11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 143점의 조지 헤이터 작품 (당사 카탈로그 기준)
요약하자면
조지 헤이터가 남긴 모든 원작 중 가장 유명한 작품은 런던의 National Portrait Gallery에 소장된 Queen Victoria (1863)입니다. 그 뒤를 이어 Portrait of Sophia S. Kiselyova (1801-1875) (1831)와 Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840)가 뒤를 잇습니다. 조지 헤이터의 작품 143점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 100점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work captures the sovereign in a moment of ceremonial dignity. It is an oil on canvas that seeks to document the presence of the Queen through the lens of official portraiture.
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a deep red bodice, laced tightly across the chest, which anchors the composition with a heavy, saturated weight. A golden shawl drapes over her shoulders, its silken sheen catching the directional light from the upper left. Around her head, a wreath of autumnal…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised grace, her presence anchored by a deep crimson dress that catches the light in its heavy folds. Beside her, the young Princess Adelaide offers a soft contrast, her small form draped in a gown of pure, luminous white. The two figures occupy…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850, long after the actual ceremony took place. The work focuses on the young Queen Victoria, draped in her heavy coronation regalia. She is a figure of quiet gravity amidst the weight of her ceremonial robes.
In this 1835 portrait, George Hayter presents Victoria, Duchess of Kent, within a setting that feels both intimate and grand. The subject is positioned slightly off-center, standing amidst a lush, natural landscape that provides a sense of serenity. There is a quiet dignity in her posture, a stillness that suggests the weight of her station without the need for overt displays of power. The composition relies on the fluid, organic…
The artwork, titled The Assumption of the Virgin, is an oil painting that presents a vertically oriented, hierarchical composition. The scene depicts the Virgin Mary ascending toward heaven, surrounded by angels, while a group of apostles or saints watches from below. The structure of the piece follows an ascending arrangement, utilizing a low-angle perspective that looks upward to enhance the sense of spiritual ascension.
In this intimate collection of preparatory sketches, titled Studies for the Duke of Wellington, we encounter the focused, academic mind of George Hayter. Created around 1820, these studies offer a rare glimpse into the artist's process as he prepared to capture a figure of significant historical weight. The work centers on a military or noble figure, most likely the Duke of Wellington, presented in a formal equestrian pose that suggests…
A single man occupies the center of this 1823 oil portrait, his presence anchored in a sea of deep umber and sienna. George Tierney sits in a three-quarter view, his gaze directed toward the left of the frame as if contemplating a thought just out of reach. The light is a sharp, deliberate tool, striking the pale curve of his forehead and the crisp white of his cravat. This chiaroscuro…
This oil on canvas work, titled Thomas Brunton, 1774-1833, was executed by the English painter George Hayter. The portrait, which dates to 1832, depicts the subject in a three-quarter length composition. The figure of Brunton is positioned seated and slightly off-center within the frame. He is situated in a scholarly or professional setting, indicated by the presence of books and papers resting on a table beside him.
George Hayter painted this portrait of Charles Wood, 1st Viscount Halifax, in 1838. The subject was a prominent British Whig politician and Member of Parliament. His political career included significant roles such as Chancellor of the Exchequer and First Lord of the Admiralty.
