11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 14점의 Cathleen Sabine Mann 작품 (당사 카탈로그 기준)
요약하자면
Cathleen Sabine Mann가 남긴 모든 원작 중 가장 유명한 작품은 Ballerina (1934)입니다. 그 뒤를 이어 Francis Brett Young (1884–1954) (1922)와 Jane Posing (1931)가 뒤를 잇습니다. Cathleen Sabine Mann의 작품 14점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 14점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
The Ballerina painting by Cathleen Mann is a stunning example of artistic excellence, showcasing the artist's skill and attention to detail. Created in 1934, this oil on canvas masterpiece measures 91 x 71 cm and is currently housed at the Glasgow Museums Resource Centre in the United Kingdom. Artist Background Cathleen Mann was a talented artist known for her captivating portraits and figurative paintings. Her work often featured women and…
이 페이지에 있는 작품을 가장 많이 소장하고 있는 4개의 미술관
| 소장 미술관 | 도시 | Cathleen Sabine Mann의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 버밍엄 대학교 |
버밍엄 | 1 | Francis Brett Young (1884–1954) |
 Ferens Art Gallery |
헐 | 1 | Diana Napier (1904–1982) (Mrs Richard Tauber) |
 National Trust |
그랜덤 | 1 | Peregrine Francis Adelbert Cust (1899–1978), 6th Baron Brownlow |
 Bolton Museum And Art Gallery |
볼턴 | 1 | Flowers |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The Ballerina painting by Cathleen Mann is a stunning example of artistic excellence, showcasing the artist's skill and attention to detail. Created in 1934, this oil on canvas masterpiece measures 91 x 71 cm and is currently housed at the Glasgow Museums Resource Centre in the United Kingdom. Artist Background Cathleen Mann was a talented artist known for her captivating portraits and figurative paintings. Her work often featured women and…
Ballerina (1934). 다음은 Francis Brett Young (1884–1954) (1922)와(과) Jane Posing (1931)입니다.
38세: Ballerina은(는) 1934년 작품이며, Cathleen Sabine Mann은(는) 1896년에 태어났습니다.
Ballerina, Francis Brett Young (1884–1954), Jane Posing, Composition in Pink and Green, David Douglas, Viscount Drumlanrig (b.1929), Diana Napier (1904–1982) (Mrs Richard Tauber), Barrage Balloons over St James's Park, St James's Park, Evreux 및 Evan Frederick Morgan (1893–1949), 2nd Viscount Tredegar (2nd Creation). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1922년부터 1952년 사이의 Cathleen Sabine Mann 작가의 작품 14점이 수록되어 있습니다.
대부분 버밍엄 대학교 (버밍엄), Ferens Art Gallery (헐) 및 National Trust (그랜덤)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1940s 동안: 이 페이지의 총 14점의 작품 중 6점이 해당 시기에 제작되었으며, 그중 Barrage Balloons over St James's Park점입니다.
이 페이지에서 가장 오래된 작품은 Francis Brett Young (1884–1954) (1922)이며, 가장 최근 작품은 Sir Eduardo Luigi Paolozzi (1952)입니다.
Cathleen Mann began her days in Newcastle upon Tyne, born to parents who lived through the brush and pigment. Her father, Harrington Mann, and her mother, Florence Sabine Pasley, were both portraitists, providing a childhood shaped by the quiet work of the studio. She learned to paint within her father's London studio, receiving early lessons that would later lead her to the Slade School of Fine Art and eventually to Paris. These formative years were marked by the steadying influence of Ethel Walker, another painter who continued to guide her even as Cathleen pursued her own studies.
The rhythms of her life changed with the arrival of the First World War. The studio was left behind for the work of an ambulance unit, a period that placed her in the middle of a much larger, more chaotic reality. When she returned to her art, her focus remained on the human form and the quiet details of life. She became known for portraits and landscapes, often capturing women and children with a careful eye for the subtle shifts in emotion. Her work found homes in the Victoria and Albert Museum, the Musée du Luxembourg, and the Royal Glasgow Institute of the Fine Arts.
During the 1930s, her hands were busy with more than just canvas. She moved into the world of British film, working as a costume designer. This period saw her contributing to the visual fabric of films such as:
Her design work left a physical trace in the collections of the Victoria & Albert Museum. At the same time, her painting continued to evolve. In 1934, she produced Ballerina, an oil on canvas that shows a woman on a couch with a black cat nearby. Her later years brought a shift toward abstraction. Influenced by Matthew Smith, she began experimenting with landscapes of increasing abstraction, nude drawings, and sculpture. This period of experimentation followed the personal losses of 1953, when her husband, John Robert Follett, passed away.
The Second World War brought a different kind of responsibility. Mann served as an official war artist, painting portraits of officers and Allied commanders. These works were seen in London and traveled to America, sometimes appearing in the pages of Time magazine. Beyond the canvas, she used her position as the Marchioness of Queensberry to assist others during the bombing of 1940. She worked to secure transport by road and rail to move people to safety in the dock district of south West Ham.
Her career was defined by a movement between the structured world of portraiture and the fluid experimentation of her later years. She held memberships in both the Royal Institute of Oil Painters and the Royal Society of Portrait Painters. Her portraits, such as those of Sir Matthew Smith and Sir Eduardo Paolozzi, remain in the National Portrait Gallery in London. She died in 1959 in her studio on Montpelier Walk, Brompton.
