11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 65점의 한스 레온하르트 쇼이펠라인 작품 (당사 카탈로그 기준)
요약하자면
한스 레온하르트 쇼이펠라인가 남긴 모든 원작 중 가장 유명한 작품은 빈의 빈 미술사 박물관에 소장된 Sanguine (so-called Female Head) (1511)입니다. 그 뒤를 이어 Melancholic (so-called Youthful Head) (1511)와 Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha (1515)가 뒤를 잇습니다. 한스 레온하르트 쇼이펠라인의 작품 65점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 63점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
A single profile emerges from a void of near-blackness. The subject, a young person with features often debated as female, rests in a quiet, side-long gaze. Light falls from the upper left, tracing the soft curve of a nose and the gentle slope of a chin. The palette is a narrow, warm world of ochre, sienna, and cream. Every line feels deliberate, as if the artist sought to trap a…
The painting titled Melancholic (so-called Youthful Head) captures a single, quiet moment of introspection. Also known as Melancholic (Head of a Youth), this portrait focuses on the singular presence of a young person. The work was executed by the artist Hans Leonhard Schäufelein in 1511.
This Renaissance-era religious composition presents a complex, crowded scene of biblical narratives. On the left, a figure representing Christ, depicted in the Ecce Homo tradition, stands partially unclothed and wearing a crown of thorns. His gaze is cast downward with a somber expression. Beside him, a man in heavy, draped robes gestures toward a group of onlookers. The composition is structured across two main planes: a raised platform on the…
The Christgartner Altar: The Coronation of Mary emerges from the shadows of history as a profound expression of faith. This religious work, titled Christgartner Altar: The Coronation of Mary, carries the hand of Hans Leonhard Schäufelein. The artist, Hans Leonhard Schäufelein, brings a specific vision to this sacred scene, marking a significant moment in the development of the German Renaissance. He brings the weight of his Nuremberg, Germany origins to…
In this detailed panel from 1515, the viewer is placed directly upon the shores of the Sea of Galilee. The composition is divided with a quiet, deliberate logic, separating the terrestrial from the maritime. In the foreground, the weight of the moment is felt through the heavy folds of drapery as Jesus Christ stands upon the shore. He gestures toward Saint Peter, who is captured in the very act of…
The oil painting titled Christgartner Altar: Liberation of Peter and Paul from the Mamertine Prison was executed by the German Renaissance artist Hans Leonhard Schäufelein. Created in 1515, the work captures a specific moment of divine intervention. The scene focuses on the biblical liberation of Saints Peter and Paul from their confinement.
Hans Leonhard Schäufelein presents Head of Christ as a centered, frontal bust-length portrait. The composition is set against a flat, textured gold background, creating a shallow depth of field that focuses attention entirely on the subject. This arrangement emphasizes the religious nature of the work, offering a humanized depiction of Christ that prioritizes spiritual presence over environmental context.
The scene captures the heavy, chaotic tension of Christ falling at the Brook Cedron. Figures crowd the foreground, their bodies locked in a struggle that creates a sense of claustrophobia. Ropes and spears cut through the composition in sharp diagonals, directing the eye toward the central figure of Christ. The weight of the moment is felt through the tension in the limbs of the men pulling him, their faces etched…
The work titled Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923) is a religious art piece. It was painted by Hans Leonhard Schäufelein. The image captures a moment of profound human struggle through the lens of sacred history.
