11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 38점의 주세페 아미사니 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 주세페 아미사니의 대표작은 Cardinal Richelieu (1895)입니다. King Vittorio Emanuele III (1907)와 Portrait of Lyda Borelli (1910)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 주세페 아미사니의 작품 38점 중, 갤러리는 가장 유명한 37점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
In this vertical portrait, Giuseppe Amisani presents Cardinal Richelieu in a full-length view that commands a quiet presence. The subject is positioned slightly to the right of the center, facing left, which creates a subtle tension against the expansive landscape behind him. He stands beneath a turbulent sky, a choice that lends a sense of gravity to the figure. The perspective is set at eye-level, facilitating a direct encounter between…
A formal, three-quarter length portrait of King Vittorio Emanuele III, rendered in monochromatic tones. The subject is positioned centrally, draped in heavy military regalia that defines the composition through sharp lines and structured forms. Light enters from the upper left, casting soft shadows across the face and creating bright highlights on the white gloves and metallic epaulettes. The background remains nebulous and atmospheric, providing a textured contrast to the sharply…
The Portrait of Lyda Borelli is a significant work by the Italian artist Giuseppe Amisani. Created around 1910, this painting captures the likeness of the actress Lyda Borelli, a figure of considerable influence during the Belle Époque. Amisani’s focus on her character helped establish his reputation as a premier portraitist of his era.
In this 1910 portrait, we find ourselves in the presence of a woman seated in an armchair, a figure of quiet composure. The composition is centered, drawing the eye immediately to the subject amidst a dark, indistinct background. This deliberate use of shadow creates a sense of intimacy, pushing the figure forward into the viewer's space. The lighting, descending from above and slightly to the side, carves out the contours…
The Portrait of Giovanni Cova is an oil painting by the Italian artist Giuseppe Amisani. Created in 1911, the work captures an elderly man within a formal studio setting. The subject sits centered against a dark, quiet background that pushes his features toward the viewer. He is rendered with a focus on the weight of his presence and the specific lines of his face.
Il cappello nero is an oil portrait executed by the Italian artist Giuseppe Amisani. Created about 1913, the work presents a woman depicted in profile. The composition focuses on the subject's head and shoulders, capturing her from the side against a dark background.
The light catches the curve of a shoulder, spilling softly across pale, luminous skin that seems to glow from within. Maria Melato reclines, her dark, wavy hair cascading against a sea of textured fabric. She turns her head in a gentle side profile, her gaze meeting the viewer with a subtle, knowing smile that suggests a private thought shared in a fleeting second. The scene feels intimate, as if we…
In Portrait of Francesco Mira, Giuseppe Amisani centers the viewer's gaze upon an elderly man seated in a chair. The subject is caught in a moment of quiet industry, his attention fixed entirely on the act of writing upon a large sheet of paper. His figure occupies most of the frame, creating a sense of physical presence that pushes against the edges of the composition. The man's form and the…
This portrait presents Queen Elena of Savoy, a figure of significant historical presence. Painted by Giuseppe Amisani, the work captures the likeness of the woman who was the wife of King Victor Emmanuel III. The composition focuses on her regal bearing, presenting her in a manner that reflects her status within the Italian monarchy. It is a quiet study of a woman who occupied a central position in the courtly…
The Portrait of King Farouk of Egypt is a significant work by the Italian artist Giuseppe Amisani. Created about 1924, this painting captures the young Prince Farouk during a period of profound international engagement for the artist. It represents a moment when Amisani’s reputation for portraiture led him far from his Italian roots to the Mediterranean coast.
