11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 13점의 크리스티안 베른하르트 로데 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 크리스티안 베른하르트 로데의 가장 유명한 작품은 Tod Friedrichs des Großen (1787)이며, 원작은 포츠담의 상수시 궁전에 전시되어 있습니다. Alexander the Great and the Widow of Darius (1750)와 The Artist with his Family (1745)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 크리스티안 베른하르트 로데의 작품 13점 중, 갤러리는 가장 유명한 13점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
The scene unfolds through Tod Friedrichs des Großen, a work by the Prussian artist Bernhard Rode. Created about 1787, this painting captures a heavy moment from Brandenburg-Prussian history. It moves away from the lighthearted anecdotes often told about the King, choosing instead to ground its subject matter in a more somber reality. The air in the room feels thick with the weight of this historical transition.
The scene unfolds in a heavy, dramatic tension, caught between the sharp glint of metal and the soft folds of mourning drapery. A single light source cuts through the darkness, striking the polished surfaces of Greco-Roman armor and the pale skin of a kneeling woman. On the left, armored figures command the space, their helmets adorned with plumes that catch the light. They move toward a cluster of women gathered…
In this intimate portrait, The Artist with his Family, Bernhard Rode presents a quiet glimpse into a private domestic sphere. Painted about 1745, the work captures a sense of familial stability through its careful arrangement of figures. Rode, a Prussian artist and engraver, was born in Berlin, Germany, in 1725. He was the son of the goldsmith Christian Bernhard Rode and Anna Sophie, and his early life in Berlin would…
An intimate encounter unfolds within a dimly lit interior, where a man and a woman share a moment of silent connection. Seated upon a teal-colored settee, the man gazes toward the woman standing before him. Their interaction is anchored by the gentle, deliberate touch of their hands, a focal point that draws the eye through the shadows. The composition relies on a balanced tension between the seated and standing figures,…
The sky breathes in shades of peach, rose, and cream as the first light of day breaks through the heavy, muted grey of the receding night. High above the world, a central female figure moves with a fluid, rhythmic grace, her reddish-pink drapery swirling around her like a flame caught in a gentle breeze. She is Aurora, the dawn, and she does not merely arrive; she descends in a dance…
The Emperor of China Ploughs the First Furrow in Honour of Agriculture is an oil painting by Bernhard Rode, created about 1771. The canvas captures a ceremonial moment where the Emperor of China performs a ritualistic act of labor. He is positioned amidst the earth, guiding a plough through the soil. This singular movement of the blade through the dirt anchors the entire scene.
The oil painting titled Friedrich and the Feldscher was executed by the artist Bernhard Rode. This work dates to about 1794. The composition focuses on a specific historical incident involving Frederick the Great, the monarch of Prussia. The scene is rendered in a style characteristic of late Baroque or Rococo historical painting, utilizing classical techniques to establish the atmosphere of the period.
The air feels heavy with the scent of metallic armor and the electric tension of a mythic struggle. At the center of this swirling drama, a man emerges not merely as a king, but as a legend. He moves with the decisive grace of Perseus, his form draped in a cloak of deep crimson that cuts through the shadows. His armor catches a sudden, theatrical light, gleaming with a cold,…
The canvas is a stage of deep shadows and sudden, sharp light. In the center, a bundle of spears rises like a vertical spine, drawing the eye through a tangle of reaching limbs. A male figure kneels in the foreground, his dark plate armor catching a cold, metallic glint. He wears a laurel wreath upon his head, a quiet mark of victory amidst the heavy drapery of his red cloak.…
The air hangs heavy with the weight of impending conflict in Frederick the Great before the Battle of Torgau. This historical scene, painted by the Prussian artist Bernhard Rode, captures a moment of profound stillness before the storm of war. The subject matter focuses on King Frederick the Great of Prussia, a central figure of the era, as he navigates the quiet tension of a camp setting. Every shadow and…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 5개의 미술관
