George Beare의 초상화

George Beare 회화: 갤러리의 시선으로 선별한 가장 유명한 작품 15선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 15점의 George Beare 작품 (당사 카탈로그 기준)

요약하자면

갤러리가 선정한 George Beare의 가장 유명한 작품은 An Unknown Woman, Called Peg Woffington (1740)이며, 원작은 뉴헤이븐의 예일 영국 미술관에 전시되어 있습니다. Portrait of a Woman (1740)와 Portrait of a Lady Holding a Book (1740)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. George Beare의 작품 15점 중, 갤러리는 가장 유명한 15점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.

1725 – 1749 최다 소장처: 예일 영국 미술관

갤러리 베스트 10 George Beare 작품

1
An Unknown Woman, Called Peg Woffington (1740) 의 George Beare

An Unknown Woman, Called Peg Woffington

1740 · Oil On Canvas · 예일 영국 미술관, 뉴헤이븐

The light catches the soft, salmon-pink folds of a silk gown, pulling the viewer into a quiet, private moment from 1740. A woman sits poised, her presence defined by a calm and dignified expression that suggests a life lived in the public eye, yet here, she is captured in a moment of stillness. The deep black of the background recedes into shadow, pushing her figure forward through a masterful use…

2
Portrait of a Woman (1740) 의 George Beare

Portrait of a Woman

1740 · Oil · 필라델피아 미술관, 필라델피아

There is a quietude in this 1740 oil portrait that commands immediate attention. The subject, an older woman, is presented in a three-quarter view, her form emerging from a dark, undifferentiated background that lends her a profound sense of physical volume. The lighting is deliberate, streaming from the upper left to catch the delicate folds of her translucent white headscarf and the subtle textures of her skin. It is a…

3
Portrait of a Lady Holding a Book (1740) 의 George Beare

Portrait of a Lady Holding a Book

1740 · Oil On Canvas · Walters Art Museum, 볼티모어

A single woman occupies the center of this 1740 oil on canvas, her presence defined by the quiet weight of a book held against her bodice. The light enters from the upper left, catching the sharp, white edges of her lace collar and the soft curve of her cheek. She is a figure of stillness. Her gaze is steady, meeting the viewer from an eye-level perspective that feels intimate rather…

4
Portrait of an Elderly Lady and a Girl (1747) 의 George Beare

Portrait of an Elderly Lady and a Girl

1747 · Oil · 예일 영국 미술관, 뉴헤이븐

The oil painting titled Portrait of an Elderly Lady and a Girl was executed by the English artist George Beare in 1747. This work captures a quiet, generational intersection between two female figures. An elderly woman and a young girl occupy the center of the frame, their presence forming a silent link between different stages of life. The subject matter suggests a familial bond, likely representing a grandmother and her…

5
An Unknown Man (1746) 의 George Beare

An Unknown Man

1746 · Oil On Canvas · 예일 영국 미술관, 뉴헤이븐

A single man occupies the center of an oval world. He is turned slightly, a three-quarter view that suggests a moment of quiet interruption. His face carries a soft, rosy flush against the pale cream of his skin, a warmth that contrasts with the cool, powdered white of his wig. The light falls from the upper left, carving the shape of his nose and the line of his jaw through…

11위부터 15위까지의 George Beare 작품

George Beare의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

George Beare의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관

소장 미술관 도시 George Beare의 작품 이 목록의 작품들
예일 영국 미술관, 뉴헤이븐예일 영국 미술관 뉴헤이븐 3 An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl, An Unknown Man
Salisbury - South Wiltshire Museum, 솔즈베리Salisbury - South Wiltshire Museum 솔즈베리 2 Sir Frederick Evelyn (1733 1734–1812), as a Boy, Miss Fort of Alderbury House, Wiltshire
National Portrait Gallery, 런던National Portrait Gallery 런던 2 Francis Price, Thomas Chubb
필라델피아 미술관, 필라델피아필라델피아 미술관 필라델피아 1 Portrait of a Woman
Walters Art Museum, 볼티모어Walters Art Museum 볼티모어 1 Portrait of a Lady Holding a Book
Salisbury Guildhall, SalisburySalisbury Guildhall Salisbury 1 Thomas Chubb of Salisbury (1679–1747)
브리스틀 박물관 - 아트 갤러리, 브리스톨브리스틀 박물관 - 아트 갤러리 브리스톨 1 Portrait of an Unknown Man in Brown

George Beare, 매년 선보이는 대표작

1740년부터 1749년까지의 약 10년이라는 시간은 George Beare에게 충분한 시간이었습니다. 갤러리는 그 세월을 따라 유명한 원작들을 하나씩 차례대로 선보입니다.

연도별 작품 수

연도를 선택하여 원작을 확인해 보세요.

George Beare의 작품: 갤러리의 해답

George Beare의 작품 중 가장 유명한 작품은 무엇인가요?정답 확인하기

An Unknown Woman, Called Peg Woffington (1740), 예일 영국 미술관, 뉴헤이븐. 다음은 Portrait of a Woman (1740)와 Portrait of a Lady Holding a Book (1740)입니다.

George Beare이(가) An Unknown Woman, Called Peg Woffington을(를) 완성했을 당시의 나이는 몇 살이었나요?정답 확인하기

15세: An Unknown Woman, Called Peg Woffington은(는) 1740년 작품이며, George Beare은(는) 1725년에 태어났습니다.