Hell's Pavement1930
12
Nonna Bestetti1932
13
Portrait of Davide Lanfranconi1941 · Ca’ Granda – Ospedale Maggiore Policlinico
14
Portrait of Ambrogio Bertarelli1929 · Ca’ Granda – Ospedale Maggiore Policlinico
15
Ritratto di Tommaso Bertarelli1924 · Ca’ Granda – Ospedale Maggiore Policlinico
16
Portrait of Michele Bernocchi1937 · Ca’ Granda – Ospedale Maggiore Policlinico
17
Cleopatra lussuriosa1900
18
Riri (Amisani)
19
Signora in poltronaGalleria d'arte moderna Ricci Oddi
20
Nudo
21
Distesa in interno
22
Nudo femminile
23
Summer
24
Untitled (ARCATK)1910
25
Ritratto di Eriberto Casati di Spino e Nosadello1925 · Ca’ Granda – Ospedale Maggiore Policlinico
26
Portrait of Rachele (Lina) Biffi Hajech1935 · Ca’ Granda – Ospedale Maggiore Policlinico
27
Portrait of Alfonso Agnoletto1938 · Ca’ Granda – Ospedale Maggiore Policlinico
28
Portrait of Carlo Rizzi1920 · Ca’ Granda – Ospedale Maggiore Policlinico
29
Racconti (Amisani)
30
Portrait of Bassano Grassi1937 · Ca’ Granda – Ospedale Maggiore Policlinico
31
The Tragic Cradle1910 · Pinacoteca do Estado de São Paulo
32
Standing lady1912 · 마스 미술관
33
The Rest
34
Self-portrait1930
35
La modella1930 · Musei Civici
36
Dolore1900
37
Ritratto di Caterina1920
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관
| 소장 미술관 | 도시 | 주세페 아미사니의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Ca’ Granda – Ospedale Maggiore Policlinico |
밀라노 | 11 | Portrait of Giovanni Cova, Portrait of Francesco Mira, Portrait of Davide Lanfranconi |
 Museo della Scienza e della Tecnologia "Leonardo da Vinci" |
Milan | 1 | Il cappello nero |
 Musei Civici di Monza |
Monza | 1 | Maria Melato |
 Galleria d'arte moderna Ricci Oddi |
Piacenza | 1 | Signora in poltrona |
 Pinacoteca do Estado de São Paulo |
상파울루 | 1 | The Tragic Cradle |
 마스 미술관 |
상파울루 | 1 | Standing lady |
 Musei Civici |
Pavia | 1 | La modella |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this vertical portrait, Giuseppe Amisani presents Cardinal Richelieu in a full-length view that commands a quiet presence. The subject is positioned slightly to the right of the center, facing left, which creates a subtle tension against the expansive landscape behind him. He stands beneath a turbulent sky, a choice that lends a sense of gravity to the figure. The perspective is set at eye-level, facilitating a direct encounter between…
A formal, three-quarter length portrait of King Vittorio Emanuele III, rendered in monochromatic tones. The subject is positioned centrally, draped in heavy military regalia that defines the composition through sharp lines and structured forms. Light enters from the upper left, casting soft shadows across the face and creating bright highlights on the white gloves and metallic epaulettes. The background remains nebulous and atmospheric, providing a textured contrast to the sharply…
The Portrait of Lyda Borelli is a significant work by the Italian artist Giuseppe Amisani. Created around 1910, this painting captures the likeness of the actress Lyda Borelli, a figure of considerable influence during the Belle Époque. Amisani’s focus on her character helped establish his reputation as a premier portraitist of his era.
The light catches the curve of a shoulder, spilling softly across pale, luminous skin that seems to glow from within. Maria Melato reclines, her dark, wavy hair cascading against a sea of textured fabric. She turns her head in a gentle side profile, her gaze meeting the viewer with a subtle, knowing smile that suggests a private thought shared in a fleeting second. The scene feels intimate, as if we…
In this 1930 oil painting, a central female figure is rendered through rapid, gestural brushwork. The subject is depicted in a close-up, intimate view, appearing semi-nude and partially draped in light-colored fabric. The color palette relies on muted, earthy tones, specifically shades of cream, beige, and ochre, which contrast with subtle hints of pale blue and teal within the drapery. The application of paint is characterized by thick, visible impasto…
In the quiet, textured strokes of Giuseppe Amisani’s 1941 masterpiece, Portrait of Davide Lanfranconi, we encounter more than just a likeness; we meet a man whose life was a testament to resilience and transformation. The painting captures Lanfranconi, a figure whose biography is as layered as the oil paint on his canvas. Born into a family of plasterers, Lanfranconi’s journey from manual labor to a worldly salesman and war hero…
Cardinal Richelieu (1895). 다음은 King Vittorio Emanuele III (1907)와(과) Portrait of Lyda Borelli (1910)입니다.
14세: Cardinal Richelieu은(는) 1895년 작품이며, 주세페 아미사니은(는) 1881년에 태어났습니다.
Cardinal Richelieu, King Vittorio Emanuele III, Portrait of Lyda Borelli, Untitled (ARCATH), Portrait of Giovanni Cova, Il cappello nero, Maria Melato, Portrait of Francesco Mira, Queen Elena of Savoy 및 Portrait of King Farouk of Egypt. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1895년부터 1941년 사이의 주세페 아미사니 작가의 작품 38점이 수록되어 있습니다.
대부분 Ca’ Granda – Ospedale Maggiore Policlinico (밀라노), Museo della Scienza e della Tecnologia "Leonardo da Vinci" (Milan) 및 Musei Civici di Monza (Monza)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1920s 동안: 이 페이지의 총 37점의 작품 중 9점이 해당 시기에 제작되었으며, 그중 Maria Melato점입니다.
이 페이지에서 가장 오래된 작품은 Cardinal Richelieu (1895)이며, 가장 최근 작품은 Portrait of Davide Lanfranconi (1941)입니다.
이 페이지의 37점의 작품에 걸쳐 있는 Portrait (11), Woman (8) 및 Man (4)
이 페이지의 총 37점의 작품 중 13점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Contemporary realism
Portrait of Giovanni Cova, Portrait of Francesco Mira 및 Portrait of Davide Lanfranconi: Ca’ Granda – Ospedale Maggiore Policlinico, 밀라노은(는) 이 페이지에 있는 작품 중 11점을 소장하고 있습니다.
