11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 29점의 프레데릭 리처드 세이 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 프레데릭 리처드 세이의 가장 유명한 작품은 General Sir James Macdonell, 1781 - 1857. Soldier (1835)이며, 원작은 Edinburgh의 스코틀랜드 국립 초상화 갤러리에 전시되어 있습니다. Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) (1835)와 Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) (1848)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 프레데릭 리처드 세이의 작품 29점 중, 갤러리는 가장 유명한 29점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
General Sir James Macdonell, 1781 - 1857. Soldier is an oil on canvas portrait attributed to Frederick Richard Say. The subject is General Sir James Macdonell, a Scottish officer of the British Army. This work dates to about 1830 – about 1840.
The room feels heavy with the weight of intellect and duty. Seated within the deep embrace of a dark green velvet armchair, Sir William Webb Follet rests in a state of profound contemplation. Light spills from the left, carving the contours of his face and catching the subtle textures of his hair. He holds a collection of papers, their edges crisp against his hands, suggesting a mind constantly engaged with…
A single gaze meets the viewer from the shadows of a heavy, crimson curtain. Wilhelm I, Prince of Prussia, sits in a moment of stillness, his presence defined by the rigid geometry of a military uniform. The dark navy fabric absorbs the light, while the metallic glint of epaulettes catches a sharp, directional glow from the upper left. Every detail of his face is rendered with a quiet, exacting precision,…
In this half-length portrait, we encounter Edward Ward, 3rd Viscount Bangor, captured in a moment of quiet contemplation. The subject is rendered with a striking sense of presence, his form emerging from a dark, indistinct background that focuses all attention on his character. He is dressed in formal attire, the sharp edges of his collar and the heavy folds of his jacket providing a structured contrast to the softer, more…
Frederick Richard Say captured the likeness of Edward Law, 1st Earl of Ellenborough, in this 1845 oil painting. The subject sits with the weight of a British Tory politician. His gaze holds the stillness of a man accustomed to the halls of power. He once held the presidency of the Board of Control on four separate occasions. The brush traces the steady presence of a statesman.
This oil portrait captures Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne. Frederick Richard Say rendered the subject's likeness about 1848. The sitter's steady gaze meets the viewer from a position of quiet authority. He is a man of status, framed by the heavy shadows of a formal setting.
The figure emerges from a deep, dark void, anchored by the weight of heavy, textured robes. A single light source carves the contours of a face, catching the bridge of a nose and the steady gaze of a man held in a moment of quiet repose. The fabric of the garment ripples in thick, sculptural folds, suggesting a material of immense weight and luxury. Every line of the drapery leads…
In this 1862 portrait, we encounter Prince Albert, Prince Consort, presented with a quiet, commanding presence. The composition utilizes an oval vignette, a choice that focuses the viewer’s attention entirely upon the subject, stripping away the distractions of a specific setting to emphasize the man himself. He is captured in a three-quarter view, his gaze directed with a sense of calm authority. The lighting, descending from the upper left, carves…
The oil portrait titled Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen captures a quiet moment of aristocratic proximity. Frederick Richard Say, a society portrait painter active in London, rendered this double portrait to document the likenesses of these two men. The canvas holds the presence of Ernest, Prince of Leiningen, alongside Prince Victor of Hohenlohe-Langenburg, Count Gleichen.
The man sits within the quiet gravity of a seated portrait, his gaze meeting the viewer with a steady, composed expression. He is dressed in the formal attire of a gentleman, the crisp white of his collar providing a sharp contrast to the darker tones of his suit. Every fold of his clothing and the subtle contours of his face are rendered with a meticulous attention to detail that suggests…
Frances Talbot (1782–1857), Countess of Morley1830 · National Trust
12
Edmund Parker (1810–1864), 2nd Earl of Morley1830 · National Trust
13
Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892)1834 · National Trust
14
William Lyde Wiggett Chute (1800–1879)1843 · National Trust
15
Sir Thomas Digby Aubrey (1782–1856)1848 · County Hall
16
Prince Albert (1819–1861), Consort to Queen Victoria1849 · Fitzwilliam Museum
17
Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal1850 · 스코틀랜드 국립 초상화 갤러리
18
Richard Bright1860
19
Thomas Musgrave (1788–1860), Fellow, Senior Bursar, Lord Almoner's Professor of Arabic and Senior Proctor1863
20
Ernest II (1818-93), Duke of Saxe-Coburg-Gotha로열 컬렉션
21
Charles Grey (1764–1845), 2nd Earl Grey
22