Louise, Queen of the Belgians (1812-1850)1837 · 로열 컬렉션
12
William Lamb, 2nd Viscount Melbourne (1799-1848)1837 · 로열 컬렉션
13
Queen Victoria (1819-1901)1837 · 로열 컬렉션
14
Leopold I, King of the Belgians (1790-1865)1837 · 로열 컬렉션
15
William Lamb, 2nd Viscount Melbourne (1779-1848)1837 · 로열 컬렉션
16
Queen Victoria (1819-1901) when Princess1832 · 로열 컬렉션
17
Queen Victoria (1819–1901)1838 · 퀸스 대학교 벨파스트
18
Frederick William IV, King of Prussia (1795-1861)1843 · 로열 컬렉션
19
Ernest I, Duke of Saxe-Coburg-Gotha (1784-1844)1840 · 로열 컬렉션
20
Duke Ferdinand of Saxe-Coburg-Gotha and his sons, Prince Leopold and Prince Augustus1842 · 로열 컬렉션
21
Prince Albert (1819-61)1840 · 로열 컬렉션
22
The Christening of Albert Edward, Prince of Wales, later Edward VII (1841-1910) at St George's Chapel, Windsor, 25 January 18421842 · 로열 컬렉션
23
Queen Victoria (1819-1901)1855 · 버킹엄 궁전
24
The Martyrdom of Ridley and Latimer1855
25
Portrait Study of Martha, Lady Hayter1863 · 예일 영국 미술관
26
Amy Emily Sarah Fitzroy1858
27
The Coronation of Queen Victoria, 28 June 18381838 · 로열 컬렉션
28
The Homage at the Coronation of Queen Victoria (oil sketch)1838 · 로열 컬렉션
29
After the Storm1833 · Walters Art Museum
30
A Fête at Sanssouci1844 · 로열 컬렉션
31
The Marriage of Queen Victoria, 10 February 1840 (oil sketch)1840 · 로열 컬렉션
32
Franz Liszt1841 · Royal College of Music Museum
33
Portrait of Countess Yelizaveta Vorontsova1832 · 에르미타주 박물관
34
Portrait of Richard Burke, Son of Edmund Burke, Parliamentary Agent of the Catholic Committee (1758-1794)아일랜드 국립 미술관
35
Henry Winston Barron, M.P.휴스턴 미술관
36
Fitzstephen French, M.P.휴스턴 미술관
37
Two Arab Servants로열 컬렉션
38
Sketch In Oils Of Lady Louisa Stuart
39
Portrait Of The Duke Of Wellington
40
Lord Richard CavendishHardwick Hall
41
Portrait Of A Gentleman
42
Sir John Rae Reid
43
Lewis Weston Dillwyn
44
The Honourable George Rice Trevor
45
William Cavendish
46
Sir Charles Cockerell
47
James Welbore Agar-ellisHardwick Hall
48
Frederick William John HerveyIckworth
49
Portrait Of John, 6th Duke Of Bedford
50
Lord John Russell
51
Francis Thornhill Baring
52
Matthew RussellDudmaston Hall
53
The First Reformed House Of Commons,
54
Study Of Edward Bolton King
55
Queen Victoria seated on the throne in the House of Lords
56
Study Of The Right Honourable Michael
57
Thomas Francis Kennedy스코틀랜드 국립 초상화 갤러리
58
Thomas Babington Macaulay
59
The Angels Ministering To Christ
60
Robert Ingham Esq.
61
Lady Jane Gordon
62
Sir Thomas Gladstone Of Fasque
63
Charles Stuart, 1st Baron Stuart De Rothesay
64
Latimer Preaching at Paul's Cross
65
John Thomas
66
Portrait Of A LadyChastleton House
67
Study Of Benjamin Lester Lester
68
Captain William Stanway Parkinson국립 해양 박물관
69
Lieutenant Waghorne
70
Thomas Graham스코틀랜드 국립 초상화 갤러리
71
Thomas William Booker
72
Self Portrait
73
Self Portrait
74
Lady Belgrave
75
Queen Victoria (8)
76
Thomas Brunton
77
Louisa Barbara Catherine PhilipsShugborough Hall
78
Sir William Hotham
79
John Henry Ley
80
Duke Of Wellington
81
The Sitter,
82
Reverend John Jennings
83
William John BankesKingston Lacy
84
Portrait Of A Boy
85
Mrs Greenwood
86
Sir John Willes
87
Lieutenant Colonel Thomas Peers Williams
88
James Chadwick
89
Lady Stuart de Rothesay and her daughters
90
Sir John Campbell
91
John William Montagu
92
Self PortraitHatchlands Park
93
Alex Bannerman
94
William Wilberforce
95
Trial Of Queen Caroline
96
The Trial Of William Lord Russell
97
Philip Stanhope, 5th Earl StanhopeNational Portrait Gallery
98
Alfred, Count D'orsayNational Portrait Gallery
99
Admiral Henry John Rous
100
Thomas WaghornNational Portrait Gallery
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 조지 헤이터의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 로열 컬렉션 |
런던 | 20 | The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850), William Lamb, 2nd Viscount Melbourne (1799-1848) |
 National Portrait Gallery |
런던 | 18 | Queen Victoria, Charles Wood, 1st Viscount Halifax, Philip Stanhope, 5th Earl Stanhope |
 버킹엄 궁전 |
London | 5 | Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Victoria, Duchess of Kent (1786-1861), Queen Victoria (1819-1901) |
