11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 82점의 다니엘 미텐스 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 다니엘 미텐스의 가장 유명한 작품은 Charles I, King of England (detail) (1629)이며, 원작은 뉴욕의 메트로폴리탄 미술관에 전시되어 있습니다. Charles I (1600–1649), King of England (1629)와 Portrait of a Man (1627)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 다니엘 미텐스의 작품 82점 중, 갤러리는 가장 유명한 74점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
In the year 1629, a portrait emerged from the studio of Daniel Mijtens that would do more than merely capture a likeness; it would crystallize an era. The portrait of Charles I stands as a profound testament to the burgeoning artistic landscape of England during the reign of James I and his son. At a time when the English court was navigating complex political waters, Mijtens offered a vision of…
In this 1627 portrait, we encounter a man of quiet authority, captured in a moment of composed stillness. The composition follows a traditional three-quarter view, focusing on the subject from the waist up against a dark, indeterminate background that pushes his presence forward. There is a certain gravity to his posture, a sense of dignity that suggests a life of significant standing. The lighting is deliberate, descending from the upper…
In this portrait by Daniël Mijtens, we encounter John Cotton, a man whose presence carries the weight of significant theological influence. Painted around 1628, the work captures the clergyman during a period of profound religious transition. Cotton was a central figure in the religious life of both England and the American colonies, eventually becoming the preeminent minister and theologian of the Massachusetts Bay Colony. There is a quiet gravity in…
In this 1624 portrait, we encounter Charles I during his tenure as Prince of Wales, a period before his ascension to the English throne. The subject is positioned with a quiet, commanding presence, his gaze meeting the viewer with a directness that suggests both nobility and a burgeoning sense of responsibility. There is a certain stillness to his posture, a composure that defines the Baroque portraiture of the era. He…
찰스 첫 번째 왕자 (1600–1649) – 미얀츠의 자연주의적 기품 미얀츠의 작품은 찰스 첫 번째 왕자가 왕위 계승 시절을 그린 초상화입니다. 이 그림은 금색 목걸이를 착용한 녹색 코트를 입고 있는 남자를 보여줍니다. 그는 수염과 진주를 하고 있으며, 프릴 장식으로 꾸며져 있습니다. 그림은 프레임 안에 전시되어 있으며 이는 작품의 표현력을 더합니다. 사진 자체는 그림의 오래된 느낌을 자아내고 있으며 빈티지 감성을 불러일으킵니다. 이 초상화는 단순한 인물 형상을 넘어 영국의 정치적 지형과 예술적 변화를…
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
A formal, full-length Baroque portrait captures Lionel Cranfield, 1st Earl of Middlesex, in a moment of composed dignity. He is positioned slightly off-center, leaning against a table draped in heavy red cloth. The composition is vertical, emphasizing his stature through a three-quarter length view. His attire consists of dark, heavy robes that absorb the light, contrasted sharply by a crisp white ruff and the metallic sheen of gold embroidery on…
The subject, Thomas Howard, 1st Earl of Suffolk, is depicted in a full-length, vertical composition. He stands in a three-quarter view, his body angled slightly to the right while his gaze is directed toward the viewer. He wears a red surcoat over a dark doublet, accented by a large, stiffly pleated white ruff at the neck. Heavy gold livery collars and jewelry hang from his shoulders, catching the light against…