George Beare의 대표작 10점은 무엇인가요?정답 확인하기

An Unknown Woman, Called Peg Woffington, Portrait of a Woman, Portrait of a Lady Holding a Book, Portrait of an Elderly Lady and a Girl, An Unknown Man, Sir Charles Clarke (1702–1750), Baron of the Exchequer (1743–1750), Thomas Chubb of Salisbury (1679–1747), Sir Frederick Evelyn (1733 1734–1812), as a Boy, Portrait of a Lady 및 Portrait of a Gentleman, possibly Hugh Marriott. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

George Beare의 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1740년부터 1749년 사이의 George Beare 작가의 작품 15점이 수록되어 있습니다.

George Beare의 가장 유명한 원작들은 어디에 전시되어 있을까요?정답 확인하기

대부분 예일 영국 미술관 (뉴헤이븐), Salisbury - South Wiltshire Museum (솔즈베리) 및 National Portrait Gallery (런던)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

George Beare의 가장 유명한 작품들은 언제 제작되었나요?정답 확인하기

1747 동안: 이 페이지의 총 15점의 작품 중 5점이 해당 시기에 제작되었으며, 그중 Portrait of an Elderly Lady and a Girl점입니다.

George Beare의 초기 및 후기 대표작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 An Unknown Woman, Called Peg Woffington (1740)이며, 가장 최근 작품은 Portrait of a Lady (1749)입니다.

George Beare 작가가 가장 자주 다룬 주제는 무엇인가요?정답 확인하기

이 페이지의 15점의 작품에 걸쳐 있는 Woman (4), Lace (3) 및 White fabric (3)

George Beare 작가가 가장 많이 사용한 매체는 무엇인가요?정답 확인하기

이 페이지의 총 15점의 작품 중 3점의 Oil On Canvas

예일 영국 미술관이(가) 소장하고 있는 George Beare의 원작은 무엇인가요?정답 확인하기

An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl 및 An Unknown Man: 예일 영국 미술관, 뉴헤이븐은(는) 이 페이지에 있는 작품 중 3점을 소장하고 있습니다.

George Beare: 작가

A Fleeting Glimpse: The Life and Art of George Beare

George Beare remains a somewhat enigmatic figure in the landscape of 18th-century English portraiture, a talent whose career blossomed briefly yet left behind a captivating legacy of refined skill and insightful character studies. Born around 1724 or 1725, his life is shrouded in relative obscurity, known primarily through the surviving corpus of his work and scattered historical records. He was active mainly in Salisbury, Wiltshire, where he established himself as an “eminent Face Painter,” a designation that speaks to the importance of portraiture within provincial society during this period. Tragically, Beare’s artistic journey was cut short by his untimely death near Andover in 1749, leaving behind approximately forty known paintings—a modest output, yet one brimming with quality and nuance.

The Provincial Portraitist: Style and Technique

Beare's art reflects the prevailing stylistic currents of the mid-18th century, drawing heavily from the traditions established by artists like Sir Godfrey Kneller and William Hogarth. However, he wasn’t merely an imitator; Beare possessed a distinctive sensibility that set his work apart. His portraits are characterized by their meticulous attention to detail—the delicate rendering of lace collars, the subtle sheen of silk fabrics, and the precise depiction of facial features. He favored a restrained palette, employing muted tones and soft lighting to create a sense of intimacy and psychological depth. Unlike some of his contemporaries who embraced flamboyant displays of wealth and status in their portraits, Beare’s subjects are often presented with quiet dignity and understated elegance. His brushwork is remarkably smooth, indicative of careful layering and glazing techniques—a testament to his technical mastery. He excelled at capturing not just the likeness of his sitters but also a sense of their inner character, imbuing each portrait with a unique personality.

Wiltshire Society and Notable Patrons

Beare’s clientele primarily consisted of members of the gentry and prosperous merchants in and around Salisbury. His paintings offer a fascinating glimpse into the social fabric of Wiltshire society during the Georgian era. Among his most celebrated works are portraits of Thomas Chubb, a renowned clockmaker and outspoken critic of religious hypocrisy, painted in 1747—a piece that showcases Beare’s ability to convey intellectual strength and moral conviction. Another notable commission was a portrait of Colonel George Treby, Mayor of Plympton, revealing the artist's skill in depicting authority and civic pride. These portraits weren’t simply exercises in representation; they were statements of social standing, expressions of personal identity, and enduring testaments to the lives of those who commissioned them. The Salisbury Civic Society has rightly recognized Beare’s importance through a commemorative plaque, acknowledging his contribution to the artistic heritage of the region.

A Brief but Impactful Career: Legacy and Rediscovery

Despite his short career, George Beare left an indelible mark on the local art scene. His paintings were highly sought after during his lifetime, and they continue to be admired for their technical brilliance and psychological insight. While he didn’t achieve widespread fame like some of his contemporaries, his work has experienced a resurgence in recent years, thanks to increased scholarly attention and growing appreciation for provincial portraiture. Art UK and the Tate Gallery have both included Beare in their online collections, making his art accessible to a wider audience.
  • His paintings provide valuable insights into 18th-century English society.
  • Beare’s meticulous technique and restrained style set him apart from many of his contemporaries.
  • The rediscovery of his work has shed light on the artistic landscape beyond London.

Beyond the Brush: Unanswered Questions

Much about Beare's life remains a mystery. The location of his studio, the extent of his formal training, and the full scope of his artistic influences are still subjects of ongoing research. However, the surviving paintings offer compelling evidence of a gifted artist who possessed a keen eye for detail, a sensitive understanding of human character, and a remarkable ability to capture the essence of his sitters. George Beare’s story serves as a reminder that artistic excellence can flourish even in the most provincial settings, and that every portrait—however modest—can hold a wealth of historical and cultural significance.