| 소장 미술관 | 도시 | 크리스티안 베른하르트 로데의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Gemäldegalerie |
베를린 | 8 | The Artist with his Family, The heard Lover, The Morning / Aurora Scattering Flowers |
 상수시 궁전 |
포츠담 | 1 | Tod Friedrichs des Großen |
 슈타틸리체 무제엔 |
베를린 | 1 | The Empress of China Culling Mulberry Leaves |
 크라쿠프 국립박물관 |
크라쿠프 | 1 | Mythological Scene |
 바르샤바 국립 박물관 |
바르샤바 | 1 | Ancient scene of sacrifice |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this intimate portrait, The Artist with his Family, Bernhard Rode presents a quiet glimpse into a private domestic sphere. Painted about 1745, the work captures a sense of familial stability through its careful arrangement of figures. Rode, a Prussian artist and engraver, was born in Berlin, Germany, in 1725. He was the son of the goldsmith Christian Bernhard Rode and Anna Sophie, and his early life in Berlin would…
The scene unfolds in a heavy, dramatic tension, caught between the sharp glint of metal and the soft folds of mourning drapery. A single light source cuts through the darkness, striking the polished surfaces of Greco-Roman armor and the pale skin of a kneeling woman. On the left, armored figures command the space, their helmets adorned with plumes that catch the light. They move toward a cluster of women gathered…
The sky breathes in shades of peach, rose, and cream as the first light of day breaks through the heavy, muted grey of the receding night. High above the world, a central female figure moves with a fluid, rhythmic grace, her reddish-pink drapery swirling around her like a flame caught in a gentle breeze. She is Aurora, the dawn, and she does not merely arrive; she descends in a dance…
The Emperor of China Ploughs the First Furrow in Honour of Agriculture is an oil painting by Bernhard Rode, created about 1771. The canvas captures a ceremonial moment where the Emperor of China performs a ritualistic act of labor. He is positioned amidst the earth, guiding a plough through the soil. This singular movement of the blade through the dirt anchors the entire scene.
The scene unfolds through Tod Friedrichs des Großen, a work by the Prussian artist Bernhard Rode. Created about 1787, this painting captures a heavy moment from Brandenburg-Prussian history. It moves away from the lighthearted anecdotes often told about the King, choosing instead to ground its subject matter in a more somber reality. The air in the room feels thick with the weight of this historical transition.
The oil painting titled Friedrich and the Feldscher was executed by the artist Bernhard Rode. This work dates to about 1794. The composition focuses on a specific historical incident involving Frederick the Great, the monarch of Prussia. The scene is rendered in a style characteristic of late Baroque or Rococo historical painting, utilizing classical techniques to establish the atmosphere of the period.
Tod Friedrichs des Großen (1787), 상수시 궁전, 포츠담. 다음은 Alexander the Great and the Widow of Darius (1750)와 The Artist with his Family (1745)입니다.
62세: Tod Friedrichs des Großen은(는) 1787년 작품이며, 크리스티안 베른하르트 로데은(는) 1725년에 태어났습니다.
Tod Friedrichs des Großen, Alexander the Great and the Widow of Darius, The Artist with his Family, The heard Lover, The Morning / Aurora Scattering Flowers, The Emperor of China Ploughs the First Furrow in Honour of Agriculture, Friedrich and the Feldscher, Allegory of Frederick the Great as Perseus, Allegory of Frederick the Great as the founder of the German Prince League 및 Frederick the Great before the Battle of Torgau. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1745년부터 1794년 사이의 크리스티안 베른하르트 로데 작가의 작품 13점이 수록되어 있습니다.
대부분 Gemäldegalerie (베를린), 상수시 궁전 (포츠담) 및 슈타틸리체 무제엔 (베를린)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1780s 동안: 이 페이지의 총 13점의 작품 중 3점이 해당 시기에 제작되었으며, 그중 Tod Friedrichs des Großen점입니다.
이 페이지에서 가장 오래된 작품은 The Artist with his Family (1745)이며, 가장 최근 작품은 Friedrich and the Feldscher (1794)입니다.
이 페이지의 13점의 작품에 걸쳐 있는 Man (6), Woman (6) 및 Armor (3)
이 페이지의 총 13점의 작품 중 6점의 Oil On Canvas
The Artist with his Family, The heard Lover 및 The Morning / Aurora Scattering Flowers: Gemäldegalerie, 베를린은(는) 이 페이지에 있는 작품 중 8점을 소장하고 있습니다.
