11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 116점의 대니얼 헌팅턴 작품 (당사 카탈로그 기준)
요약하자면
대니얼 헌팅턴가 남긴 모든 원작 중 가장 유명한 작품은 워싱턴 D.C.의 내셔널 포트레이트 갤러리에 소장된 Samuel Francis Du Pont (1867)입니다. 그 뒤를 이어 Carl Schurz (1899)와 William C. Prime (1892)가 뒤를 잇습니다. 대니얼 헌팅턴의 작품 116점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 100점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
In this oil on canvas, Daniel Huntington captures the commanding presence of Samuel Francis Du Pont. The subject gazes out with the steady, resolute air of a man accustomed to command, his features rendered with a precision that speaks to his high standing. As a rear admiral in the United States Navy, Du Pont carries the weight of his rank in his very posture. He belongs to the prominent du…
This oil on canvas portrait by Daniel Huntington depicts Carl Schurz. Created in 1899, the work presents a three-quarter view of the subject. Schurz is shown as a seated male figure wearing spectacles. He is positioned facing left, though his head is turned toward the right. His left hand rests upon the arm of a chair, while his right hand holds a newspaper.
Daniel Huntington painted William C. Prime in 1892. This oil on canvas presents an elderly gentleman seated at a desk. Several books rest before him, suggesting a life defined by scholarship or legal practice. The subject is rendered with a focus on the dignity of his features and the textures of his attire.
In this formal portrait, Daniel Huntington captures William Cullen Bryant in a moment of quiet gravity. Painted about 1865, the work presents the subject as an elderly man, focusing on the dignity inherent in his advanced years. There is a certain stillness here, a sense of a life lived through intellect and reflection, rendered with the steady hand of a practiced portraitist.
The gaze of Benjamin Hazard Field meets the viewer from across the decades, captured in a formal oil on canvas by the hand of Daniel Huntington. This portrait, executed in 1887, presents the gentleman in a moment of quiet dignity. He sits with a composed presence, his form rendered with the precise, academic realism that defines the artist's approach to the human likeness. The subject's posture and the steady weight…
In this 1857 oil portrait, Daniel Huntington captures the likeness of Gulian Crommelin Verplanck. The sitter, a man of significant professional standing, is presented with the quiet dignity appropriate to his many roles. Verplanck was a prominent figure in New York, serving as a lawyer, a writer, and a member of the United States Congress. His life was defined by public service and intellectual engagement, qualities that Huntington seeks to…
In this 1839 work, Daniel Huntington presents A Sibyl, a painting that focuses on a single female figure. The subject is rendered as a waist-length figure, captured in a moment of quiet intensity. Through this composition, the artist explores themes of classical mythology, specifically drawing upon the tradition of the Sibyls. The portrayal moves away from the expansive landscapes for which Huntington was also known, focusing instead on the intimate…
A man sits in the quiet gravity of an armchair, his chin resting against a hand in a gesture of heavy contemplation. The light, a soft glow from the upper left, carves the contours of a face marked by the weight of intellect. Dark hair frames a brow caught in a moment of stillness. Every brushstroke follows the organic curve of a cheek or the deep, heavy folds of fabric,…
In this 1847 oil portrait, we encounter Philip Hone, a man whose life was deeply woven into the fabric of New York City. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the viewer's left. There is a quiet gravity in his expression, a contemplative stillness that suggests a life spent observing the shifting tides of urban society. The lighting, descending from the upper…
In this formal 19th-century oil portrait, Daniel Huntington presents Henry Woodward Cooper and His Brother within a classic studio setting. The composition is centered on the two children, creating an immediate sense of familial closeness. One brother is seated, while the other leans against him, a pose that anchors the viewer's attention to their shared connection. This arrangement allows for a quiet, dignified presentation of the siblings, captured about 1842.
