David Martin의 초상화

David Martin 회화: 갤러리의 시선으로 선별한 가장 유명한 작품 37선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 38점의 David Martin 작품 (당사 카탈로그 기준)

요약하자면

갤러리가 선정한 David Martin의 가장 유명한 작품은 Self-portrait (1760)이며, 원작은 에든버러의 스코틀랜드 국립 미술관에 전시되어 있습니다. David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760)와 Alexander Udney, older brother to George (1757)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. David Martin의 작품 38점 중, 갤러리는 가장 유명한 37점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.

1737 – 1797, Anstruther 최다 소장처: 스코틀랜드 국립 초상화 갤러리

갤러리 베스트 10 David Martin 작품

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Self-portrait (1760) 의 David Martin

Self-portrait

1760 · Oil On Canvas · 스코틀랜드 국립 미술관, 에든버러

The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.

11위부터 37위까지의 David Martin 작품

11Sir Hector Munro (1785) 의 David MartinSir Hector Munro1785 · National Portrait Gallery 12William Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice (1777) 의 David MartinWilliam Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice1777 13Willielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge (1780) 의 David MartinWillielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge1780 · 스코틀랜드 국립 초상화 갤러리 14Parrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published (1777) 의 David MartinParrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published1777 15Lilias Seton, Lady Steuart of Allanton (died 1821) (1789) 의 David MartinLilias Seton, Lady Steuart of Allanton (died 1821)1789 · 스코틀랜드 국립 미술관 16Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794) 의 David MartinHenry Home, Lord Kames, 1696 - 1782. Scottish judge and author1794 · 스코틀랜드 국립 초상화 갤러리 17Alexander Murray, Lord Henderland, 1736 - 1795 (1787) 의 David MartinAlexander Murray, Lord Henderland, 1736 - 17951787 · 스코틀랜드 국립 초상화 갤러리 18William Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh (1788) 의 David MartinWilliam Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh1788 · 스코틀랜드 국립 초상화 갤러리 19Mary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh (1788) 의 David MartinMary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh1788 · 스코틀랜드 국립 초상화 갤러리 20Captain Patrick Hunter (1786) 의 David MartinCaptain Patrick Hunter1786 21Mary Martin, Mrs Alexander Gowan (1716 - 1795) 의 David MartinMary Martin, Mrs Alexander Gowan (1716 - 1795)스코틀랜드 국립 미술관 22Rev. Alexander Webster, 1707 - 1784. Moderator of the General Assembly 의 David MartinRev. Alexander Webster, 1707 - 1784. Moderator of the General Assembly스코틀랜드 국립 초상화 갤러리 23Thomas Hay, 9th Earl of Kinnoull, 1710 - 1787. Statesman 의 David MartinThomas Hay, 9th Earl of Kinnoull, 1710 - 1787. Statesman스코틀랜드 국립 초상화 갤러리 24John Hume of Ninewells, 1709 - 1786. Brother of David Hume 의 David MartinJohn Hume of Ninewells, 1709 - 1786. Brother of David Hume스코틀랜드 국립 초상화 갤러리 25Mary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physician 의 David MartinMary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physician스코틀랜드 국립 초상화 갤러리 26Hoopoe Starling 의 David MartinHoopoe Starling 27Oye De Guinée 의 David MartinOye De Guinée 28Peruche de Gingi 의 David MartinPeruche de Gingi 29Ara Rouge 의 David MartinAra Rouge 30Psittacula Eques 의 David MartinPsittacula Eques 31Mascarinus 의 David MartinMascarinus 32Ara Guadeloupensis 의 David MartinAra Guadeloupensis 33Reunion Parakeet 의 David MartinReunion Parakeet 34Cuban Macaw 의 David MartinCuban Macaw 35White-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill 의 David MartinWhite-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill 36Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray (1778) 의 David MartinPortrait of Dido Elizabeth Belle and Lady Elizabeth Murray1778 37Portrait of Benjamin Franklin (1767) 의 David MartinPortrait of Benjamin Franklin1767

David Martin의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

David Martin의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 6개의 미술관

소장 미술관 도시 David Martin의 작품 이 목록의 작품들
스코틀랜드 국립 초상화 갤러리, Edinburgh스코틀랜드 국립 초상화 갤러리 Edinburgh 15 David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian
스코틀랜드 국립 미술관, 에든버러스코틀랜드 국립 미술관 에든버러 3 Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795)
Pennsylvania Academy of Fine Arts, 필라델피아Pennsylvania Academy of Fine Arts 필라델피아 1 Benjamin Franklin
Balliol College, 옥스퍼드Balliol College 옥스퍼드 1 Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778)
Basildon ParkBasildon Park 1 Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813)
National Portrait Gallery, 런던National Portrait Gallery 런던 1 Sir Hector Munro

David Martin, 10년마다 탄생한 대표작 한 점

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

David Martin의 작품: 갤러리의 해답

David Martin의 작품 중 가장 유명한 작품은 무엇인가요?정답 확인하기

Self-portrait (1760), 스코틀랜드 국립 미술관, 에든버러. 다음은 David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760)와 Alexander Udney, older brother to George (1757)입니다.

David Martin이(가) Self-portrait을(를) 완성했을 당시의 나이는 몇 살이었나요?정답 확인하기

23세: Self-portrait은(는) 1760년 작품이며, David Martin은(는) 1737년에 태어났습니다.

David Martin의 대표작 10점은 무엇인가요?정답 확인하기

Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) 및 Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

David Martin의 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1757년부터 1794년 사이의 David Martin 작가의 작품 38점이 수록되어 있습니다.

David Martin의 가장 유명한 원작들은 어디에 전시되어 있을까요?정답 확인하기

대부분 스코틀랜드 국립 초상화 갤러리 (Edinburgh), 스코틀랜드 국립 미술관 (에든버러) 및 Pennsylvania Academy of Fine Arts (필라델피아)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

David Martin의 가장 유명한 작품들은 언제 제작되었나요?정답 확인하기

1770s 동안: 이 페이지의 총 37점의 작품 중 8점이 해당 시기에 제작되었으며, 그중 Rev. Robert Henry, 1718 - 1790. Historian점입니다.

David Martin의 초기 및 후기 대표작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 Alexander Udney, older brother to George (1757)이며, 가장 최근 작품은 Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794)입니다.

스코틀랜드 국립 초상화 갤러리이(가) 소장하고 있는 David Martin의 원작은 무엇인가요?정답 확인하기

David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George 및 Rev. Robert Henry, 1718 - 1790. Historian: 스코틀랜드 국립 초상화 갤러리, Edinburgh은(는) 이 페이지에 있는 작품 중 15점을 소장하고 있습니다.

David Martin: 작가

A Life Dedicated to the Winged World

François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.

His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.

The Art of Observation: Technique and Style

What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.

He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.

  • Color Techniques: While Martinet primarily worked in monochrome engravings, his illustrations were often hand-colored by skilled artisans, adding layers of vibrant hues that brought the birds to life.
  • Compositional Choices: He favored dynamic compositions, placing birds within their natural settings and capturing them in active poses.
  • Attention to Detail: Martinet’s illustrations are renowned for their meticulous rendering of feathers, scales, and other anatomical features.

Collaborations and Major Works

Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.

His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.

Notable Works:
  • Histoire Naturelle des Oiseaux (Natural History of Birds) by Georges-Louis Leclerc, Comte de Buffon
  • Illustrations for Mathurin Jacques Brisson’s *Ornithologia*
  • Engravings for the Encyclopédie méthodique

Legacy and Historical Significance

François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.

His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.