William Pitt (1773–1857), 1st Lord Amherst
23
Lady Lucy Graham (1793–1875), Countess of Powis
24
The Little Wanderers
25
Temple Hamilton Chase (b.1819), with His Brother DrummondThe Queen's College
26
Admiral Sir William Hargood (1726–1839)국립 해양 박물관
27
Admiral Sir Robert Stopford (1768–1847)국립 해양 박물관
28
The Right Honourable Sir Harry Verney of Steeple Claydon (1801–1894), Bt, MP, DL, Captain First Grenadier Guards
29
Edward Stanley, 14th Earl of Derby1844 · National Portrait Gallery
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
#4 Edward Ward (1790–1837), 3rd Viscount Bangor
#9 Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen
#13 Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892)
#17 Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 프레데릭 리처드 세이의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 로열 컬렉션 |
런던 | 4 | Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Prince Albert, Prince Consort (1819-1861), Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen |
 National Portrait Gallery |
런던 | 3 | Edward Law, 1st Earl of Ellenborough, Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne, Edward Stanley, 14th Earl of Derby |
 National Trust |
플리머스 | 3 | John Parker II (1772–1840), 1st Earl of Morley, Frances Talbot (1782–1857), Countess of Morley, Edmund Parker (1810–1864), 2nd Earl of Morley |
 스코틀랜드 국립 초상화 갤러리 |
Edinburgh | 2 | General Sir James Macdonell, 1781 - 1857. Soldier, Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal |
 National Trust |
베이싱스테이크 | 2 | Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892), William Lyde Wiggett Chute (1800–1879) |
 국립 해양 박물관 |
런던 | 2 | Admiral Sir William Hargood (1726–1839), Admiral Sir Robert Stopford (1768–1847) |
 Royal Albert Memorial Museum |
엑서터 | 1 | Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) |
 Castle Ward |
1 | Edward Ward (1790–1837), 3rd Viscount Bangor |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
General Sir James Macdonell, 1781 - 1857. Soldier is an oil on canvas portrait attributed to Frederick Richard Say. The subject is General Sir James Macdonell, a Scottish officer of the British Army. This work dates to about 1830 – about 1840.
A single gaze meets the viewer from the shadows of a heavy, crimson curtain. Wilhelm I, Prince of Prussia, sits in a moment of stillness, his presence defined by the rigid geometry of a military uniform. The dark navy fabric absorbs the light, while the metallic glint of epaulettes catches a sharp, directional glow from the upper left. Every detail of his face is rendered with a quiet, exacting precision,…
The figure emerges from a deep, dark void, anchored by the weight of heavy, textured robes. A single light source carves the contours of a face, catching the bridge of a nose and the steady gaze of a man held in a moment of quiet repose. The fabric of the garment ripples in thick, sculptural folds, suggesting a material of immense weight and luxury. Every line of the drapery leads…
In this 1862 portrait, we encounter Prince Albert, Prince Consort, presented with a quiet, commanding presence. The composition utilizes an oval vignette, a choice that focuses the viewer’s attention entirely upon the subject, stripping away the distractions of a specific setting to emphasize the man himself. He is captured in a three-quarter view, his gaze directed with a sense of calm authority. The lighting, descending from the upper left, carves…
General Sir James Macdonell, 1781 - 1857. Soldier (1835), 스코틀랜드 국립 초상화 갤러리, Edinburgh. 다음은 Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) (1835)와 Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) (1848)입니다.
31세: General Sir James Macdonell, 1781 - 1857. Soldier은(는) 1835년 작품이며, 프레데릭 리처드 세이은(는) 1804년에 태어났습니다.
General Sir James Macdonell, 1781 - 1857. Soldier, Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845), Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Edward Ward (1790–1837), 3rd Viscount Bangor, Edward Law, 1st Earl of Ellenborough, Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne, Albert of Saxe Coburg Gotha (1819–1861), Prince Consort, Prince Albert, Prince Consort (1819-1861), Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen 및 John Parker II (1772–1840), 1st Earl of Morley. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1830년부터 1863년 사이의 프레데릭 리처드 세이 작가의 작품 29점이 수록되어 있습니다.
대부분 로열 컬렉션 (런던), National Portrait Gallery (런던) 및 National Trust (플리머스)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1840s 동안: 이 페이지의 총 29점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888)점입니다.
이 페이지에서 가장 오래된 작품은 John Parker II (1772–1840), 1st Earl of Morley (1830)이며, 가장 최근 작품은 Thomas Musgrave (1788–1860), Fellow, Senior Bursar, Lord Almoner's Professor of Arabic and Senior Proctor (1863)입니다.
이 페이지의 29점의 작품에 걸쳐 있는 Man (12), Suit (7) 및 Chair (6)
이 페이지의 총 29점의 작품 중 18점의 Oil On Canvas
Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Prince Albert, Prince Consort (1819-1861) 및 Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen: 로열 컬렉션, 런던은(는) 이 페이지에 있는 작품 중 4점을 소장하고 있습니다.