Thomas Cole (1801-1848)1841 · New York Historical Society
12
George Coggeshall (1784-1861)1840 · New York Historical Society
13
A Sybil1847
14
Italy1843 · 스미소니언 미국 미술관
15
James Kent1848 · 내셔널 포트레이트 갤러리
16
George Inness1854 · National Academy of Design
17
Albert Gallatin (1761-1849)1852 · New York Historical Society
18
George William Frederick Howard (1802–1864)1851 · New York Historical Society
19
Sir Charles Lock Eastlake (1793–1865)1851 · New York Historical Society
20
Mother and Child1849 · New York Historical Society
21
Jedediah Vincent Huntington (1815–1862)1850 · New York Historical Society
22
Dr. John Still Winthrop Parkin (1792-1866)1863 · New York Historical Society
23
Edward Jones (1812-1869)1862 · New York Historical Society
24
Benjamin Peirce (1809-1880)1857 · 하버드 미술관
25
John Torrey (1796-1873)1857
26
Stephen Alexander (1806-1883)1856
27
Mercy's Dream1858 · 메트로폴리탄 미술관
28
Mrs. Birdsall Cornell1860 · 메트로폴리탄 미술관
29
Portrait of Asher Brown Durand1857
30
Dr. James Hall1857 · 국립 미술관
31
John Jay Phelps (1810–1869)1869 · New York Historical Society
32
Sowing the Word1868 · New York Historical Society
33
George Bruce (1781–1866)1866 · New York Historical Society
34
Mrs. Marshall O. Roberts (Caroline D. Smith, 1827–1874)1864 · New York Historical Society
35
Robert Charles Winthrop (1809-1894)1871 · 하버드 미술관
36
John David Wolfe1871 · 메트로폴리탄 미술관
37
Nicoll Havens Dering1871 · 메트로폴리탄 미술관
38
Laura Prime Jay (Mrs. John Clarkson Jay)1872 · Museum of the City of New York
39
Portrait of Stephen Salisbury II1878
40
John Alexander Logan (1826-1886)1876 · New York Historical Society
41
William Mitchell (1801-1886)1875 · New York Historical Society
42
Benjamin Hazard Field (1814–1893)1875 · New York Historical Society
43
Samuel Livingston Breese (1794–1870)1872 · New York Historical Society
44
Rutherford Birchard Hayes1884
45
Chester Alan Arthur1885
46
James Lloyd White (1822-1884)1884 · New York Historical Society
47
Cyrus W. Field1879 · 메트로폴리탄 미술관
48
Self-Portrait1891 · National Academy of Design
49
Mary McCrea Stuart (Mrs. Robert Leighton Stuart, 1810-1891)1892 · New York Historical Society
50
James Russell White (1862-1886)1886 · New York Historical Society
51
Eugene Kelly1895
52
Mary Gardiner Thompson (1844–1935)1898 · New York Historical Society
53
The Field Family in a Garden1869 · 스미소니언 미국 미술관
54
Philosophy and Christian Art1868 · 로스앤젤레스 카운티 미술관
55
William Henry Aspinwall1871 · 내셔널 포트레이트 갤러리
56
Mohonk 2
57
GEORGE WASHINGTON AND CHRISTOPHER GIST ON THE ALLEGHENY RIVER
58
Landscape1837 · New York Historical Society
59
Study of a Woman1843
60
A Swiss Lake1849 · 스미소니언 미국 미술관
61
Dr. John Edwards Holbrook1857 · 국립 미술관
62
The Fair Student1858 · National Academy of Design
63
The Upper Hudson1871 · New Britain Museum of American Art
64
Henry Theodore Tuckerman1866 · 국립 미술관
65
Elizabeth Bailey Kent내셔널 포트레이트 갤러리
66
John Taylor Johnston1875 · Augustiner Museum
67
Lake Mohonk1872
68
John Adams Dix (1798–1879)1879 · New York Historical Society
69
Late Afternoon on the Susquehanna1884
70
Lake Minnewaska1889
71
Lake Minnewaska after Showers1889
72
Justice and Peace1886 · 디트로이트 미술관
73
The Delaware, East Branch, Walton
74
Balance Rock, Pine Hill, Walton
75
Mrs sylvester dering메트로폴리탄 미술관
76
Rock Study 1
77
Portrait of Mr. Renton
78
Portrait of Willard Parker
79
On the Rondout
80
Seated Male Nude
81
Nicoll Havens Dering
82
Portrait of a Woman
83
The End메트로폴리탄 미술관
84
Mr. Mason by the Sea
85
William Amory바르샤바 국립 박물관
86
Dr. John W. Francis클리블랜드 미술관
87
Portrait of a lady in a white dress, said to be Emily Astor
88
Colonel David Lion Gardiner
89
Portrait of John Lyon Gardiner
90
Portrait of Mrs. John Lyon Gardiner
91
Abraham Alfonse Albert Gallatin하버드 미술관
92
Study In A Wood메트로폴리탄 미술관
93
Anna Watson Stuart
94
Mercy's Dream
95
Anna Watson Stuart1862 · 메트로폴리탄 미술관
96
(Theodore Roosevelt, Senior)1884 · 사가모어 힐 국립 사적지
97
Chocorua Peak, New HampshireNew York Historical Society
98
Black Mountain, Lake George
99
Hudson
100
Mohonk 1