The composition is densely packed with figures in the foreground, creating a sense of claustrophobia and tension. Christ falls on his way to Pilate, surrounded by tormentors and onlookers. The scene is rendered in a grayscale palette, emphasizing light and shadow rather than hue. Diagonal lines from raised weapons and limbs create dynamic movement, directing the eye toward the central figure. The lighting appears to come from the upper left,…
Christgartner Altar: Christ on the Cross (detached reverse of WAF 926)1515 · 바이에른 주립 회화 컬렉션
12
Saint Ulrich before the Abbot of St. Gallen1515 · 바이에른 주립 회화 컬렉션
13
Christgartner Altar: Death of Mary1515 · 바이에른 주립 회화 컬렉션
14
Christgartner Altar: Crucifixion of Peter1515 · 바이에른 주립 회화 컬렉션
15
Christgartner Altar: Christ before Pilate (detached reverse of WAF 924)1515 · 바이에른 주립 회화 컬렉션
16
The Flight into Egypt1503 · 바이에른 주립 회화 컬렉션
17
Ecce Homo (Shroud)1517 · 바이에른 주립 회화 컬렉션
18
Christgartner Altar: Burial of Mary Reverse: Fall of Christ onto the Cross1515 · 바이에른 주립 회화 컬렉션
19
Christgartner Altar: Fall of Christ during the Raising of the Cross (Detached Reverse Side of WAF 920)1515 · 바이에른 주립 회화 컬렉션
20
Christgartner Altar: An Angel Presents Mary with the Palm1515 · 바이에른 주립 회화 컬렉션
21
Wing of a Deacon's Altar: Saint Pope Callixtus Reverse: Saint Stephen1509 · 바이에른 주립 회화 컬렉션
22
Saint Ulrich Heals the Sick1515 · 바이에른 주립 회화 컬렉션
23
Wing of a Deacon's Altar: Saint Lawrence Reverse: Saint Vincent of Valencia1509 · 바이에른 주립 회화 컬렉션
24
Christgartner Altar: Crowning with Thorns of Christ (detached reverse side of WAF 922)1515 · 바이에른 주립 회화 컬렉션
25
Saint Ulrich is Ordained as Bishop1515 · 바이에른 주립 회화 컬렉션
26
Maihingen Altar: Saint Bridget of Sweden before the Crucifix Reverse: Family Tree of the Order Founders according to the Rule of Saint Augustine1515 · 바이에른 주립 회화 컬렉션
27
Christ Takes Leave of His Mother1504 · Gemäldegalerie
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The Last Supper1511 · Gemäldegalerie
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Crucifixion of Christ1515 · Staatliche Kunsthalle Karlsruhe
30
Christgarten Altar: Saint Onuphrius1515 · 바이에른 주립 회화 컬렉션
31
Fall of Christ during the Flagellation1515 · 바이에른 주립 회화 컬렉션
32
Christ crowned with thorns1516 · 바이에른 주립 회화 컬렉션
33
Christgarten Altar: Saint John Chrysostom1515 · 바이에른 주립 회화 컬렉션
34
Christgarten Altar: Saint Jerome1515 · 바이에른 주립 회화 컬렉션
35
Portrait of a Young Man1504 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
36
Portrait of a man in a yellow jerkin.1507 · 바르샤바 국립 박물관
37
Crowning with Thorns1506 · Gemäldegalerie
38
The Flagellation of Christ1506 · Gemäldegalerie
39
Portrait of a man in a yellow jacket1507 · 바르샤바 국립 박물관
40
Crucifixion of Christ with John the Baptist and King David (Allegory of Law and Grace)1520 · 바이에른 주립 회화 컬렉션
41
Christ in the Temple1520 · Shipley Art Gallery
42
The Reviling of Christ1520 · Shipley Art Gallery
43
Portrait of a Young Man1527 · Dayton Art Institute
44
Eitel Friedrich II of Hohenzollern by Hans Schäufelin1525 · Jagdschloss Grunewald
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Lamentation1537 · Museum Catharijneconvent
46
Portrait of a Man (Self-portrait?)1534 · Gemäldegalerie
47
Adoration of the Lamb1538 · Gemäldegalerie
48
Portrait of a Man1505 · 갈레리아 보르게세
49
The Choleric Temperament1511
50
The Agony in the Garden1516 · 알테 피나코텍
51
The Circumcision of Christ1505 · Christian Museum
52
History of Judith바이에른 주립 회화 컬렉션
53
Portrait of an old man in a black cloak and cap
54
The Birth of Christ1505 · Christian Museum
55
Christ Crowned with Thorns
56
Abt alexander hummel바이에른 주립 회화 컬렉션
57
Communion
58
Portrait of a man in a yellow jerkin (detail).
