the placement of a draped table in the mid-ground. A small, framed photograph rests upon this surface,…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Ivan Tyurin의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 에르미타주 박물관 |
상트페테르부르크 | 6 | Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz, Portrait of Maria Adlerberg |
27년의 긴 여정, 1871년부터 1897년까지: Ivan Tyurin의 가장 유명한 원작들을 연도별로 만나보세요.
연도를 선택하여 원작을 확인해 보세요.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
1872의 더 많은 작품
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
1874의 더 많은 작품
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
Portrait of H. Lazarev (1872), 에르미타주 박물관, 상트페테르부르크. 다음은 Portrait of Baron Alexander Stieglitz (1872)와 Portrait of Maria Adlerberg (1871)입니다.
48세: Portrait of H. Lazarev은(는) 1872년 작품이며, Ivan Tyurin은(는) 1824년에 태어났습니다.
저희 카탈로그에는 1871년부터 1897년 사이의 Ivan Tyurin 작가의 작품 6점이 수록되어 있습니다.
대부분 에르미타주 박물관 (상트페테르부르크)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1872 동안: 이 페이지의 총 6점의 작품 중 2점이 해당 시기에 제작되었으며, 그중 Portrait of H. Lazarev점입니다.
이 페이지에서 가장 오래된 작품은 Portrait of Maria Adlerberg (1871)이며, 가장 최근 작품은 Portrait of V.A. Volotsky, the Retired GeneraL of the Terek Cossack Army (1897)입니다.
이 페이지의 6점의 작품에 걸쳐 있는 Man (4), Red chair (3) 및 Medals (3)
이 페이지의 총 6점의 작품 중 4점의 Oil
이 페이지의 원작들을 기준으로 볼 때, Academic realism 및 Realism
Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz 및 Portrait of Maria Adlerberg: 에르미타주 박물관, 상트페테르부르크은(는) 이 페이지에 있는 작품 중 6점을 소장하고 있습니다.
Ivan Tyurin was a Russian painter who lived during the nineteenth and early twentieth centuries. His life spanned from 1824 until 1904.