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 대니얼 헌팅턴의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 New York Historical Society |
뉴욕 | 27 | A Sibyl, Philip Hone (1780–1851), Henry Woodward Cooper and His Brother |
 메트로폴리탄 미술관 |
뉴욕 | 11 | William C. Prime, Mercy's Dream, Mrs. Birdsall Cornell |
 내셔널 포트레이트 갤러리 |
워싱턴 D.C. | 8 | Samuel Francis Du Pont, Carl Schurz, William Cullen Bryant |
 스미소니언 미국 미술관 |
워싱턴 D.C. | 4 | Benjamin Hazard Field, Italy, The Field Family in a Garden |
 National Academy of Design |
New York City | 3 | George Inness, Self-Portrait, The Fair Student |
 하버드 미술관 |
캠브리지 | 3 | Benjamin Peirce (1809-1880), Robert Charles Winthrop (1809-1894), Abraham Alfonse Albert Gallatin |
 국립 미술관 |
워싱턴 | 3 | Dr. James Hall, Dr. John Edwards Holbrook, Henry Theodore Tuckerman |
 Museum of the City of New York |
뉴욕 | 1 | Laura Prime Jay (Mrs. John Clarkson Jay) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this 1839 work, Daniel Huntington presents A Sibyl, a painting that focuses on a single female figure. The subject is rendered as a waist-length figure, captured in a moment of quiet intensity. Through this composition, the artist explores themes of classical mythology, specifically drawing upon the tradition of the Sibyls. The portrayal moves away from the expansive landscapes for which Huntington was also known, focusing instead on the intimate…
A man sits in the quiet gravity of an armchair, his chin resting against a hand in a gesture of heavy contemplation. The light, a soft glow from the upper left, carves the contours of a face marked by the weight of intellect. Dark hair frames a brow caught in a moment of stillness. Every brushstroke follows the organic curve of a cheek or the deep, heavy folds of fabric,…
In this 1857 oil portrait, Daniel Huntington captures the likeness of Gulian Crommelin Verplanck. The sitter, a man of significant professional standing, is presented with the quiet dignity appropriate to his many roles. Verplanck was a prominent figure in New York, serving as a lawyer, a writer, and a member of the United States Congress. His life was defined by public service and intellectual engagement, qualities that Huntington seeks to…
In this oil on canvas, Daniel Huntington captures the commanding presence of Samuel Francis Du Pont. The subject gazes out with the steady, resolute air of a man accustomed to command, his features rendered with a precision that speaks to his high standing. As a rear admiral in the United States Navy, Du Pont carries the weight of his rank in his very posture. He belongs to the prominent du…
In this 1871 portrait, we find ourselves in the presence of Robert Charles Winthrop, a man whose very posture suggests a life of significant public weight. He is seated in a plush, upholstered armchair, positioned with a classical balance that avoids the stiffness of formal posing. The composition is a three-quarter length view, allowing the viewer to engage with him at eye-level, creating a sense of direct, respectful connection. There…
The gaze of Benjamin Hazard Field meets the viewer from across the decades, captured in a formal oil on canvas by the hand of Daniel Huntington. This portrait, executed in 1887, presents the gentleman in a moment of quiet dignity. He sits with a composed presence, his form rendered with the precise, academic realism that defines the artist's approach to the human likeness. The subject's posture and the steady weight…
This oil on canvas portrait by Daniel Huntington depicts Carl Schurz. Created in 1899, the work presents a three-quarter view of the subject. Schurz is shown as a seated male figure wearing spectacles. He is positioned facing left, though his head is turned toward the right. His left hand rests upon the arm of a chair, while his right hand holds a newspaper.
Samuel Francis Du Pont (1867), 내셔널 포트레이트 갤러리, 워싱턴 D.C.. 다음은 Carl Schurz (1899)와 William C. Prime (1892)입니다.
51세: Samuel Francis Du Pont은(는) 1867년 작품이며, 대니얼 헌팅턴은(는) 1816년에 태어났습니다.