59
Saint jeromeGemäldegalerie
60
Head of a bearded man
61
The dormition of the Virgin메트로폴리탄 미술관
62
The Adoration of the Shepherds클리블랜드 미술관
63
Christ carrying the cross
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
#8 Christgartner Altar: Fall of Christ at the Brook Cedron
#9 Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923)
#10 Christgartner Altar: Fall Christi on the Way to Pilatus (detached reverse side of WAF 921)
#11 Christgartner Altar: Christ on the Cross (detached reverse of WAF 926)
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 한스 레온하르트 쇼이펠라인의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 바이에른 주립 회화 컬렉션 |
뮌헨 | 32 | Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary, Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish |
 Gemäldegalerie |
베를린 | 7 | Christ Takes Leave of His Mother, The Last Supper, Crowning with Thorns |
 빈 미술사 박물관 |
빈 | 2 | Sanguine (so-called Female Head), Melancholic (so-called Youthful Head) |
 바르샤바 국립 박물관 |
바르샤바 | 2 | Portrait of a man in a yellow jerkin., Portrait of a man in a yellow jacket |
 Shipley Art Gallery |
Gateshead | 2 | Christ in the Temple, The Reviling of Christ |
 Christian Museum |
Eger | 2 | The Circumcision of Christ, The Birth of Christ |
 Staatliche Kunsthalle Karlsruhe |
카를스루에 | 1 | Crucifixion of Christ |
 인디애나폴리스 미술관 (Indianapolis Museum of Art) |
인디애나폴리스 | 1 | Portrait of a Young Man |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The scene depicts three figures moving through a rugged, mountainous landscape. On the left, a man with a prominent beard and a tunic walks with a steady stride, pulling a donkey forward by a rope. The donkey carries a woman who sits upright, cradling an infant wrapped in swaddling clothes. A faint halo surrounds the woman's head. The terrain consists of rolling hills in the foreground and jagged, layered mountain…
A single profile emerges from a void of near-blackness. The subject, a young person with features often debated as female, rests in a quiet, side-long gaze. Light falls from the upper left, tracing the soft curve of a nose and the gentle slope of a chin. The palette is a narrow, warm world of ochre, sienna, and cream. Every line feels deliberate, as if the artist sought to trap a…
The painting titled Crucifixion of Christ with John the Baptist and King David (Allegory of Law and Grace) is a work of religious art. It was executed by the artist Hans Leonhard Schäufelein. This specific composition is dated 1520.
The painting presents a tightly packed group of figures gathered around the lifeless body of Jesus. The scene is set within a shallow pictorial space, where the vertical lines of a wooden cross and a ladder in the background provide a structural framework for the mourning figures. The central focus is the pale, luminous skin of Christ, which contrasts against the dark, saturated tones of the surrounding drapery. Deep crimsons,…
Sanguine (so-called Female Head) (1511), 빈 미술사 박물관, 빈. 다음은 Melancholic (so-called Youthful Head) (1511)와 Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha (1515)입니다.
31세: Sanguine (so-called Female Head)은(는) 1511년 작품이며, 한스 레온하르트 쇼이펠라인은(는) 1480년에 태어났습니다.
Sanguine (so-called Female Head), Melancholic (so-called Youthful Head), Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary, Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish, Christgartner Altar: Liberation of Peter and Paul from the Mamertine Prison, Head of Christ, Christgartner Altar: Fall of Christ at the Brook Cedron, Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923) 및 Christgartner Altar: Fall Christi on the Way to Pilatus (detached reverse side of WAF 921). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1503년부터 1538년 사이의 한스 레온하르트 쇼이펠라인 작가의 작품 65점이 수록되어 있습니다.
대부분 바이에른 주립 회화 컬렉션 (뮌헨), Gemäldegalerie (베를린) 및 빈 미술사 박물관 (빈)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1510s 동안: 이 페이지의 총 63점의 작품 중 32점이 해당 시기에 제작되었으며, 그중 Sanguine (so-called Female Head)점입니다.
이 페이지에서 가장 오래된 작품은 The Flight into Egypt (1503)이며, 가장 최근 작품은 Adoration of the Lamb (1538)입니다.
이 페이지의 63점의 작품에 걸쳐 있는 Man (25), Drapery (22) 및 People (18)
이 페이지의 총 63점의 작품 중 36점의 Oil On Panel
Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary 및 Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish: 바이에른 주립 회화 컬렉션, 뮌헨은(는) 이 페이지에 있는 작품 중 32점을 소장하고 있습니다.
