11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 21점의 Bernice Cross 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 Bernice Cross의 가장 유명한 작품은 Black Pitcher (1944)이며, 원작은 워싱턴 D.C.의 필립스 컬렉션에 전시되어 있습니다. Melon Vendor (1934)와 Sancho Panza (1938)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. Bernice Cross의 작품 21점 중, 갤러리는 가장 유명한 21점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · 필립스 컬렉션
12
Shower필립스 컬렉션
13
Land of Cotton1938 · 필립스 컬렉션
14
Georgetown Corner in the Rain1934 · 스미소니언 미국 미술관
15
Strawberry Basket1943 · 필립스 컬렉션
16
Pink Lemonade1941 · 필립스 컬렉션
17
The Little Dove's Stove1940 · 필립스 컬렉션
18
Pansies and Pitcher1948 · 필립스 컬렉션
19
Winter Light1951 · 필립스 컬렉션
20
Royal Figure1953 · 필립스 컬렉션
21
Key Rack1949 · 필립스 컬렉션
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 2개의 미술관
| 소장 미술관 | 도시 | Bernice Cross의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 필립스 컬렉션 |
워싱턴 D.C. | 18 | Black Pitcher, Sancho Panza, Seaside |
 스미소니언 미국 미술관 |
워싱턴 D.C. | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944), 필립스 컬렉션, 워싱턴 D.C.. 다음은 Melon Vendor (1934)와 Sancho Panza (1938)입니다.
32세: Black Pitcher은(는) 1944년 작품이며, Bernice Cross은(는) 1912년에 태어났습니다.
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress 및 Circus People Resting. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1934년부터 1953년 사이의 Bernice Cross 작가의 작품 21점이 수록되어 있습니다.
대부분 필립스 컬렉션 (워싱턴 D.C.) 및 스미소니언 미국 미술관 (워싱턴 D.C.)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1940s 동안: 이 페이지의 총 21점의 작품 중 9점이 해당 시기에 제작되었으며, 그중 Black Pitcher점입니다.
이 페이지에서 가장 오래된 작품은 Melon Vendor (1934)이며, 가장 최근 작품은 Royal Figure (1953)입니다.
이 페이지의 21점의 작품에 걸쳐 있는 Woman (2) 및 Wood grain (2)
이 페이지의 총 21점의 작품 중 3점의 Oil On Canvas
Black Pitcher, Sancho Panza 및 Seaside: 필립스 컬렉션, 워싱턴 D.C.은(는) 이 페이지에 있는 작품 중 18점을 소장하고 있습니다.
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