Samuel Francis Du Pont, Carl Schurz, William C. Prime, William Cullen Bryant, Benjamin Hazard Field, Gulian Crommelin Verplanck, A Sibyl, Washington Irving, Philip Hone (1780–1851) 및 Henry Woodward Cooper and His Brother. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1837년부터 1899년 사이의 대니얼 헌팅턴 작가의 작품 116점이 수록되어 있습니다.
대부분 New York Historical Society (뉴욕), 메트로폴리탄 미술관 (뉴욕) 및 내셔널 포트레이트 갤러리 (워싱턴 D.C.)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1870s 동안: 이 페이지의 총 100점의 작품 중 15점이 해당 시기에 제작되었으며, 그중 Robert Charles Winthrop (1809-1894)점입니다.
이 페이지에서 가장 오래된 작품은 Landscape (1837)이며, 가장 최근 작품은 Carl Schurz (1899)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Man (39), Portrait (23) 및 Dark background (15)
이 페이지의 총 100점의 작품 중 42점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Hudson river school
A Sibyl, Philip Hone (1780–1851) 및 Henry Woodward Cooper and His Brother: New York Historical Society, 뉴욕은(는) 이 페이지에 있는 작품 중 27점을 소장하고 있습니다.
뉴욕에서 태어난 다니엘 헌팅턴은 허드슨 리버 학파의 평온한 자연주의와 고전 초상화의 품격 있는 정밀함을 결합하며 미국 미술계의 중추적인 인물로 등장했습니다. 그의 예술적 여정은 엄격한 학문적 토대에서 시작되었습니다. 뉴헤이븐의 스미스 아카데미에 입학한 후, 그는 전설적인 새뮤얼 F. B. 모스와 이후 헨리 임먼의 지도 아래 예일 대학교에서 수학했습니다. 구도와 세부 묘사의 거장들로부터 받은 이러한 초기 경험은 향후 그의 작품이 지닌 구조적 완성도를 정의하는 밑거름이 되었습니다. 또한 유럽 여행을 통해 다듬어진 그의 예술적 영혼은 로마, 피렌체, 파리의 빛과 공기를 마주하며 그의 팔레트에 지워지지 않을 깊은 흔적을 남겼습니다.
헌팅턴의 경력 변화는 양식적 전환을 보여주는 매혹적인 연구 대상입니다. 초기 시절 그는 당대의 풍경화 전통을 수용하여 미국 황야의 숭고한 아름다움을 포착하는 데 집중했습니다. 그러나 명성이 높아짐에 따라 그는 인간의 내면과 친밀함으로 시선을 돌려 최고의 초상화가로서 입지를 굳혔습니다. 이러한 변화를 통해 그는 역사적 인물부터 당대의 지도자들에 이르기까지, 대상이 가진 심리적 깊이를 탐구할 수 있었습니다. 낭만주의의 극적인 조명과 세심하고 사실적인 접근법 사이에서 균형을 잡는 그의 능력은 단순히 외형적 닮음을 넘어, 모델의 진정한 본질까지도 화폭에 담아낼 수 있게 했습니다.
캔버스를 넘어 헌팅턴은 미국 미술계의 초석이었습니다. 그의 리더십은 오늘날까지 미국의 문화유산을 수호하고 있는 여러 기관을 형성하는 데 결정적인 역할을 했습니다. 예술에 대한 그의 헌신은 다음과 같은 저명한 조직들에 남긴 중대한 공헌을 통해 잘 드러납니다.
그의 작품 세계는 놀라울 정도로 다양했습니다. 신성한 상징성을 통해 그에게 폭넓은 명성을 안겨준 알레고리 걸작 "자비의 꿈(Mercy's Dream)"부터, 에이브러햄 링컨과 마틴 밴 뷰런을 포함한 미국 대통령들의 심오한 초상화에 이르기까지 그 범위는 매우 넓었습니다. 천로역정(The Pilgrim's Progress)의 영적 여정을 그려낼 때나 숲속 연구의 정적을 포착할 때나, 헌팅턴의 작품은 서사와 진실에 대한 깊은 경외심에 뿌리를 두고 있었습니다. 화가이자 제도적 지도자라는 이중적인 유산을 통해, 그는 세계 무대에서 미국 예술이 영원히 자리 잡을 수 있도록 기여했습니다.