 예일 영국 미술관 |
뉴헤이븐 | 3 | Queen Victoria Taking the Coronation Oath, June 28, 1838, Studies for the Duke of Wellington, Portrait Study of Martha, Lady Hayter |
 에르미타주 박물관 |
상트페테르부르크 | 2 | Portrait of Sophia S. Kiselyova (1801-1875), Portrait of Countess Yelizaveta Vorontsova |
 아일랜드 국립 미술관 |
더블린 | 2 | Portrait of George Tierney (1761-1830), MP and English Statesman, Portrait of Richard Burke, Son of Edmund Burke, Parliamentary Agent of the Catholic Committee (1758-1794) |
 국립 해양 박물관 |
런던 | 2 | Thomas Brunton, 1774-1833, Captain William Stanway Parkinson |
 휴스턴 미술관 |
휴스턴 | 2 | Henry Winston Barron, M.P., Fitzstephen French, M.P. |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The artwork, titled The Assumption of the Virgin, is an oil painting that presents a vertically oriented, hierarchical composition. The scene depicts the Virgin Mary ascending toward heaven, surrounded by angels, while a group of apostles or saints watches from below. The structure of the piece follows an ascending arrangement, utilizing a low-angle perspective that looks upward to enhance the sense of spiritual ascension.
In this intimate collection of preparatory sketches, titled Studies for the Duke of Wellington, we encounter the focused, academic mind of George Hayter. Created around 1820, these studies offer a rare glimpse into the artist's process as he prepared to capture a figure of significant historical weight. The work centers on a military or noble figure, most likely the Duke of Wellington, presented in a formal equestrian pose that suggests…
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a deep red bodice, laced tightly across the chest, which anchors the composition with a heavy, saturated weight. A golden shawl drapes over her shoulders, its silken sheen catching the directional light from the upper left. Around her head, a wreath of autumnal…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised grace, her presence anchored by a deep crimson dress that catches the light in its heavy folds. Beside her, the young Princess Adelaide offers a soft contrast, her small form draped in a gown of pure, luminous white. The two figures occupy…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850, long after the actual ceremony took place. The work focuses on the young Queen Victoria, draped in her heavy coronation regalia. She is a figure of quiet gravity amidst the weight of her ceremonial robes.
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work captures the sovereign in a moment of ceremonial dignity. It is an oil on canvas that seeks to document the presence of the Queen through the lens of official portraiture.
Queen Victoria (1863), National Portrait Gallery, 런던. 다음은 Portrait of Sophia S. Kiselyova (1801-1875) (1831)와 Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840)입니다.
71세: Queen Victoria은(는) 1863년 작품이며, 조지 헤이터은(는) 1792년에 태어났습니다.
Queen Victoria, Portrait of Sophia S. Kiselyova (1801-1875), Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Queen Victoria Taking the Coronation Oath, June 28, 1838, Victoria, Duchess of Kent (1786-1861), The Assumption of the Virgin, Studies for the Duke of Wellington, Portrait of George Tierney (1761-1830), MP and English Statesman, Thomas Brunton, 1774-1833 및 Charles Wood, 1st Viscount Halifax. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1818년부터 1863년 사이의 조지 헤이터 작가의 작품 143점이 수록되어 있습니다.
대부분 로열 컬렉션 (런던), National Portrait Gallery (런던) 및 버킹엄 궁전 (London)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1830s 동안: 이 페이지의 총 100점의 작품 중 15점이 해당 시기에 제작되었으며, 그중 Portrait of Sophia S. Kiselyova (1801-1875)점입니다.
이 페이지에서 가장 오래된 작품은 The Assumption of the Virgin (1818)이며, 가장 최근 작품은 Queen Victoria (1863)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Portrait (20), Victorian era (15) 및 Woman (12)
이 페이지의 총 100점의 작품 중 18점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Neoclassicism
The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850) 및 William Lamb, 2nd Viscount Melbourne (1799-1848): 로열 컬렉션, 런던은(는) 이 페이지에 있는 작품 중 17점을 소장하고 있습니다.