A full-length portrait of James Hamilton, 2nd Marquess of Hamilton, presents a single male figure positioned slightly off-center. He is depicted in a standing pose, holding a slender staff in one hand and a hat in the other. The subject wears a dark doublet with structured, geometric folds and a crisp, white lace ruff that encircles the neck. His legs are clad in light tan leather boots, which contrast with…
Portrait of Maurits van Oranje-Nassau (1567-1625)1611 · 암스테르담 박물관
12
Portrait of a Young Girl1610 · National Trust
13
Sir Thomas Edmondes1622 · National Portrait Gallery
14
Charles I1633 · 세인트루이스 미술관
15
Lady Martha Cranfield, Countess of Monmouth (1601-1667)1634 · Knole House
16
Elizabeth, Queen of Bohemia (1596-1662)1626 · 로열 컬렉션
17
Charles I and Henrietta Maria1631 · 로열 컬렉션
18
Self-Portrait1630 · 버킹엄 궁전
19
Charles I1628 · 로열 컬렉션
20
Charles I and Henrietta Maria Departing for the Chase1631 · 로열 컬렉션
21
Charles I1623 · 로열 컬렉션
22
Mary, Queen of Scots (1542-87)1627 · 로열 컬렉션
23
Margaret Tudor, Queen of Scotland (1489-1541)1629 · 로열 컬렉션
24
Charles I (1600-1649) when Prince of Wales1623 · 로열 컬렉션
25
Ernst von Mansfeld (1585-1626)1624 · 로열 컬렉션
26
Jeffrey Hudson (1619-1682)1629 · 로열 컬렉션
27
Charles I of England (1600–1649) as Prince of Wales1624 · Statens Museum For Kunst
28
James Hamilton (1589–1625), 2nd Marquess of Hamilton and 4th Earl of Arran, KG, PC1623
29
Thomas Howard (1585–1646), Earl of Arundel1630 · Temple Newsam House
30
Portrait of Gerard Schaep Pietersz. (1599-1655) (copy)1724 · 암스테르담 박물관
31
Portrait of Johanna de Vissere (1604-1676) (copy)1725 · 암스테르담 박물관
32
Charles I, King of England1629 · 메트로폴리탄 미술관
33
Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham1620 · Nostell Priory
34
Sir John Garrard (c.1546–1625), Lord Mayor of London (1601)1618 · Guildhall Art Gallery
35
Lionel Cranfield (1575–1645), 1st Earl of Middlesex1620 · National Trust
36
Nicolò Molino, Venetian Ambassador1622 · National Trust
37
Charles Howard (1536–1624), 1st Earl of Nottingham1620
38
King James I of England and VI of Scotland1621 · National Portrait Gallery
39
Thomas Howard, 2nd Earl of Arundel and Surrey1618 · National Portrait Gallery
40
William Laud (1573–1645), Archbishop of Canterbury (1633–1645)1631
41
Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG1634 · National Trust
42
Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 451633 · National Trust
43
James Hamilton (1606–1649), 1st Duke of Hamilton, Royalist1629 · 스코틀랜드 국립 초상화 갤러리
44
Portrait of James Hamilton, Earl of Arran, Later 3rd Marquis and 1st Duke of Hamilton, Aged 171623 · 테이트 브리튼
45
Robert Rich (1587–1658), 2nd Earl of Warwick1632 · 국립 해양 박물관
46
Chief Justice Sir Henry Hobart (d.1625), 1st Bt1624 · National Trust
47
King Charles I (1600–1649)1629 · Government Art Collection
48
Charles I (1600–1649), King of Great Britain and Ireland1631 · 국립 해양 박물관
49
Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville)1626 · Government Art Collection
50
Endymion Porter1627 · National Portrait Gallery
51
Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 16791679 · 국립 미술관
52
Thomas Bruce, 3rd Lord Bruce of Kinloss, 1st Earl of Elgin (1599-1663)Hardwick Hall
53
An Unknown LadyNational Trust
54
Christian, Duke of Brunswick and Lüneburg (1599-1626)로열 컬렉션
55
Elizabeth Knollys, née Howard
56
Mary, Queen of Scots
57
Alathea, Countess of Arundel and Surrey
58
Duke of Hamilton1629 · 스코틀랜드 국립 초상화 갤러리
59
Ralph hopton
60
Paul and Barnabas at Lycaonia
61
James I and VI
62
Healing of the Lame ManKnole House
63
Charles I , in Robes of State
64
Christ's Charge to Peter
65
James VI
66
William Herbert, 3rd Earl of Pembroke
