11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 42점의 헨리 모슬러 작품 (당사 카탈로그 기준)
요약하자면
Pilgrims' Grace (1897)은(는) 헨리 모슬러의 작품 중 가장 많은 관심을 받는 회화입니다. 그다음 시선은 Christmas Morning (1916)와 Elizabeth Moerlein Portrait, 1869 (1869)로 향합니다. 우리 카탈로그에 수록된 헨리 모슬러의 작품 42점 중, 가장 유명한 40점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this bust-length oil portrait, Henry Mosler captures Carl Heinrich Spitzner within a formal oval format. The subject sits slightly off-center, his gaze directed toward the viewer with a calm and serious expression. This eye-level perspective establishes an intimate connection, pulling the sitter into the immediate space of the observer. The dignity of the 19th-century sitter is held in the stillness of his posture.
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
The oil sketch titled Sketch for Chimney Corner is a work by the artist Henry Mosler. Created about 1892, the piece captures a fleeting moment of domestic light. It remains part of the permanent collection at the Cincinnati Art Museum.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In "The Spirit of the Rainbow" by Henry Mosler, a nude female figure is positioned in a reclining, weightless pose, appearing to float across a large, sweeping arc. This rainbow spans the composition from the upper left to the lower right, establishing a sense of movement and celestial scale. The figure's pale skin is illuminated by light that emanates from within the rainbow itself, casting a soft glow across the…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
In this Henry Mosler Self-portrait, the artist Henry Mosler presents himself in a bust-length composition that feels remarkably intimate. He is positioned slightly off-center, meeting the viewer through a close-up, eye-level view. His gaze is steady and contemplative, suggesting a moment of quiet introspection. The subject is an elderly man, and the arrangement of his features invites a sense of psychological depth. This approach is characteristic of late 19th-century academic…
Later Afternoon1919
12
Lost Cause1869
13
Plum Street Temple1866
14
Portrait of a Rabbi's Wife (Ktherine Schiff Illowy.)1869
15
Portrait of a Rabbi (Rabbi Bernard Illowy.)1869
16
Heidi1877
17
Quadroon Girl1878
18
The Quadroon Girl1878 · 신시내티 미술관
19
The Last Sacraments1884
20
Peasant Girl and Doves1880
21
Harvest Festival1884
22
Return of the Shrimp Fishers1880
23
Visit of the Marquese1887
24
The Husking Bee1890
25
New Year's Morning1888
26
Portrait of Agnes1888
27
Daydreaming1898
28
The Chimney Corner1893 · 신시내티 미술관
29
Portrait of Edith신시내티 미술관
30
Charles Henry Spitzner as a Young Child
31
The Sewing Lesson
32
Siesta1910
33
Vegetable Vendor1906
34
Quilting Bee1916
35
Rio Aguirvate1913
36
Young Indian Woman (also known as Young Indian Girl)1887
37
Courtship1874 · 넬슨 아트 박물관
38
Just Moved1870 · 메트로폴리탄 미술관
39
Study for EVENING OF THE BATTLE (1882)신시내티 미술관
40
The Return of the Prodigal Son1879 · 오르세 미술관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 헨리 모슬러의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 신시내티 미술관 |
신시내티 | 5 | Sketch for Chimney Corner, The Quadroon Girl, The Chimney Corner |
 Cincinnati Museum Center at Union Terminal |
Cincinnati | 2 | Elizabeth Moerlein Portrait, 1869, George B. Cox |
 스미소니언 미국 미술관 |
워싱턴 D.C. | 1 | The Spirit of the Rainbow |
 Dayton Art Institute |
데이턴 | 1 | The Beauty |
 내셔널 포트레이트 갤러리 |
워싱턴 D.C. | 1 | Henry Mosler Self-portrait |
 넬슨 아트 박물관 |
캔자스시티 | 1 | Courtship |
 메트로폴리탄 미술관 |
뉴욕 | 1 | Just Moved |
 오르세 미술관 |
파리 | 1 | The Return of the Prodigal Son |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
Pilgrims' Grace (1897). 다음은 Christmas Morning (1916)와(과) Elizabeth Moerlein Portrait, 1869 (1869)입니다.
56세: Pilgrims' Grace은(는) 1897년 작품이며, 헨리 모슬러은(는) 1841년에 태어났습니다.
Pilgrims' Grace, Christmas Morning, Elizabeth Moerlein Portrait, 1869, Carl Heinrich Spitzner, Mathilde Therese Pannwitz Spitzner, Sketch for Chimney Corner, George B. Cox, The Spirit of the Rainbow, The Beauty 및 Henry Mosler Self-portrait. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1866년부터 1920년 사이의 헨리 모슬러 작가의 작품 42점이 수록되어 있습니다.
대부분 신시내티 미술관 (신시내티), Cincinnati Museum Center at Union Terminal (Cincinnati) 및 스미소니언 미국 미술관 (워싱턴 D.C.)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1880s 동안: 이 페이지의 총 40점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 The Last Sacraments점입니다.
이 페이지에서 가장 오래된 작품은 Plum Street Temple (1866)이며, 가장 최근 작품은 The Beauty (1920)입니다.
이 페이지의 40점의 작품에 걸쳐 있는 Man (4), Woman (4) 및 People (3)
이 페이지의 총 40점의 작품 중 8점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Realism
Sketch for Chimney Corner, The Quadroon Girl 및 The Chimney Corner: 신시내티 미술관, 신시내티은(는) 이 페이지에 있는 작품 중 5점을 소장하고 있습니다.