67
Duke of Buckingham
68
Elizabeth Leicester (b.1587)
69
William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PCNational Trust
70
George Villiers (1592–1628), 1st Duke of Buckingham국립 해양 박물관
71
George Villiers (1592–1628), 1st Duke of Buckingham
72
King Charles I (1600–1649)Government Art Collection
73
The Death of Ananias빅토리아 앤 알버트 박물관
74
King Charles I1631 · National Portrait Gallery
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 다니엘 미텐스의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 로열 컬렉션 |
런던 | 11 | Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria, Charles I |
 National Portrait Gallery |
런던 | 5 | Sir Thomas Edmondes, King James I of England and VI of Scotland, Thomas Howard, 2nd Earl of Arundel and Surrey |
 국립 해양 박물관 |
런던 | 4 | Thomas Howard (1561-1626), 1st Earl of Suffolk, Robert Rich (1587–1658), 2nd Earl of Warwick, Charles I (1600–1649), King of Great Britain and Ireland |
 메트로폴리탄 미술관 |
뉴욕 | 3 | Charles I, King of England (detail), Charles I (1600–1649), King of England, Charles I, King of England |
 Knole House |
세븐오크스 | 3 | Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Lady Martha Cranfield, Countess of Monmouth (1601-1667), Healing of the Lame Man |
 암스테르담 박물관 |
암스테르담 | 3 | Portrait of Maurits van Oranje-Nassau (1567-1625), Portrait of Gerard Schaep Pietersz. (1599-1655) (copy), Portrait of Johanna de Vissere (1604-1676) (copy) |
 National Trust |
체스터필드 | 3 | Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG, Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 45, William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PC |
 Government Art Collection |
런던 | 3 | King Charles I (1600–1649), Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville), King Charles I (1600–1649) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
This oil on canvas work by Daniël Mijtens depicts Charles I, King of England. Dated 1633, the portrait presents the monarch in a formal manner. The subject is rendered in a full-length view, positioned as a royal portrait intended to convey the status of the sitter. The figure is shown in a three-quarter view against a dark, atmospheric background.
Charles I, King of England (detail) (1629), 메트로폴리탄 미술관, 뉴욕. 다음은 Charles I (1600–1649), King of England (1629)와 Portrait of a Man (1627)입니다.
39세: Charles I, King of England (detail)은(는) 1629년 작품이며, 다니엘 미텐스은(는) 1590년에 태어났습니다.
Charles I, King of England (detail), Charles I (1600–1649), King of England, Portrait of a Man, John Cotton, Charles I as Prince of Wales, 찰스 1세 (프린스 오브 웨일즈), Venus and Amor (Allegory of Love), Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Thomas Howard (1561-1626), 1st Earl of Suffolk 및 James Hamilton, 2nd Marquess of Hamilton (1589-1625). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1610년부터 1634년 사이의 다니엘 미텐스 작가의 작품 82점이 수록되어 있습니다.
대부분 로열 컬렉션 (런던), National Portrait Gallery (런던) 및 국립 해양 박물관 (런던)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1620s 동안: 이 페이지의 총 74점의 작품 중 31점이 해당 시기에 제작되었으며, 그중 Charles I, King of England (detail)점입니다.
이 페이지에서 가장 오래된 작품은 Portrait of a Young Girl (1610)이며, 가장 최근 작품은 Lady Martha Cranfield, Countess of Monmouth (1601-1667) (1634)입니다.
이 페이지의 74점의 작품에 걸쳐 있는 Man (33), Lace ruff (11) 및 Portrait (9)
이 페이지의 총 74점의 작품 중 39점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Dutch golden age portraiture 및 Baroque
Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria 및 Charles I: 로열 컬렉션, 런던은(는) 이 페이지에 있는 작품 중 11점을 소장하고 있습니다.
